Category: Review

New releases – Silverbacks, Pet Grotesque, Erasure

Silverbacks – Fad (album)

Following the slow drip of tantalising singles over the last couple of years, Dublin’s Silverbacks finally release their much anticipated album Fad today. If you’ve not heard the band before, opening track Dunkirk is a fine introduction, all spiky guitars and spoken lyrics, flavours of The Fall and Sonic Youth easing their way throughout the song. Further into the album, Just In The Band depicts the tale of Bowie and Iggy Pop’s friendship which is surely worthy of consideration. Lots of influences abound but Silverbacks manage to shape -shift these into their own enigmatic sound, a fad worth getting involved in.

Fad is available now on Bandcamp or via your local record shop. Live dates are being rescheduled for 2021, in the meantime check out the album and watch the video for  Pink Tide here. 

Silverbacks

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Pet Grotesque – Scratch (single)

Most recently seen as touring keys player in Goat Girl and a member of Tiña, featuring on Speedy Wunderground’s latest excellent release, Pet Grotesque has spent much of lockdown working on his second album. If new track Scratch is anything to go by, it will be one to watch out for. Mixing gnarly psych undertones with dreamy lo-fi pop sensibilities, Scratch sounds like the soundtrack to a balmy summer evening with just a hint of menace. The forthcoming album is mixed by PVA’s Josh Baxter, promising another layer of genre-fused finesse.

Listen here

Pet Grotesque

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Erasure – Shot A Satellite (single)

Stalwarts of electro-pop, Erasure release a new track this week as a precursor to their album The Neon, due to be launched into the world next month. Long time fans of the band need not worry that they’ve strayed too far from what they know and love. If anything, Shot A Satellite is testament to the heady days of the 80’s dancefloor, looking set to stick in your head and prompt a listen to material old and new. Speaking about the new songs and the use of older instruments and machines, Vince Clarke says, “There’s a warmth to them. There’s also a real beauty in putting different analogue synthesisers together, too – a Pro-One, a Sequential Circuits, a Moog – they give this lovely sheen… It was about refreshing my love – hopefully our love – of great pop. I want kids now to hear these songs! I wanted to recharge that feeling that pop can come from anyone.”

The Neon is scheduled for release on 21st August via Mute Records, you can pre-order the album here and watch the video for Shot A Satellite below.

Erasure

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Words by Siobhan
Photos via Prescription PR, Majesty PR, Sonic PR

17th July 2020

The Streets – None Of Us Are Getting Out Of This Life Alive 

“Stand by me my apprentice; be brave, clenched fists”

The concluding lines of Turn the Page, the opening track of Original Pirate Material, Mike Skinner’s game-changing debut album under the moniker The Streets, which turned eighteen this past March. 2020 sees his prophecy fulfilled, as None of Us are Getting Out of This Life Alive sees him recruit some of UK music’s most exciting acts to collaborate on what is the first record by The Streets in nearly a decade.

It’s difficult to differentiate what constitutes as ‘The Streets’ and a project by ‘Mike Skinner’ in the years since he retired the moniker in 2011; I’d imagine Skinner isn’t exactly sure where the line is himself, and this new mixtape provides no clear answers. On the face of it, it doesn’t scream an album by The Streets; whilst the infamous clipper lighter logo adorns the cover, the kitchen-sink imagery of lonely bus stops or Goliath tower blocks that they bordered don’t feature, instead it sits entangled by a brazen gold chain, a trophy to recognise Skinner’s impact on UK music, and a tease into the young heirs who he’s brought along as proof being in the pudding. However, as a collaborative project it possesses a palpable creative spirit and fun energy but also a sloppiness (the latter of which could not be said of Original Pirate Material or A Grand Don’t Come for Free) and surprisingly the most jarring part of the mixtape is often Skinner himself.

