New Music – Ellie James | English Teacher

New releases – Ellie James | English Teacher

Ellie James – Uncomfortable

In shifting from previous persona Little Rêd, Ellie James returns with single Uncomfortable, a reflective track that bursts with poignancy and individual hope.

Beginning with tones that draw out her lyrics further into thought, it isn’t long before James’ track picks up the pace: added drums and a new guitar rhythm both give a heartbeat to the track, before dissolving into their own journeys, unfolding the aural landscape. It’s not unlike the music video (one that, like Divorce’s, comes from Clump Collective) which sees James near-motionless in a lift, as various and increasingly disruptive people take up her space.

While certainly provoking the title of Uncomfortable in the video, the song’s instrumentation is anything but, adding extra flavours of emotion to her simmering thoughts.

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English Teacher – Mental Maths

English Teacher’s last drop before debut EP Polyawkward,  Mental Maths once again shows the band’s hefty unpredictability, broadening the scope of their music into old school rock/metal and a cheeky bit of math rock for good measure.

Lily Fontaine’s lyrics, as usual, help deliver their own tales that provoke the need to pause and just take in: like, who am I, when I’m outside (outside)? Simply aided at first by the band’s post-punk waltz, the chorus shows the separation into one of their signature charms of instrumentation that washes ears with waves on waves of shifting rhythms, that somehow keep the band synced but separately unique.

One for the crowds (especially with a chaotic pumping 5/4 bridge), English Teacher are somehow amping up even further hype for both their EP and first headline tour.

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Words by Jacob Rose

4th April 2022

New Music – Lizzie Reid

Lizzie Reid – Bible

Just over a year since the release of her debut EP Cubicle, Lizzie Reid returns with Bible: a beautifully poignant journey that shows Reid’s strength to develop, whilst keeping the entrancing sound of her previous work.

In her words, Bible ‘forces me to look at myself through someone else’s eyes’ in the anxiety that arises in the return to love. As the title suggests, religion blends in with intimacy, with the heart-achingly personal devotion of lines like ‘I’ll show you my childhood’ / ‘I promise to feel yours like you do’ blossoming later into the forlorn desperation of ‘I feel the gods have got it wrong’, weaving one faith against another.

In reflecting this personal struggle, Reid’s performance angelically captures personal anguish, both capturing the warmth of verses alongside the comforting guitar and soft percussive accompaniment, before reaching the peaks of previous tracks like Cubicle with harmonious, emotionally piercing choruses.

Delivering even more excitement for her performances at The Glad Café and Sonic Wave, it’ll be hard to not keep ears open for this more-than-promising artist.

Words by Jacob Rose
Photo by Matilda Hill-Jenkins

23rd March 2022

New Music – Honeyglaze

Honeyglaze – Female Lead

Released on International Women’s Day, Honeyglaze’s Female Lead finds time to tell a light tale of hair dye, that underlyingly holds both lyrical reflection and a display of the band’s talent.

The key feature of Female Lead seemingly lies in vocalist Anouska Sokolow, delivering some stellar lines including the rhyme of ‘Madonna’ with ‘80’s Horror’ – a work of absolute genius. Her performance was influenced by the Shangri-Las and ‘narrative heavy pop songs that were coming out of the Brill building during the 60s’: a feature that adds a transcendental quality to the track, as it blends a deliberate vocal and temporal energy of that era with the sombre indie of both guitarists’ nicely attributing melodies (itself influenced by the same time, but usually without the appreciation that Honeyglaze openly show).

With only roughly a month to go before the release of their debut album, and with stellar tracks like Female Lead and Shadows behind them, Honeyglaze are clearly gearing for greatness.

Honeyglaze – self-titled debut album due for release on 29th April 2022
via Speedy Wunderground

Words by Jacob Rose
Photo by Holly Whitaker

21st March 2022

 

Album Review – The Ninth Wave

The Ninth Wave – Heavy Like a Headache

As The Ninth Wave announce a hiatus to pursue other projects, they leave us with second album Heavy Like a Headache. Mixed emotions for fans as the anticipation of new music is coupled with the knowledge that those intense, intimate performances that the band have been bringing over the last few years are no longer on the cards. Nonetheless, the album still has stories to tell.

