New Music – Lizzie Reid

Lizzie Reid – Bible

Just over a year since the release of her debut EP Cubicle, Lizzie Reid returns with Bible: a beautifully poignant journey that shows Reid’s strength to develop, whilst keeping the entrancing sound of her previous work.

In her words, Bible ‘forces me to look at myself through someone else’s eyes’ in the anxiety that arises in the return to love. As the title suggests, religion blends in with intimacy, with the heart-achingly personal devotion of lines like ‘I’ll show you my childhood’ / ‘I promise to feel yours like you do’ blossoming later into the forlorn desperation of ‘I feel the gods have got it wrong’, weaving one faith against another.

In reflecting this personal struggle, Reid’s performance angelically captures personal anguish, both capturing the warmth of verses alongside the comforting guitar and soft percussive accompaniment, before reaching the peaks of previous tracks like Cubicle with harmonious, emotionally piercing choruses.

Delivering even more excitement for her performances at The Glad Café and Sonic Wave, it’ll be hard to not keep ears open for this more-than-promising artist.

Words by Jacob Rose
Photo by Matilda Hill-Jenkins

23rd March 2022

Live – White Lies | VLURE at Chalk Brighton

White Lies & VLURE at Chalk, Brighton, 18th March 2022

The return of White Lies with new album As I Try Not To Fall Apart has cemented their ability to create powerful songs that, despite the perceived sadness in their titles, have the ability to make people very happy. Out on tour around the UK, theirs is an impressive show on many levels.

An interesting pairing taking VLURE along as support – though both bands are with Red Light Management – the Glasgow five-piece have made a huge dent in the music scene captivating smaller venues, but how would this transfer to a bigger stage further from the crowd, many of whom potentially hadn’t heard or seen them before? In a genius move I’ve not witnessed previously, the simple answer was for vocalist Hamish Hutcheson to perform the whole set from the raised ledge in the photo pit – apart from the jump over to wander through and sing up close to the audience (props to security for ensuring the mic lead didn’t claim any victims on its ever extending journey). It’s hard to do the VLURE experience justice in a few words – intense, emotional, and just the right side of chaotic, they’re without doubt one of the best new bands around and clearly give the same maximum effort wherever they play.

And so to White Lies – it’s always a bold move to start with one of your most successful songs and the opening notes of Farewell to the Fairground set the pace for a show full of formidable tracks. By this stage Chalk was absolutely rammed with fans old and new enjoying what it has to be said was a faultless showcase. The band sounded great, the music was beautiful, the lighting was spot on, there was a lovely atmosphere, and really you can’t ask for much more than that.

The new songs are strong and along with the title track from As I Try Not To Fall Apart, other stand-outs came in the shape of Am I Really Going To Die and There Is No Cure For It. The old favourites were very much on hand as well, displaying the quality of their songwriting from early on in To Lose My Life, Unfinished Business and with only a tiny hint of amusement that the crowd was actively cheering for Death.

The tour continues tonight in Dublin, then heads for Liverpool, Norwich, Oxford and London through the week. Go to see White Lies and discover VLURE – or go to see VLURE and marvel at the long-standing talent of White Lies. Either way, this was a mighty return and an excellent night’s entertainment.

(White Lies European dates follow until the beginning of May).

White Lies | VLURE

Event hosted by Lout Promotions

Words / photos by Morgan / Siobhan

21st March 2022

New Music – Honeyglaze

Honeyglaze – Female Lead

Released on International Women’s Day, Honeyglaze’s Female Lead finds time to tell a light tale of hair dye, that underlyingly holds both lyrical reflection and a display of the band’s talent.

The key feature of Female Lead seemingly lies in vocalist Anouska Sokolow, delivering some stellar lines including the rhyme of ‘Madonna’ with ‘80’s Horror’ – a work of absolute genius. Her performance was influenced by the Shangri-Las and ‘narrative heavy pop songs that were coming out of the Brill building during the 60s’: a feature that adds a transcendental quality to the track, as it blends a deliberate vocal and temporal energy of that era with the sombre indie of both guitarists’ nicely attributing melodies (itself influenced by the same time, but usually without the appreciation that Honeyglaze openly show).

With only roughly a month to go before the release of their debut album, and with stellar tracks like Female Lead and Shadows behind them, Honeyglaze are clearly gearing for greatness.