His idiosyncratic style, only a step away from spoken word but with a documentarian eye for detail that captured early 2000’s youth culture so definitively, here stands out often as clumsy and wonky when placed alongside some of the slicker features. If this were your introduction to The Streets it would be hard not to think that Skinner is failing to keep up with the kids, at times the difference in tone and rhythm borders on embarrassing. It doesn’t help that it’s stylistically all over the place and inconsistent in production too, for example the titular track with Bristol punks IDLES should have been a towering, punishing success but disappointingly sounds tepid and brittle. On the other hand, the wobbly dubstep of Eskimo Ice with Kasien is the polar opposite; hard, loud and face-scrunch inducing.

As for the features, it’s where the mixtape shines for the most part and Skinner should be given credit for finding space and allowing for their personalities to flourish, even if it works against him personally in a number of cases, though one is left wondering for what reason the highly anticipated Slowthai duet did not make the cut, with him being often labelled as the true heir to Skinner’s crown. Initial listens are a little harsh, but after a few playbacks it would be hard to argue that Skinner has nothing left to offer UK music in 2020, especially when sparring one-liners with Ms Banks on You Can’t Afford Me – “She talks about her ex so much even I miss him” / “I ain’t gonna allow you mate, not even a little, I’m from M&S babes, you got a better chance at Lidl’s” or when weaving around a meditative Everything is Borrowed style beat on Falling Down with Hak Bakar.

Skinner is at his best when crafting a narrative, it’s when his conversational style is at its most charming and effective and this formula here doesn’t allow for such, but if there’s a running theme at all it would be technology; specifically phones. Not the first time Skinner has mused on mobiles, they appear throughout his past work and interestingly can be used to date the projects; the early 2000’s struggle of standing by the door of a club to get signal on Blinded by The Lights or developing a nervous apathy for the introduction of camera phones in the mid-2000s for the fear of being caught in some toilet cubicle hedonism in When You Wasn’t Famous. The same can be said here, his unique view on the 21st century appendage is viewed through a focused 2020 lens and results in the most interesting lyrical moments, as in his references to ghosting and watching Instagram stories Skinner is delightfully honest; like many of us, his phone is always in his hand, though as he says outright, if you think he’s ignoring you, he is.

So, in the end NOUAGOOTLA only muddies the waters further of what The Streets exactly are in 2020; a return to music in the form of a mixtape of rap duets in which the features often outshine the lead should, on paper, be a disaster. But much like the chain on the cover, it’s different than before but there is gold that can be found gleaming through, after the first few awkward listens. 

None of Us are Getting Out of This Life Alive is out now on Island Records; more details and link to buy tickets to a livestream performance from London on 6th August here – watch the album sampler below.

Review by Ryan Bell

16th July 2020

 

New releases – Beach Riot, In Earnest

Beach Riot – Wrong Impression (single)

Proving to be another great signing for Alcopop!, Beach Riot’s latest offering brings not just music but retro gaming skills to the table. Wrong Impression showcases the band’s trademark mix of fuzzy grunge and new wave harmonies, a suggestion of what might happen if their Brighton neighbours Blood Red Shoes and Demob Happy were poured into the melting pot.

The single is released alongside a specially designed retro style Instagram filter arcade game. To play along, search ‘CATNIP 3000’ on Instagram filters and share your high scores with the band. Not only do you get to fly a spaceship but there’s a prize up for grabs for the record-breaker, details to follow but it probably won’t be a spaceship.

Commenting on the new track, the band say: ’Imagine that you had the chance to go back in time to tell your younger self that you turned out alright. You’d do it, right? You’d give your old self some much needed advice and encouragement, and then be on your way? As we can’t go back in time, maybe take a moment. Next time you catch yourself in a reflection let yourself know it’s gonna be OK now. Love yourself’.

The only beach riot you should be involved in right now, Wrong Impression is released via Alcopop! Records.

Beach Riot

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In Earnest – Come Upstairs (single)

In Earnest continue to tackle the reality of living with mental health issues in a very honest, uncomplicated way. The Southend trio are made up of Sarah (vox, keys), Thomas (vox, guitar) and Toby (violin, guitar) and together they create music that manages to be delicate and reassuring at the same time. New single Come Upstairs is the epitome of this.