Vocal heavy Maybe You Didn’t Know holds elements of traditional Scottish songs of the past, segueing into more familiar ground on the 80s’ fashioned electro-pop of Heron on the Water. There are many dilemmas posed throughout. Recent single Hard Not to Hold You questions, ‘Should I change myself enough so you stop wanting to know me?‘ while closing track Song for Leaving ponders what might happen ‘if we break apart’.

As a whole piece of work, the album is impassioned and heartfelt, befitting of the circumstance in which it arrives. If this is to be their swansong, then at least we have a soaring momento of everything that’s gone before. Heavy Like a Headache, released tomorrow via Distiller Records, is an accomplished reminder of why The Ninth Wave will be very much missed.

Watch the video for What Makes You a Man below.

Vinyl, CD, cassette and download versions of the album available here

Words by Siobhan
Photo by Yaël Temminck

17th March 2022

New Music – Francis of Delirium | Car Boot Sale

New releases – Francis of Delirium, Car Boot Sale

Francis of Delirium – The Funhouse

Building up a hefty amount of anticipation as their debut US venture kicks in, Francis of Delirium’s The Funhouse kicks the chair, dropping us into a soundscape of chaos that keeps its listeners (willingly) captive.

The energy of the track can be felt from the first five seconds – a searing guitar splitting in two between the stereo, keeping pace but creating immediate seeds of sonic disorder. Despite these tonal singes appearing throughout, they never feel like the ‘most’ that the track can do. Instead, throughout Jana surrounds you, the track knits enticement and gloom, flowing despairing lyrics in ever-changing rhythms that keep the track engaging until its end. Bahrich’s elusive delivery of lyrics centred on “attempting to remain unphased by the mayhem” drastically transforms between rhythms.

Supported by a video that iconises the chaos of the track, it’ll be hard to stop the carousel that is The Funhouse from being repeated over and over.

Francis of Delirium

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Car Boot Sale – Headhouse

Headhouse is the latest single from Car Boot Sale, that brings dreamy indie pop right back into its prime.

The tune is primed for its soft yet bouncy atmosphere with its initial collaboration of tones, with the band keeping a sync, allowing each member their time as the tune unfolds – each six-string guitar laterally owning their space while the bass expands rhythmically into some fun styles throughout. Key standouts are drummer Ciaran Forth and vocalist Jacques: the former keeps the track solid, but in a jelly-like state, where variation never dulls the track down; the latter’s twisting vocal energy lifting listeners between tranquility and shout-out-loud lines, done with “ain’t that a lot of love?”.

It’s hard to see what’s not to like about Headhouse, stirring up even more love for the band and the future ahead of them.

Car Boot Sale

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Words by Jacob Rose

15th March 2022

Interview – Pizza Crunch

Pizza Crunch – Interview with Jacob Rose

After the release of their latest single ‘Flatfoot’, a blend of the melancholy and freedom originating from 2020’s lockdown, I had the delightful opportunity to speak to Pizza Crunch about their past with the single’s evolution, as well as the future of their sound…

JR: So first, I’ve got to say that I’ve really enjoyed the new single Flatfoot. Loved the Smithsy vibes from the track, which hopefully isn’t a comment that’s been haunting you since. I’ve heard that there were some changes to the song since its creation in the first lockdown – how much would you say it’s changed since its original creation and were there any key moments that determined that change?

Ewan (vocals): So Nathan (lead guitarist) and I do the bulk of the writing. And I think in the early days of the band we often got lost in our own parts. For example, I’d write the lyrics and I’d want them to be squeezed into the song without putting much care into other sections. Flatfoot was originally quite focused on the vocal and lead. Since we first wrote the song we have reworked the chorus so it packs more punch and is more easy listening. We went into the studio with Johnny Madden of Baby Strange a year or so ago and the emphasis he puts on chorus melodies probably influenced us with this new tune.