Honeyglaze – self-titled debut album due for release on 29th April 2022
via Speedy Wunderground

Words by Jacob Rose
Photo by Holly Whitaker

21st March 2022

 

Live – Lynks | Jessica Winter at The Green Door Store Brighton

Lynks & Jessica Winter at The Green Door Store, Brighton, 17th March 2022

From their Brighton debut at the tiny Rossi Bar two years ago, the Lynks message has clearly spread. After stealing the show at Mutations Festival in November, tickets for the Green Door gig started flying out and those who were lucky enough to grab one were not disappointed.

First though, proof if it were needed that you should always catch the support slot. Stunning vocals from Jessica Winter and the stage presence of a film noir starlet captivated the room. The perfect way to kick things off.

To the strains of The Wedding March and clad in a psychedelic bodysuit, Lynks walked down the aisle through the crowd and jumped on stage, catapulting straight into live favourites This is the Hit and Everyone’s Hot (And I’m Not). New track Hey Joe (Relax) was just as well received, with sing backs from the heaving crowd continuing throughout the set.

Ably backed by the Lynks Shower Gel trio, a Lynks show is an immersive experience that never fails to lift the spirits. Finishing with the ever popular Str8 Acting, the crowd response was as loud as I’ve heard at the venue and justifiably so. The tour continues tonight at London hotspot Heaven, then moves through Bristol, Birmingham, Nottingham, Leeds, Birkenhead, Glasgow, Newcastle, Manchester, Southampton and Margate – catch it if you can.

Lynks | Jessica Winter

Words and photos by Siobhan 

18th March 2022

Album Review – The Ninth Wave

The Ninth Wave – Heavy Like a Headache

As The Ninth Wave announce a hiatus to pursue other projects, they leave us with second album Heavy Like a Headache. Mixed emotions for fans as the anticipation of new music is coupled with the knowledge that those intense, intimate performances that the band have been bringing over the last few years are no longer on the cards. Nonetheless, the album still has stories to tell.

Vocal heavy Maybe You Didn’t Know holds elements of traditional Scottish songs of the past, segueing into more familiar ground on the 80s’ fashioned electro-pop of Heron on the Water. There are many dilemmas posed throughout. Recent single Hard Not to Hold You questions, ‘Should I change myself enough so you stop wanting to know me?‘ while closing track Song for Leaving ponders what might happen ‘if we break apart’.

As a whole piece of work, the album is impassioned and heartfelt, befitting of the circumstance in which it arrives. If this is to be their swansong, then at least we have a soaring momento of everything that’s gone before. Heavy Like a Headache, released tomorrow via Distiller Records, is an accomplished reminder of why The Ninth Wave will be very much missed.

Watch the video for What Makes You a Man below.

Vinyl, CD, cassette and download versions of the album available here

Words by Siobhan
Photo by Yaël Temminck

17th March 2022

Live – The Cribs | The Blinders at Chalk Brighton

The Cribs & The Blinders at Chalk, Brighton, 12th March 2022

With a back catalogue spanning eighteen years and every album full of fan favourites, it’s difficult to imagine how The Cribs pick their setlist and still leave everyone happy with their choices. I guess if you don’t have a bad song in there you can’t really go wrong.

Their release of latest album Night Network was a welcome return that lifted the shadows of lockdown, and the anticipation of the accompanying tour proved utterly justified as they hit the stage at Chalk in Brighton on Saturday.

First up with a lot of support in the crowd, The Blinders treated us to a mix of older tracks and others taken from this year’s Electric Kool-Aid EP. Their advancement from a trio to a five-piece adds extra layers to their performance, though the dark undertone is undeniably still present.

By the time The Cribs walk out to the heady hat-trick of Running into You, I’m a Realist and Our Bovine Public, Chalk is heaving with the unmistakable atmosphere that comes with each and every one of their gigs. You won’t find a better crowd and, no matter the size of the venue, it always feels like it’s just a big group of friends out to see that band they love – the group of friends has extended majorly over the years but the love for the band never dips. Whatever the circumstance, when  you meet another Cribs fan you just know they’re alright.