Written from Thomas’s perspective, as he urges Sarah not to give up hope, he says, ‘In the wake of my partner’s mental health struggles, it feels like I spend every waking moment trying to keep a brave or positive face on and there are times when I find it difficult to maintain my own identity. We’re gradually learning how to combat negative thinking, but I’m usually the one who takes the weight and pulls her out of waves of depression.’

The track has a feel of Goo Goo Dolls’ Iris and addresses a situation that many people will recognise and empathise with; a reminder that there’s always someone there to talk to and keep things at a level that feels ok.

Aside of the message, it’s a great song and promises more to look forward to when the band release their forthcoming EP later this year.

In Earnest

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Words by Siobhan
Photos via In Earnest and Wall of Sound PR

3rd July 2020

 

Dream Wife – So When You Gonna…

Wasting no time on a gradual build, Dream Wife’s latest Album So When You Gonna storms straight into opening track Sports!, and there’s little let up from thereon in. There’s a hint of earlier singles Hey Heartbreaker and FUU but with a slicker production and overall sound, courtesy of producer and mixer Marta Salogni (Björk, FKA Twigs), engineer Grace Banks (David Wrench, Marika Hackman) and mastering engineer Heba Kadry (Princess Nokia, Beach House). ‘It was amazing to work with this community of womxn on this album who are supporting each other in an industry that is so male-dominated. It was a way of us practicing what we preach. It felt like an honour to be able to deliver this baby with these three amazing midwives,’ says guitarist Alice Go. ‘What would you call the opposite of gate-keeping? Facilitator? Enabler? It’s all about opening the gates,’ adds bassist Bella Podpadec.

The punk ethic confronting societal issues head on is absolutely still apparent and now sits neatly alongside poppier tunes on which it’s hard not to contemplate the influence of vocalist Rakel Mjöll’s Icelandic compatriots The Sugar Cubes, notably on the trio of U Do U, RHRN and Old Flame. However, don’t settle too far into your seat because these are followed by the explosive collision that is the title track (video below). A stand out for me is Homesick, three minutes of Viv Albertine meets Karen O whilst spinning on the Waltzers. If this were a gig, the finale of After the Rain would be a fitting close to the evening, its minimal keynotes providing the perfect backdrop to emphasise the piercing vocal; the message ‘It’s my choice, my life… it’s my body, my right’ evocative of Dream Wife’s continuing message that gender should be no barrier to who you are and what you do. Speaking of barriers, this is an album that will have the one at the front of the stage bouncing when we reach a point where live music can be enjoyed again. Currently the three-piece are set to tour across the UK then around Europe in April and May 2021 – keep your fingers and toes crossed.

So When You Gonna… is out on 3rd July via Lucky Number Music – you can pre-order here or, from Friday, maybe pop to your newly re-opened local record shop to pick up a copy if you’re lucky enough to have one nearby. Watch the video for Sports! below.

Review by Siobhan
Band photo © Sarah Piantadosi

30th June 2020

 

New releases – Bo Ningen, Tugboat Captain

Bo Ningen – Sudden Fictions (album)

For those familiar with the band, it will be no surprise that Bo Ningen have created an album that will leave you with no option other than to sit up and pay attention. What may be more unexpected is the diversity of music as Sudden Fictions take you through a journey of different genres and sonic references. From the opening assault of the lead track You Make a Mark Like a Calf Branding to the jarring psych-rock of Zankoku, it’s clear that the whole record is a complex, intriguing piece of art. It manages to sound like a classic and completely new simultaneously and will hold your attention from start to finish. The weird and wonderful world of Bo Ningen just took a leap further than any of us might have imagined.

Sudden Fictions is out today on Alcopop! Records – purchase here and listen to Zanzoku below.