You mentioned how the jovial tone of Flatfoot stemmed from the freedom you felt from that first lockdown – did the band share that feeling in their respective situations? Or were there any conflicts between what you guys wanted to produce from the feeling of that lockdown?

Yeah, because I write the lyrics my feelings kind of take precedence haha. But often, Nathan will write a jovial guitar part and I’ll write some misery filled lyrics and we’ll kind of have this contrast between the music and the lyrics. I’m sure the other members of the band did go through tough spells during the lockdown as we all did, I think I was in the minority in seeing the initial part of it as a bit of a holiday.

I feel obliged to ask at least one a bit off kilter question – if you could choose any new instrument to take with you to the recording booth for your next tunes, what would you like to bring in?

Haha great question. For the new stuff we have been working on we’ve actually brought up in some new instruments. We’ve got all sorts going on, trombones, gloks, cellos, etc. I’d love to bring in a sax at some point. I’d also love to get a choir involved.

In respect of keeping the new project in any and all secrecy you like, I just wanted to ask if there were any musicians or albums that have inspired where you’ll be taking your music. Obviously, if the honest answer is Pizza Crunch and Pizza Crunch only, that’s just as good an answer.

Nah mate don’t worry, we steal from anyone and everyone. I’ve been listening to a lot of soundtracks recently, so I’m keen to use some atmospheric soundscapes etc., rather than bread and butter guitars, bass and drums. We’re big fans of The Ninth Wave, the new Wolf Alice record has impacted us a lot. We also like the Parliamo EP. We’re just looking forward to releasing some songs that are different from the standard indie release.

Just as a follow up to that last question, I was wondering what soundtracks you’ve been listening to recently?

A lot of Cliff Martinez, like the Drive soundtrack. My favourite one at the minute though is the Lost River soundtrack, I think Johnny Jewel did that one. Only God Forgives too, there is a cool Thai song at the end of it called You Are My Dream.

To focus more on the lyrics too, a question I forgot to ask before was if you had any non-musical influences that have really affected how you approach your writing or even an influence on how you guys as a band approach music.

I think non-musical influences help shape the lyrics a lot, I’d say it is mostly musical things that influence the sound though. I’ve been reading a lot of Bukowski recently for example and that has probably made my writing a little more cynical. I think maybe non-musical things can indirectly impact the sound and music itself. I feel that if I’m reading something sentimental maybe that is more likely to come across in the mood of the song. Those artists/albums I talked about in the last email are the main factors in this slight changer in direction though. I think what they all have in common is that they are bodies of work made up of songs that all belong next to each other. Being able to do this is impressive on its own so I really want us to do that next, hence the EP…

Listen to Flatfoot here and check out more from Pizza Crunch on Bandcamp and via their Facebook page

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Interview by
Jacob Rose – many thanks to Pizza Crunch

7th March 2022

New Music – Fräulein

Fräulein – Drag Behind

Fräulein’s new single Drag Behind continues the duo’s streak of creating small fires with which to burn emotions on. 

The tune starts with an infectiously drab riff, one which as the track progresses, begins searing with the energy to go further, energy stopped perfectly by the bleak atmosphere of the tones created. This seems to go hand in hand with Joni Samuels’ lyrics, conveying the search to reach potential, until “your constant comparisons drag you down”.

Samuels’ voice brings an intricacy to the classic styles of post-punk singing, seen in the likes of influence PJ Harvey and equally Bristol-stemming contemporaries wych elm, with each lyric seemingly hiding a hidden emotion to decode, from playfulness to despair. Van der Tol’s drumming, too, can’t go unmentioned: capturing the perfect rhythm with which the track casts equal measures of fever and underlying gloom. 

With their style freshly evolving through the band’s London/lockdown era, it’ll be a despondent delight to see where they next take our ears. 