The energy continues on and off stage alike, word perfect singalongs from the crowd to everything from an unexpected rendition of I’m Alright Me to an acoustic Shoot the Poets and later set stalwarts Be Safe and Pink Snow, the band, mosh pit and surfers barely pausing for breath.

After the show ends, the surrounding streets of Brighton are filled with reasonably in key variants of the opening chords of Another Number. Whatever else is going on in the world one thing remains dependable, you’ll never leave a Cribs gig without a smile on your face – here’s to many more.

The Cribs | The Blinders

Words and photos by Siobhan

15th March 2022

 

New Music – Francis of Delirium | Car Boot Sale

New releases – Francis of Delirium, Car Boot Sale

Francis of Delirium – The Funhouse

Building up a hefty amount of anticipation as their debut US venture kicks in, Francis of Delirium’s The Funhouse kicks the chair, dropping us into a soundscape of chaos that keeps its listeners (willingly) captive.

The energy of the track can be felt from the first five seconds – a searing guitar splitting in two between the stereo, keeping pace but creating immediate seeds of sonic disorder. Despite these tonal singes appearing throughout, they never feel like the ‘most’ that the track can do. Instead, throughout Jana surrounds you, the track knits enticement and gloom, flowing despairing lyrics in ever-changing rhythms that keep the track engaging until its end. Bahrich’s elusive delivery of lyrics centred on “attempting to remain unphased by the mayhem” drastically transforms between rhythms.

Supported by a video that iconises the chaos of the track, it’ll be hard to stop the carousel that is The Funhouse from being repeated over and over.

Francis of Delirium

************************************************************

Car Boot Sale – Headhouse

Headhouse is the latest single from Car Boot Sale, that brings dreamy indie pop right back into its prime.

The tune is primed for its soft yet bouncy atmosphere with its initial collaboration of tones, with the band keeping a sync, allowing each member their time as the tune unfolds – each six-string guitar laterally owning their space while the bass expands rhythmically into some fun styles throughout. Key standouts are drummer Ciaran Forth and vocalist Jacques: the former keeps the track solid, but in a jelly-like state, where variation never dulls the track down; the latter’s twisting vocal energy lifting listeners between tranquility and shout-out-loud lines, done with “ain’t that a lot of love?”.

It’s hard to see what’s not to like about Headhouse, stirring up even more love for the band and the future ahead of them.

Car Boot Sale

************************************************************

Words by Jacob Rose

15th March 2022

Live – Franz Ferdinand at Concorde 2 Brighton

Franz Ferdinand at Concorde 2, Brighton, 11th March 2022

Launching their 20-track greatest hits collection Hits to the Head, Franz Ferdinand dropped into Brighton last night to play an intimate outstore performance for local record shop Resident. Back at Concorde 2 for the first time since April 2004, it was a fantastic opportunity to see them in a smaller venue and marvel at the extent of their back catalogue.

Dark of the Matinee, Walk Away, Michael, Always Ascending, the hits just kept coming and the newest formation of the band, including Audrey Tait on drums, sounded absolutely on point. What a fabulous night – captured in pictures here by Mike Burnell.

Franz Ferdinand
Hosted by Resident and One Inch Badge

Photos © Mike Burnell (iso400.com)
Words by Siobhan

12th March 2022

 

 

New Music – Fräulein

Fräulein – Drag Behind

Fräulein’s new single Drag Behind continues the duo’s streak of creating small fires with which to burn emotions on. 

The tune starts with an infectiously drab riff, one which as the track progresses, begins searing with the energy to go further, energy stopped perfectly by the bleak atmosphere of the tones created. This seems to go hand in hand with Joni Samuels’ lyrics, conveying the search to reach potential, until “your constant comparisons drag you down”.

Samuels’ voice brings an intricacy to the classic styles of post-punk singing, seen in the likes of influence PJ Harvey and equally Bristol-stemming contemporaries wych elm, with each lyric seemingly hiding a hidden emotion to decode, from playfulness to despair. Van der Tol’s drumming, too, can’t go unmentioned: capturing the perfect rhythm with which the track casts equal measures of fever and underlying gloom. 

With their style freshly evolving through the band’s London/lockdown era, it’ll be a despondent delight to see where they next take our ears. 