Bo Ningen

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Tugboat Captain – (single)

With a departure from their lo-fi beginnings, Tugboat Captain’s new release No Plans (For This Year) blends a much deeper, layered musical background to form a track that would drop happily into the 60s’ summer of love and harmony. Noting that it had the feel of an updated, uptempo Eleanor Rigby, it was interesting then to see that the band have been recording at Abbey Road. Coincidence or otherwise, the new sound may have its inspiration in the past but is perhaps more akin to contemporaries like Foxygen and The Lemon Twigs. The title may suggest a lockdown lullaby but the song was actually written 18 months ago. A perhaps prophetic, solid single with a crescendo of a finale; check it out below.

Tugboat Captain’s debut album Rut is due for release on 16th October via Double A-Side Records. Listen to No Plans (For This Year) below and purchase here.

Tugboat Captain

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Words by Siobhan

26th June 2020

Pottery – Welcome to Bobby’s Motel

The latest offering of post-punk revivalism from Partisan Records comes in the form of Welcome to Bobby’s Motel, the debut album from Montreal based five-piece Pottery, who made waves in 2019 thanks to the release of their EP No. 1, as well as touring alongside label-mates Fontaines DC and American art-punks Parquet Courts.

Listening through Bobby’s Motel, it’s evident that the latter left a strong impression on the band, who have enlisted the production talents of Jonathan Scheneke, who worked on Parquet Courts brilliant 2018 album Wide Awake! From this, it makes sense that Wide Awake and Bobby’s Motel both share a playfulness in approach to genre and performance, and in just under forty minutes Pottery toy around with elements of groovy dance rock and spiky post-punk, adding flourishes of disco and glimpses of psychedelic rock, with an impressive degree of consistency.

I say impressive and not perfect, as Pottery’s genre gear changes occasionally work against them, resulting in the flow of a song stalling and preventing it from reaching its full potential. Thankfully, there are twice as many instances where this is not the case, the foremost being the sizzling Hot Heater, which breaks out of its relatively straightforward first half and convulses into a glorious dance-rock freak-out that echoes Stop Making Sense-era Talking Heads, another influence detected running throughout Bobby’s Motel.

From then onwards Pottery don’t let up, possessing an infectious energy and a palpable sense of sweltering performance (appropriate for the many references to heat and temperature), the band rarely stop for breath aside from Reflection and the sweet dream-pop ballad finale Hot Like Jungle.

As for themes, you’d be forgiven to believe at first glance Pottery were releasing a narrative album but that’s not the case; Bobby and his titular motel are less literal figures and more metaphors for human existence, the grit and grime and the exuberant shade of joy in the face of often overpowering shadow. In the release notes it’s described as ‘an all-encompassing alternative reality that the band have built themselves, for everyone else’ which does read as an excuse to throw as much as possible at the wall to see what sticks and have the most fun in doing so. The good thing is the last part cannot be disputed, Bobby’s Motel is packed with quick tempoed tunes that are undeniable in their ability to literally move the listener; try and sit still during Hot Heater, Texas Drums Pt 1&2 and Bobby’s Forecast and prepare to fail miserably.

It’s the albums strongest component, that even in the moments where the transitions fail to click or when a chorus lacks a solid punch, it’s still projected with the kind of compelling energy that you’d only find in a jam session gone wild, a band caught up in the moment, which despite sounding tedious, makes Welcome To Bobby’s Motel a joyous listen for the most part.

Welcome to Bobby’s Motel is out tomorrow via Partisan Records; you can order the album in various formats here and listen to Hot Heater below.

Review by Ryan Bell

25th June 2020

New releases – Sunflower Thieves, Happyness, Bo Ningen (feat Bobby Gillespie)

Sunflower Thieves – Hide and Seek (single)

Leeds based duo Sunflower Thieves release their new single today. Continuing their melodic musings with another track filled with haunting harmonies, Hide and Seek is the kind of song that will drift in and out of your consciousness and leave you feeling all the better for it. The band note that the song is about ‘wanting to escape back to childhood bliss when life becomes a little difficult’, something we can probably all relate to at the moment. Listen below.