Fräulein

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Words by Jacob Rose
Photo by Hannah Mason

4th March 2022

New Music – cheerbleederz

cheerbleederz – cute as hell

cute as hell is the latest from London punks cheerbleederz, a blast of nostalgic rock sprinkled with just the right amount to add a modern twist.

This dissonant spin is felt in the first few seconds of the track, as a guitar gently sears over a bass line that jumps right near the edges of easy listening. In the verse, the band come together in an image of desire dangled just above danger – the hell is definitely not to be left unseen, or even in jest, when it is followed with “I’m going to bash your brains out your skull”.

The track, as hinted with the music, always feels on the edge of chaos, on the edge of destruction, which keeps its pop-punk vibe immaculate, and it’s dips into the styx of aural and lyrical aesthetic.

Released on Valentine’s day, cheerbleederz have given the first of their lovely gifts, one of many to come in the build up to their album’s release in the summer.

cheerbleederz

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Words by Jacob Rose

25th February 2022

New Music – Pushpin

Pushpin – Deep Dive Brain Drive

It’s hard to tell where Pushpin will go with every new single. Their animal-drawing singles gave ranges of math-rock styled indie, to Radiohead-esque anthems to all out indie rock. With Deep Dive Brain Drive, they venture into something different.

Deep Dive Brain Drive begins with a rhythm: a strong beat that feels like its own voice in the track. From this, the musicality can expand, beginning with a creation of a sonic atmosphere, one that feels perfect for a road trip on the sunrise, if that helps visually create the song. Lead vocals and piano intervals manage to supplement this atmosphere without replacing it all, only adding more. However, this is the least of the track’s capabilities.

As we pass the halfway mark, Pushpin break from film to video game soundtrack – synth keys and distorted bass line push the notch to 11, bending into that indie rock style with an even higher intensity than any previous tune.

With their debut EP set to release in April, it’ll be hard to anticipate (but a joy to wonder) where the band head next.

Pushpin

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Words by Jacob Rose

21st February 2022

EP Review – Blue Bendy

Blue Bendy – Motorbike

Motorbike is the new debut EP of South London sextet Blue Bendy – a glorious exploration of experimentation, that weaves through so many great aspects of music it’s hard to really pin it down – then again, was music ever meant to be pinned down?

The EP begins strong, with Spring 100: the closest the band will get to a consistent sound. A waning bass along with some near minimalist percussion brings a steady atmosphere, that only elevates through the brilliant range of tones on display – from lifting flute melodies to wheezing guitars. Even the vocalist, Arthur Nolan, brings an engaging range of potential influences, from pre-Morrissey Morrissey to (and in saying this I fear a sigh of repetition from the number of times they must hear this) Alex Rice.

So many styles manage to interweave within one another, and yet the band never feel stale – never rehashing new ground. Clean is Core provides new energy in a backbeat, train-chugging rhythm, which itself blends so well with shifts into effervescence, with backing vocals and a lo-fi guitar shift, matched with artificial, yet oddly beautiful, strings.

Even with the use of similarly coating synths and backing vocals in next track A Celebration, Blue Bendy find new ground, letting the phrase “I’m no longer on my baby’s mind” and its mild despondence deliver another descent within a funkily energetic song.

A strong personal highlight comes in Settling: Cool, where the band’s style is perfectly emanated within just 3 minutes. From its calm-yet-tense opening, with extraterrestrial sounds, we explode into an eclectic mix of jumping chords, leaping vocals and drums that skip along, never being contained in the rhythm. Occasional grand atmospheres give Nolan’s lyrics (i.e. “My dad is a spaceship”) a glow, bringing an even larger impact that fades in and out on a whim.

As we are brought in and out of a melancholic mid-8, the stakes have somehow never been higher. The song and the EP end with the heaviest of the band’s style, bringing all aspects together in a clashing finale that helps to show the band’s strong potential for the future.