Fräulein

************************************************************

Words by Jacob Rose
Photo by Hannah Mason

4th March 2022

New Music – cheerbleederz

cheerbleederz – cute as hell

cute as hell is the latest from London punks cheerbleederz, a blast of nostalgic rock sprinkled with just the right amount to add a modern twist.

This dissonant spin is felt in the first few seconds of the track, as a guitar gently sears over a bass line that jumps right near the edges of easy listening. In the verse, the band come together in an image of desire dangled just above danger – the hell is definitely not to be left unseen, or even in jest, when it is followed with “I’m going to bash your brains out your skull”.

The track, as hinted with the music, always feels on the edge of chaos, on the edge of destruction, which keeps its pop-punk vibe immaculate, and it’s dips into the styx of aural and lyrical aesthetic.

Released on Valentine’s day, cheerbleederz have given the first of their lovely gifts, one of many to come in the build up to their album’s release in the summer.

cheerbleederz

************************************************************

Words by Jacob Rose

25th February 2022

New Music – Pushpin

Pushpin – Deep Dive Brain Drive

It’s hard to tell where Pushpin will go with every new single. Their animal-drawing singles gave ranges of math-rock styled indie, to Radiohead-esque anthems to all out indie rock. With Deep Dive Brain Drive, they venture into something different.

Deep Dive Brain Drive begins with a rhythm: a strong beat that feels like its own voice in the track. From this, the musicality can expand, beginning with a creation of a sonic atmosphere, one that feels perfect for a road trip on the sunrise, if that helps visually create the song. Lead vocals and piano intervals manage to supplement this atmosphere without replacing it all, only adding more. However, this is the least of the track’s capabilities.

As we pass the halfway mark, Pushpin break from film to video game soundtrack – synth keys and distorted bass line push the notch to 11, bending into that indie rock style with an even higher intensity than any previous tune.

With their debut EP set to release in April, it’ll be hard to anticipate (but a joy to wonder) where the band head next.

Pushpin

************************************************************

Words by Jacob Rose

21st February 2022

EP Review – Blue Bendy

Blue Bendy – Motorbike

Motorbike is the new debut EP of South London sextet Blue Bendy – a glorious exploration of experimentation, that weaves through so many great aspects of music it’s hard to really pin it down – then again, was music ever meant to be pinned down?

The EP begins strong, with Spring 100: the closest the band will get to a consistent sound. A waning bass along with some near minimalist percussion brings a steady atmosphere, that only elevates through the brilliant range of tones on display – from lifting flute melodies to wheezing guitars. Even the vocalist, Arthur Nolan, brings an engaging range of potential influences, from pre-Morrissey Morrissey to (and in saying this I fear a sigh of repetition from the number of times they must hear this) Alex Rice.

So many styles manage to interweave within one another, and yet the band never feel stale – never rehashing new ground. Clean is Core provides new energy in a backbeat, train-chugging rhythm, which itself blends so well with shifts into effervescence, with backing vocals and a lo-fi guitar shift, matched with artificial, yet oddly beautiful, strings.

Even with the use of similarly coating synths and backing vocals in next track A Celebration, Blue Bendy find new ground, letting the phrase “I’m no longer on my baby’s mind” and its mild despondence deliver another descent within a funkily energetic song.

A strong personal highlight comes in Settling: Cool, where the band’s style is perfectly emanated within just 3 minutes. From its calm-yet-tense opening, with extraterrestrial sounds, we explode into an eclectic mix of jumping chords, leaping vocals and drums that skip along, never being contained in the rhythm. Occasional grand atmospheres give Nolan’s lyrics (i.e. “My dad is a spaceship”) a glow, bringing an even larger impact that fades in and out on a whim.

As we are brought in and out of a melancholic mid-8, the stakes have somehow never been higher. The song and the EP end with the heaviest of the band’s style, bringing all aspects together in a clashing finale that helps to show the band’s strong potential for the future.

Listen to Motorbike below and purchase on Bandcamp

Blue Bendy

************************************************************

Words by Jacob Rose
Photo © Jason Sheehan

18th February 2022

New Music – Kathleen Frances | Pearz

New releases – Kathleen Frances, Pearz 

Kathleen Frances – Boy

Bristol songwriter and producer Kathleen Frances has a voice that demands your attention in the subtlest, most captivating way. Her deep baritone vocal has a timeless feel that would sit equally at home in a prohibition jazz bar as it does today. It reminds me a little of the heart-rending sound of Anohni and, if pending EP Through the Blue maintains this standard, it doesn’t seem unrealistic to think that Kathleen could claw those levels of success too. Very firmly on the ones to watch list, take a listen to Boy here and discover the talent that’s lurking therein.