Sunflower Thieves

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Happyness – Seeing Eye Dog (video)

Following the release of their accomplished album Floatr at the start of the month, Happyness have shared a video for previous single Seeing Eye Dog. Created in isolation, the digitally animated graphics provide a suitably kaleidoscopic background to the band’s mix of fuzzy riffs, feedback and delicate vocals. In this new chapter, it feels as though Happyness have found their own zenith; fans of the band will be keeping their fingers crossed for dates in October and November to go ahead – there is certainly the promise of something special live if so. You can purchase Floatr here and watch the video for Seeing Eye Dog below.

Happyness

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Bo Ningen (feat Bobby Gillespie) – Minimal (single)

Quite a departure from the expected noise-rock of Bo Ningen past, new track Minimal, released today, brings a collaboration with fabled Primal Scream frontman Bobby Gillespie; an eclectic pairing if ever there was one. The result ventures towards an absorbing hybrid of art-pop and EDM with vocals in Japanese and English, sung and spoken. Now signed to Alcopop! Records, Bo Ningen’s metamorphosis into this new musical territory is definitely worth keeping an eye on. New album Sudden Fictions is scheduled for release on 26th June and, all being well, lives dates are planned for October. Pre-orders for the album are open here; listen to Minimal below. 

Bo Ningen

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Words by Siobhan

Photos: Sunflower Thieves via band, Happyness © Holly Whittaker via Practise Music, Bo Ningen via Wall of Sound PR

29th May 2020

 

 

 

New releases – Enjoyable Listens, Pizza Daddy, YNYS

Enjoyable Listens (Summer Hit) – single

Is it summer yet, which month is it – who knows? Nonetheless, Enjoyable Listens released new single Summer Hit on Friday, and if nothing else is making you feel like digging out your shades and staring moodily at the garden birds in the sun then this should do the trick. There’s a definite 80s’ aura around the song, think Talk Talk vocals with elements of The Cure’s pop melancholy leading the music. Having provided support for both British Sea Power and The Orielles, Enjoyable Listens create a sound that could easily span both fan-bases and much wider. Take a few minutes out to sit back and let this waft over you, then repeat.

More from Enjoyable Listens here

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Pizza Daddy – Too Many Boyfriends (single)

If you google Pizza Daddy be prepared to check out some tasty Trip Advisor reviews for Margheritas and garlic bread, but persevere and you’ll be treated to some newly released music from the London duo of the same name. Having gained their dream-pop stripes with past outfit BOYS, Ross Pearce and Mike Stothard are moving forward with a new project and a more contemporary take on a similar style. The story of polygamous worries, Too Many Boyfriends is a heady mix of jangly guitars and indie angst and sets Pizza Daddy up nicely as ones to watch. 

You can find Pizza Daddy here

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YNYS – Aros am Byth (single)

Opening in style with a big synth-meets-soul break, the new single from YNYS merges genres to present a laid back indie psych-pop tune that is sure to grab your attention. Aros am Byth (Waiting Forever) captures the essence of The Isley Brothers’ classic Summer Breeze and pulls it through time to produce something very current. Singer-songwriter Dylan Hughes explains, ‘The sound I was trying to get was Jeff Lynne taking over the studio after being at a Tame Impala listening party’. It certainly sounds as though Mr Blue Sky enjoyed the experience. Aros am Byth is out now on Libertino Records.

Check out YNYS here

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Words by Siobhan

19th May 2020

New releases – The Ninth Wave / Fontaines DC

The Ninth Wave – Happy Days! (single)

Released today, The Ninth Wave’s latest single Happy Days! suggests a more experimental tone for their upcoming EP. Skillfully aided on production by Horrors’ frontman and all round black leather clad legend Faris Badwan, the track strolls across a backdrop of instrumental chasms, a foot still in 80s’ electro-glam but a step out to a more immersive, pulsating overall sound. Also present is the influence of Max Heyes who mixed the track; echoes of past clients Bloc Party’s early work notable on the gradual build of drums. One of the most exciting bands around, with this track The Ninth Wave continue to challenge the expected as they undoubtedly head to bigger things.