Listen to Motorbike below and purchase on Bandcamp

Blue Bendy

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Words by Jacob Rose
Photo © Jason Sheehan

18th February 2022

New Music – Kathleen Frances | Pearz

New releases – Kathleen Frances, Pearz 

Kathleen Frances – Boy

Bristol songwriter and producer Kathleen Frances has a voice that demands your attention in the subtlest, most captivating way. Her deep baritone vocal has a timeless feel that would sit equally at home in a prohibition jazz bar as it does today. It reminds me a little of the heart-rending sound of Anohni and, if pending EP Through the Blue maintains this standard, it doesn’t seem unrealistic to think that Kathleen could claw those levels of success too. Very firmly on the ones to watch list, take a listen to Boy here and discover the talent that’s lurking therein.

Kathleen Frances

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Pearz – Saudade

The new track from multi-instrumentalist Francesco Perini, aka Pearz, quashes the idea that you can’t tell a story without words. The accompanying video plays out scenes to match the music, but you could just as easily visualise your own journey through the crescendos and dramatic changes in pace on offer. Hailing from Florence, Pearz uses his established production skills to present the music as a composition with definite filmic values, encapsulating waves of nostalgia and yearning. The video, shot by Jules Apollinaire, is equally enchanting – watch below.

Pearz

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Words by Siobhan
Photos: Kathleen Frances © Michaela Frances, Pearz © Tess Parks 

17th February 2022

New Music – Divorce

Divorce – Services

It’s hard to pick out a ‘best’ part of Divorce’s debut single Services. Is it the charm of their gorgeous split-scene music video, produced by Bristol superstars Clump Collective? Is it the already clear talent, seen through each member’s work in bands including Megatrain and Do Nothing? Is it the fact that I keep on getting the wrong results from searching “Divorce Services”? Or is it (almost definitely) the playfulness of it all, the collaboration of so many moving elements?

Maybe it’s even the music.

In a lot of ways, Services brings the feel (and joy) of some haunted carousel. Each tone brings its own purpose: a heavily pumping bass line to the dancing staccato of electric guitars; infectious drums twist the atmosphere effortlessly with a change of cymbals; and, of course, the vocals, bringing a quaint image amidst the building…macabrity?

The chorus brings even more to the table, pumping a pseudo-musical duet of melodrama, tainted perfectly with a harsh twist of discordance – all before returning to that quaint image with: “That’s where my miracle ends”.

A perfect summation of the engaging catastrophe, in cardboard flames and scorching tones, that sparks the beginning of Divorce’s well-earned existence.

Divorce

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Words by Jacob Rose
Photo © Aria Shahrokhshahi

2nd February 2022

 

New Music – Cliché Cult

Cliché Cult – Say It Like You Mean It

Leeds’ own Cliché Cult, with their new track Say It Like You Mean It, scorch the music scene with harsh and catchy tones, blending a mix of the uproar rock can bring with a mix of the sour.

The band’s presence can be felt in the first crash of sound into the track, in an introduction to the wonderfully upbeat, but still delightfully dissonant chorus – one that almost finds a delight in the despair of those eponymous words – say it like you mean it!

Speaking of which, vocalist Jimmy Sweeney certainly means it. His vocals throughout the track dance from following the suave murkiness of Echo and the Bunnymen’s Ian McCulloch (the band being one of many inspirations for Cliché Cult) to searing with energy, especially towards the song’s powerful close – all instruments ramping to a full punch of fire.

It’s clear that the Cult means business, and it’s only going to be more satisfying to see how they’ll be saying it in the coming year.

Cliché Cult

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Words by Jacob Rose 

31st January 2022

Contribute to Breaking Glass

Contribute to Breaking Glass

(Updated January 2025)

We get lots of enquiries from people asking how they can become a contributor for Breaking Glass. Depending on capacity, there are a number of ways you can do this and we thought it might be helpful to put all the details in one place.