Kathleen Frances

************************************************************

Pearz – Saudade

The new track from multi-instrumentalist Francesco Perini, aka Pearz, quashes the idea that you can’t tell a story without words. The accompanying video plays out scenes to match the music, but you could just as easily visualise your own journey through the crescendos and dramatic changes in pace on offer. Hailing from Florence, Pearz uses his established production skills to present the music as a composition with definite filmic values, encapsulating waves of nostalgia and yearning. The video, shot by Jules Apollinaire, is equally enchanting – watch below.

Pearz

************************************************************

Words by Siobhan
Photos: Kathleen Frances © Michaela Frances, Pearz © Tess Parks 

17th February 2022

Live – Pigeonhole | Average Life Complaints at The Green Door Store Brighton

Pigeonhole & Average Life Complaints, The Green Door Store Brighton, 12th February 2022

Following two weeks of isolation, the prospect of live music was even sweeter than usual. And it’s safe to say that the bill at Brighton’s Green Door Store on Saturday didn’t disappoint.

Up first but could just as easily have headlined, Average Life Complaints received no complaints but shouts for a “3 hour set” instead. With a hint of The Cure in their music but very much on today’s terms, the four piece impressed to a high level.

Next up, in another name anomaly, Pigeonhole were actually pretty hard to pigeonhole. With elements of rock and post-punk, their organic line-up lends itself to a fairly chaotic performance that was much embraced by the crowd.

Altogether a fine night and lovely to see the place packed and bouncing. Curated by Only Mellor – photo gallery below.

Average Life Complaints

Pigeonhole


Words and photos by Siobhan

15th February 2022

 

 

New Music – Cage Park | Sprout

Cage Park – Hand Me Downs

While previous singles MUD and  BUS made exciting breaths into the experience of the No. 50 bus and festival madness, Cage Park’s newest Hand Me Downs brings a slice of melancholy to the band’s repertoire, still brimming with their power of both lyrical and aural storytelling.

Suiting the track’s title, Hand Me Downs is fuelled by a stoked yet drowsy handful of chords, the bass and drums creating a slow heartbeat with which vocalists Mist and Belben paint portraits of the past and impending future – “holding onto hand-me-downs” and that irritating urge to actually complete those monkey bars, crashing with the presence of adolescence and the urge to ‘Move On’ (wherever that leads).

As the imminence of becoming the hand-me-downer arrives, guitarist Leo White and drummer Reuben Saunders shine, both in the dances of their instruments in verses, but especially in bringing the burn of emotion – shown effortlessly through the drift into the chorus, bringing an atmospheric passion into the constant question asked within this beautifully waning tune.

Released just days before their headline at the Hare and Hounds, Cage Park are once again keeping our eyes and ears open, handing us down only the best they can bring in musical expertise – the type of hand-me-down you’d be proud to pass along.

Cage Park

************************************************************
Sprout – I’m Just Getting By

If you ever needed the perfect fit from album art to song, look no further than the bright, unhappy clown of Sprout’s I’m Just Getting By – perfectly representing a track that weaves between sorrow and a strange optimism.

Akin to the likes of other 7476 artists like Lizzie Reid, the track’s main shine rings in the intimacy that Meg Grooter brings to their conversation of depression. As figured in the title, the track draws an image of quaint existence in perceptions, compared with the personal, sung delicately and beautifully throughout, softly bursting into harmony as these images expand.

Instrumentally, through a muted electric piano that dances in similarly delightful yet sombre ways, the song’s strange amalgam of tones fits together, pulling the heart in just the right ways.

Described by Grooter as a “genderless, genreless blob of emotion”, Sprout is a project with a great potential to create virtue and a dash of pain, with this debut acting as a phenomenally intriguing start.

Sprout

************************************************************

Words by Jacob Rose

11th February 2022

Icebreaker Festival – Winter 2022 (Portsmouth)

Icebreaker Festival, Multi-Venue Southsea, 29th January 2022

I maintain that in the UK, January is a great time for indoor festivals. There’s the post-Christmas lull, an inexplicably long month that goes way beyond its alleged 31 days, and just a general sense of being cold and looking for a fresh start to the year.