The band explain, ‘Happy Days! is a song of ups and downs. At its core, the lyrics shine a torchlight on the murky highs and lows of life. We wanted to make something harsher and more direct than songs we had written before, and this came together relatively quickly.

The flow of the song really captures what we were trying to get across with the lyrics: there’s a rumbling undertow throughout the whole song, interspersed with ethereal ambient sections and culminating in big nasty crushing beats. We were all agreed that this should be the first song from our new EP to let people hear, and hopefully they’re not frightened away.’

Listen to Happy Days! here

The Ninth Wave

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Fontaines DC – A Hero’s Death (single)

Fontaines DC had quite the year in 2019, their debut LP Dogrel  high on many album of the year lists. Jumping straight back in with new music, the band have shared A Hero’s Death, title track for their second album due in July. The trademark spoken lyrics are back, the repeated refrain ‘Life ain’t always empty’ a harsh reality mixed with a glimmer of hope as things currently stand. Musically, the backing riff is more Strokes than the early punk simplicity of previous tracks, the intro a promise of something special that doesn’t disappoint on arrival. The starring role in the video is taken by Aidan Gillen, a clear indicator of the band’s popularity. It feels like this track is building the suspense of a rollercoaster climb, the rest of the journey will inevitably be worth waiting for.

Talking about the song and video, vocalist Grian Chatten says, ‘The song is a list of rules for the self, they’re principles for self-prescribed happiness that can often hang by a thread. It’s ostensibly a positive message, but with repetition comes different meanings, that’s what happens to mantras when you test them over and over. There’s this balance between sincerity and insincerity as the song goes on and you see that in the music video as well. That’s why there’s a lot of shifting from major key to minor key. The idea was influenced by a lot of the advertising I was seeing – the repetitive nature of these uplifting messages that take on a surreal and scary feel the more you see them.

The title came from a line in a play by Brendan Behan, and I wrote the lyrics during a time where I felt consumed by the need to write something else to alleviate the fear that I would never be able follow up Dogrel. But more broadly it’s about the battle between happiness and depression, and the trust issues that can form tied to both of those feelings.’

Watch the video for A Hero’s Death here

Fontaines DC

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Words by Siobhan

6th May 2020

 

 

Album Review – Diet Cig: Do You Wonder About Me?

There’s often a tendency for bands to rush out their second album to keep momentum running. Diet Cig, however, have opted for a three year gap before releasing Do You Wonder About Me? into the world and this has given them the time and space to find the direction they want to take. The selection of rock infused singalong pop songs offers a wave of positivity, and with opening tracks Thriving and Who Are You? propels a current twist on past UK indie treasures The Primitives and The Darling Buds. 

The tone softens on Priority Mail as the vocal is highlighted only with soft piano keys as a backdrop, then Flash Flood brings on board a guitar wall and feedback that shake any sense of this being a one dimensional body of work. Closing track Night Terrors (Reprise), gives a fittingly atmospheric ending, wrapping up the new fresh version of Diet Cig that this album brings; the energy still bursting through but with a maturity that reflects the work put into its making. As vocalist Alex Luciano says ‘You’re laughing! You’re crying! You’re dancing! You’re feeling emotional! We wanna bring it all.’ 

Do You Wonder About Me? is out now via Frenchkiss Records.You can get the latest news from Diet Cig and order the album here – watch the video for Thriving below.

Words by Siobhan

2nd May 2020

New releases – Walt Disco / SPICE / The Know

Walt Disco – Cut Your Hair (single)

Welcome back to the wonderful world of Walt Disco, with a definite surge on this track away from Walt and straight into the open arms of Disco. Like the sparkling love child of David Byrne and Donna Summer, Cut Your Hair is a flamboyant, pulsating piece of genius with a vocal to pierce your soul and all executed in under two and a half minutes. A finer message for the days of quarantine will be hard to find. Walt Disco’s debut EP is expected later in the year; pop on your glitter boots and wait patiently.