A few things to mention:

– Breaking Glass is not a profit-making publication; we can’t pay for contributions and completely understand if that’s what you’re looking for
– Copyright remains with the photographer or writer; by submitting your photos or writing, you grant us permission to include them on the website and our social media with credit; if you ever want us to take your work off the website you can just let us know
– Please get in touch to discuss before sending completed content, the best way to do this is by email to breakingglassmag@gmail.com
– Please do look at the website before making contact to see if your content fits with ours, and check the info on this page as it may answer some of your questions

Photographers:

Gigs and Festivals 

We have a fantastic yet compact collective of music photographers shooting gigs and festivals for us. We love having new photographers on board but don’t want to spread the net too widely to avoid having lots of people wanting to cover the same artists/venues. If it’s something that’s of interest to you, the best thing to do is get in touch first, letting us know where you’re based and the type of artists you’d want to shoot – you’ll usually need to be comfortable sourcing/requesting your own photo passes. (Note Jan 2025 – sorry, we’re at capacity for regular gig photographers for the time being, will update if/when this changes). If we don’t have a slot available, there may be an opportunity to feature your work on the website in another way – see more below.

In Focus / Galleries:

We’re happy to showcase photographers. If you’d like an introductory feature, get in touch. We generally include 10-12 of your favourite photos with some info about you, your images and any projects you’re working on.

From time to time we run features and galleries with different themes and have year end galleries for live music shots and general photography; these are always promoted on our socials. 

Writers:

New Music Reviews:

We have loads of music submitted for review – if you’d like to write about some of it, have a look at the kind of stuff we cover to see if this might be for you. We’re looking to write about things we like, there’s enough negativity online and it‘s not what we’re here for.

The Vinyl Countdown:

We’ve all got playlists of our favourite songs, mixtapes if we’re talking old school. If you’re interested in sharing your very own version of Desert Island Discs, choose any 10 tracks and include a sentence or two about each. Tell us why they’re on your list, do they make you laugh, cry, dance on the kitchen table?

Things to include if sending photos:

– Photos should be sent as jpg files please – portrait / landscape / square / colour / black & white are all fine, any style, you can send with or without watermark
– Please ensure there is no offensive content and that you have permission to share images of people not taken in a public place or including minors
– Include your name, how you would like to be credited and links you would like us to include to your work, e.g. website / socials

Any questions just ask and thanks for your interest!
Siobhan, Editor

Photos © 16 Beasley St Photography

Published 25th January 2022 / last updated 6th January 2025

New Music – deep tan | Peaness

New releases – deep tan, Peaness

deep tan – beginners’ krav maga

There is much to take from deep tan’s first single of 2022. A feel of some of those classic punk tracks that in actuality were pretty perfect pop songs, a well fitting juxtaposition of spiky riffs with smooth vocals, and an opportune use of music with a message for starters.

In beginners’ krav maga, the band continue to show why they remain firmly at the top of numerous publications’ breakthrough artists lists. At just 2 minutes 38 the track is concise, crisp and catchy; the message behind it no less serious as a consequence.

The band say, “beginners’ krav maga is a response to the idea that womxn should take self defense classes in order to feel safe on the street at night. womxn shouldn’t have to. yet it seems like every day there’s a new sarah everard, sabina nessa or aisling murphy. educate your sons, brothers, guy friends. male violence against womxn is an epidemic and it needs to stop, so we made a pop song to talk about it.”

beginners’ krav maga is out now, details of tour dates and ticket links here.

deep tan

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Peaness – How I’m Feeling 

Good to hear new music from Chester trio PEANESS as they build interest for their long-anticipated debut album. World Full Of Worry is due for release on 6th May through the band’s own label, Totally Snick Records. In the meantime, How I’m Feeling sets the scene for a long player filled with their distinctive brand of sugar coated indie-pop sure to please long time fans and grab some new ones too.

Peaness say, “In an unfulfilling job? Need a shake up with something in your life or you’ll go mad? Well, that’s How I’m Feeling and it can’t be ignored anymore! Amongst self loathing and melancholy there are sparks of determination and a belief that you deserve more. I hope it works out.”

How I’m feeling is out now with album pre-order on this link. Peaness have also shared details of tour dates here.