Year on year, Icebreaker responds to this beautifully – something to look forward to, a lovely warm atmosphere and always some new artists to discover alongside some familiar and already favourite faces.

My day started with Temples of Youth (above) sounding incredibly polished, with or without the requested reverb that eventually made a guest appearance late in the set. An acoustic set from Joe Johnson (below) also proved to be a welcome way to ease into the day.

One of the joys of this festival is that it’s not just multi-venue but also multi-genre so I often find myself seeing artists I probably wouldn’t catch otherwise, and I was grateful for the introduction to the jazz-infused sounds of Maple Sky (below).

Having made their live debut at Icebreaker two years ago, it was great to see a packed Wedgewood Rooms for Fast Trains (below) as they made the transition to the main stage look easy. Look out for their return to the Wedge in April.

Albert Road edging onto Elm Grove in Southsea is well established for these kind of events now, hosting a number throughout the year with a wide array of pubs, cafes and of course the jewel in the crown that is The Wedgewood Rooms all taking part. There’s no ignoring that there were issues with the door staff at one venue, which was a huge shame and quite unprecedented so unexpected for all. However, I understand that this is being addressed so won’t dwell on it here. It’s fair to note that generally and elsewhere, everyone involved was welcoming and friendly, as has always been my experience at Icebreaker, and they shouldn’t be tarred with the same brush.

More new acts to me included slick electro-rock outfit Dronningen (above) and Van Gosh (below and header) who ran away with the best-dressed award, their costumes only momentarily distracting from the fact that they’re actually really accomplished musicians.

In what was undoubtedly the hottest venue on the street (felt like in the world at the time to be honest but that may be a minor exaggeration), Beige (below) played a great set of hazy rock filled tracks at Back to the Belgrave – previously Acapulco, previously Al Burrito, always very hot in there whatever it’s been called!

For those with a penchant for glam and The Slits, Brighton’s Slant provided just the thing (above and below right), and local alt rock band Broken Links (below left) made a big impression on a big stage.

And a happy way to close my night was with the fabulous Arxx at The Fox (below and centre above), a powerful duo prepping with lucky star jumps, playing a stomping set and getting a deservedly appreciative response from the crowd.

Every festival has its niche, and for Icebreaker the opportunity to showcase unsigned acts is always one that it takes to the max. Here’s hoping that the planned summer event will be able to go ahead this year. Thanks to all involved for another top day out.

You can keep up with Icebreaker events here

Words / photos by Callum / Siobhan

4th February 2022

New Music – Divorce

Divorce – Services

It’s hard to pick out a ‘best’ part of Divorce’s debut single Services. Is it the charm of their gorgeous split-scene music video, produced by Bristol superstars Clump Collective? Is it the already clear talent, seen through each member’s work in bands including Megatrain and Do Nothing? Is it the fact that I keep on getting the wrong results from searching “Divorce Services”? Or is it (almost definitely) the playfulness of it all, the collaboration of so many moving elements?

Maybe it’s even the music.

In a lot of ways, Services brings the feel (and joy) of some haunted carousel. Each tone brings its own purpose: a heavily pumping bass line to the dancing staccato of electric guitars; infectious drums twist the atmosphere effortlessly with a change of cymbals; and, of course, the vocals, bringing a quaint image amidst the building…macabrity?

The chorus brings even more to the table, pumping a pseudo-musical duet of melodrama, tainted perfectly with a harsh twist of discordance – all before returning to that quaint image with: “That’s where my miracle ends”.

A perfect summation of the engaging catastrophe, in cardboard flames and scorching tones, that sparks the beginning of Divorce’s well-earned existence.

Divorce

************************************************************

Words by Jacob Rose
Photo © Aria Shahrokhshahi

2nd February 2022

 

New Music – Cliché Cult

Cliché Cult – Say It Like You Mean It

Leeds’ own Cliché Cult, with their new track Say It Like You Mean It, scorch the music scene with harsh and catchy tones, blending a mix of the uproar rock can bring with a mix of the sour.