Peaness

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Words by Siobhan 
Photos: deep tan © Alex Loveless, Peaness © Derek Bremner

24th January 2022

New Music – White Lies | Maida Rose

New releases – White Lies, Maida Rose

White Lies – Am I Really Going To Die

When it comes to singing about death, who can compete with White Lies? In the new single Am I Really Going To Die, the band jam between despondence and hope through scenes of medication and phenomenon.

After an introduction that would perfectly play as a hero rises to overcome defeat, the funk of White Lies’ new track kicks in. Each tone of the track dances in its own right: the bass intricately weaving between notes, the guitar adding its own percussion with syncopated chords and the anthemic rises of the keyboard especially. This, of course, helps back singer McVeigh’s upmarket character, transitioning between the stages of recognising his own mortality.

Considering this as the first of two songs discussing this narrative only boosts hope and anticipation for White Lies’ upcoming album in February, both to conclude the narrative and to deliver more of the band’s seminal style.

White Lies

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Maida Rose – I Remember

Using almost exactly the same instruments and taking them in a completely softer direction, I Remember is the latest track from Maida Rose: a construction of a dreamy landscape that feels like it could last a lifetime (somehow without even taking up three minutes).

The main forces of the track come down to Maida Rose’s voice – a carefully melodic, tranquil presence, backed throughout by a synth that pulses, giving a lovely light weight to the building percussion. As soft guitars kick in (delightfully reminiscent to The Strokes’ Ode to the Mets), this universe expands, adding a rhythmic path with which to explore the landscape the group have audibly created.
In their ability to form beauty out of unchanging, yet ever present memories, Maida Rose form another piece of the puzzle of their upcoming album, sure to carry just as many dreamy tunes as I Remember.

Maida Rose

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Words by Jacob Rose 
Photos: Maida Rose © White Lies © Charles Cave, Lin Bartraij

22nd January 2022

New Music – Crows

Crows – Slowly Separate

Returning with their first new music in three years, Crows are clearly in fine form. Their live shows, intense and at times frenzied, have built a huge following, and a last minute slot at last weekend’s Rockaway Beach pulled a packed and delighted crowd. The new music will no doubt please their fans just as much, as pulsating and hypnotic as could be expected and hoped for.

Talking about the new track, Crows frontman James Cox says, “Slowly Separate is about living in London, working a job you hate and just going through the mundane routine of hand to mouth living. Don’t get me wrong, I love London. It’s been my home for 13 years, and this song translates to any city and anytime you’re working a job that doesn’t fulfil you. When it gets to the end of the month, all your rent and bills come out and you’re barely left with enough to get through the next month. It gets to you, I’m sure a lot of people can relate. It just makes it sweeter when you are finally making changes in your life for the better and you can leave those feelings in the past.”

Slowly Separate is the lead track from forthcoming album Beware Believers, due for release on 1st April via Bad Vibrations Records – pre-order here. Tickets for tour dates go on sale on Monday at 10am.

Words by Siobhan
Band photo by Jamie Noise

13th January 2022

 

New Music – SPINN

SPINN – People Should Know Better

In their third single from their upcoming album Out of the Blue, SPINN continue their hot streak of colourful tunes with People Should Know Better, a demanding track that injects a bleak outlook on the modern day into a classic anthemic indie track. 

The music that surrounds the desolate landscape of Quinn’s lyrics is itself dreamy. It feels incredibly immersive, akin to the two previous singles: reverberated jangly riffs match an indie aesthetic with punchy bass and drums – the music feels full, never limited in its attempts to capture the ears of all listeners near. 

Labelled as a tale of the frustration Quinn feels towards the moral decline of Britain through their reliance on a “f**king sh**e” government, the lyrics expand past political commentary, instead beautifully portraying a public perspective – the mantra of “people should know better” both chantable and reflective of what we all want – a strange paradox of collectively wanting a change made to the collective. 

Fatigue runs through the track like poison – the demands of knowing better are a question that races alongside the exhaustion of trying to comprehend why they don’t. It’s mesmerising how such a devastating concept is captured in such an upbeat fashion, which leaves it playing on repeat (but keeps the message in mind throughout). 

Outside of the Blue is due for release on 4th February 2022 via Modern Sky UK – more from SPINN here

Words by Jacob Rose
Photo by Barnaby Fairley

10th December 2021

New Music – Mosa Wild | White Lies

New releases – Mosa Wild | White Lies

Mosa Wild – Expect Me

There’s generally something haunting about organ music, add a brass section though and things spring back to life. Combine the two with the searching vocals of Jim Rubaduka and you have a track that feels like it could have been born from Leonard Cohen’s finishing school with a side diploma of  rousing gospel.

Jim explains, “Expect Me was initially written and recorded at my mum and dad’s kitchen table in Ashford. We tracked the final version with our friend Ben Baptie at Pool Studios. I think it’s the most collaborative studio session we’ve had. It was a joy to have a bunch of our friends come down and bless this record. The song has a very simple and direct message. I wanted the verses to feel like a hymn you know well, and the outro to feel like a hug that you don’t want to end. The song was written with love in mind.”

The end result is a captivating piece of music, take a few minutes to stop what you’re doing and take a listen. The track is taken from next year’s Zip Your Coat Up For English Weather EP, to be released on  Glassnote Records.

Mosa Wild

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White Lies – I Don’t Want To Go To Mars

Back at their best, White Lies’ latest single I Don’t Want To Go To Mars lays testament to the fact that they still have more to offer on their pending new album. With a trademark build to the crescendo of a chorus, the track feels fresh yet instantly recognisable at the same time.

Bassist Charles Cave says, “I Don’t Want To Go To Mars has all the distorted bombast of White Lies’ best anthems neatly packed into a short story. The song follows a character seemingly being herded off Earth to live out a sterile and mundane existence on a newly colonised Mars. Fundamentally the song questions the speed at which we are developing the world(s) we inhabit, and what cost it takes on our wellbeing.”

A strong contender to be a favourite in their live sets, check out the video below and catch White Lies on an extensive run of UK and European tour dates kicking off in March 2022. Their album, As I Try Not To Fall Apart, is set for release on PIAS in February.

White Lies

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Words by Siobhan

7th December 2021

New Music – Sunflower Thieves | Ski Lift

New releases – Sunflower Thieves | Ski Lift

Sunflower Thieves – Sirens

Sunflower Thieves have given themselves a strong justification for their artist title with Sirens. The track is a wonderfully soft, wonderfully natural, powerful melody that feels like the perfect accompaniment to a sunrise.

It’s hard to distinguish one better feature over the other in the track. Instead, each instrument brings the atmosphere into full focus. The tremolo and kick back the intricacies of the acoustic guitar, and a beautifully paired vocal delivery throughout. Even the (and this is very much just assumptive) low accordion riff, whilst being the most abstract of the tones, evokes something new without replacing the beauty of the song. A perfect supplement.

It’s hard to believe that anyone can have a time in their year where Sirens would not be a match to a quiet day. Its ability to feel intimate and yet speak universally is something to admire by itself.

Sunflower Thieves
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Ski Lift – I Wanna Be You

I Wanna Be You is the latest track from Londoners Ski Lift – a popping indie track that feels like a joyous shock of electricity to the ears, even with some darker existentialist undertones.

The crunchy, direct electric guitar and drums give I Wanna Be You an immediate indie pop-rock style, aided by the title itself – shouted within the chorus, calling for an audience to do the same – which hints at the usual tale of desire you might expect in a 90s track.

When digging into the further lyrics, and hearing more of the abstract sides of the track, Ski Lift shows a more introspective take on the title’s seemingly clear message – what was once just a tale of two becomes universal. We all want to be the “you” that singer Benji Tranter writes of – something that makes the song’s ability to be gleefully chanted ever so slightly bleak.

Ski Lift
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Words by Jacob Rose
Photos: Sunflower Thieves © Sophie Jouvenaar | Ski Lift © Keira Anee

3rd December 2021