The band’s presence can be felt in the first crash of sound into the track, in an introduction to the wonderfully upbeat, but still delightfully dissonant chorus – one that almost finds a delight in the despair of those eponymous words – say it like you mean it!

Speaking of which, vocalist Jimmy Sweeney certainly means it. His vocals throughout the track dance from following the suave murkiness of Echo and the Bunnymen’s Ian McCulloch (the band being one of many inspirations for Cliché Cult) to searing with energy, especially towards the song’s powerful close – all instruments ramping to a full punch of fire.

It’s clear that the Cult means business, and it’s only going to be more satisfying to see how they’ll be saying it in the coming year.

Cliché Cult

************************************************************

Words by Jacob Rose 

31st January 2022

New Music – deep tan | Peaness

New releases – deep tan, Peaness

deep tan – beginners’ krav maga

There is much to take from deep tan’s first single of 2022. A feel of some of those classic punk tracks that in actuality were pretty perfect pop songs, a well fitting juxtaposition of spiky riffs with smooth vocals, and an opportune use of music with a message for starters.

In beginners’ krav maga, the band continue to show why they remain firmly at the top of numerous publications’ breakthrough artists lists. At just 2 minutes 38 the track is concise, crisp and catchy; the message behind it no less serious as a consequence.

The band say, “beginners’ krav maga is a response to the idea that womxn should take self defense classes in order to feel safe on the street at night. womxn shouldn’t have to. yet it seems like every day there’s a new sarah everard, sabina nessa or aisling murphy. educate your sons, brothers, guy friends. male violence against womxn is an epidemic and it needs to stop, so we made a pop song to talk about it.”

beginners’ krav maga is out now, details of tour dates and ticket links here.

deep tan

************************************************************
Peaness – How I’m Feeling 

Good to hear new music from Chester trio PEANESS as they build interest for their long-anticipated debut album. World Full Of Worry is due for release on 6th May through the band’s own label, Totally Snick Records. In the meantime, How I’m Feeling sets the scene for a long player filled with their distinctive brand of sugar coated indie-pop sure to please long time fans and grab some new ones too.

Peaness say, “In an unfulfilling job? Need a shake up with something in your life or you’ll go mad? Well, that’s How I’m Feeling and it can’t be ignored anymore! Amongst self loathing and melancholy there are sparks of determination and a belief that you deserve more. I hope it works out.”

How I’m feeling is out now with album pre-order on this link. Peaness have also shared details of tour dates here.

Peaness

************************************************************

Words by Siobhan 
Photos: deep tan © Alex Loveless, Peaness © Derek Bremner

24th January 2022

New Music – White Lies | Maida Rose

New releases – White Lies, Maida Rose

White Lies – Am I Really Going To Die

When it comes to singing about death, who can compete with White Lies? In the new single Am I Really Going To Die, the band jam between despondence and hope through scenes of medication and phenomenon.

After an introduction that would perfectly play as a hero rises to overcome defeat, the funk of White Lies’ new track kicks in. Each tone of the track dances in its own right: the bass intricately weaving between notes, the guitar adding its own percussion with syncopated chords and the anthemic rises of the keyboard especially. This, of course, helps back singer McVeigh’s upmarket character, transitioning between the stages of recognising his own mortality.

Considering this as the first of two songs discussing this narrative only boosts hope and anticipation for White Lies’ upcoming album in February, both to conclude the narrative and to deliver more of the band’s seminal style.

White Lies

************************************************************

Maida Rose – I Remember

Using almost exactly the same instruments and taking them in a completely softer direction, I Remember is the latest track from Maida Rose: a construction of a dreamy landscape that feels like it could last a lifetime (somehow without even taking up three minutes).

The main forces of the track come down to Maida Rose’s voice – a carefully melodic, tranquil presence, backed throughout by a synth that pulses, giving a lovely light weight to the building percussion. As soft guitars kick in (delightfully reminiscent to The Strokes’ Ode to the Mets), this universe expands, adding a rhythmic path with which to explore the landscape the group have audibly created.
In their ability to form beauty out of unchanging, yet ever present memories, Maida Rose form another piece of the puzzle of their upcoming album, sure to carry just as many dreamy tunes as I Remember.

Maida Rose

************************************************************

Words by Jacob Rose 
Photos: Maida Rose © White Lies © Charles Cave, Lin Bartraij

22nd January 2022