Walt Disco

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Spice – First Feeling (single)

As a precursor to their debut self-titled album in July, Spice have shared its lead track First Feeling. The new project from members of Ceremony and Sabretooth Zombie brings a fusion of soft melodies against layers of  whoozy guitars and Californian haze. The track takes a step up from its low key grungy intro to move between post-punk and a softer psych framework. It will be interesting to see what comes next from this meeting of minds; definitely one to watch. Spice will be released on Dais Records on 17th July.

Spice

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The Know – Someday Maybe (single)

The Know, made up from husband and wife team Daniel Knowles and Jennifer Farmer, bring their adaptation of dreamy shoegaze pop to the table with new single Someday Maybe. Think Cocteau Twins meet the Mary Chain beneath the LA sun and you’ll be somewhere along the road that leads to their music. The video for the track features Howard Mordoh, aka The LA Rocker, seemingly something of a legend on their local music scene – we all have a Howard who shows up at our local venues and this serves as a happy reminder of those gig-filled days of the not so distant but much missed past. The band’s debut EP wearetheknow is set for release on 18th May.

 

New releases – Ist Ist, Melenas, Diet Cig, Doomshakalaka

Ist Ist – Silence (single)

Ahead of the release of their much anticipated debut album Architecture in a week’s time, Ist Ist’s new single is out today. Silence is the latest in a succession of strong tracks from the band, the intro reflecting back the sound of past Manchester neighbours Joy Division. However despite some inevitable comparisons, Ist Ist are developing their own very recognisable style, a dark optimism creeping through their lyrics and music that suggests the album will be an accomplished body of work. There are live dates in the pipeline for October/November and in the meantime, in lieu of a regular launch event, the band will host a listening party at 7pm on the eve of release, 30th April – details on Facebook.

Architecture by Ist Ist will be released on 1st May via Kind Violence Records; pre-order here and watch the video for Silence  below

Ist Ist

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Melenas – Primer Tiempo (single)

If some European electro indie-pop sounds like it might make the world a better place right now, then the new single from Melenas may be just what you’re looking for. Hailing from Pamlona in Spain, the four piece are adept at creating simple, catchy tunes that hold the sophistication of the likes of Stereolab and Saint Etienne. Discussing latest track Primer Tiempo, the band explain, ‘The song talks about the moment before making a decision, the moment BEFORE EVERYTHING. You are in your bedroom, and you feel there is a fight between your dreams and your desire to make them happen. You walk around your bedroom and you listen to songs that talk about the same feelings that you have, just to encourage yourself to ‘do it, do it, do it, tell that person something now!’ When you finally do it, it works! Later, you will remember that moment, which was the Primer Tiempo, the first time.’

Dias Raros by Melenas will be released digitally on 8th May, with physical orders following from 5th June via Trouble in Mind Records; pre-order here and watch the video for Primer Tiempo below

Melenas

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Diet Cig – Who Are You? (single)

With their latest single Who Are You? Diet Cig offer up a sugar coated ode to being treated badly, an unlikely combination that triumphs good over bad in three and half minutes. Their music has developed to sound more self-assured and unashamedly pop infused. Second album Do You Wonder About Me? is released next week and promises to lift the spirits with tunes reminiscent of The Photos or Altered Images with some New York sass; tour dates are currently rescheduled for the Autumn. Speaking about the single, the band say, ‘Who Are You?’ is for anyone who’s ever received a completely self-serving apology from someone who’s hurt them. I learned that healing doesn’t wait for an ‘I’m sorry’ to appear, and it can feel silly to have one arrive when you’re completely over it. This song takes these bad feelings and turns them into a fun upbeat jam to dance around in your kitchen to!’

Do You Wonder About Me? by Diet Cig is out on 1st May via Frenchkiss Records; pre-order here and listen to the audio for Who Are You? below

Diet Cig

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Doomshakalaka – One Last Saturday Night (single)

One Last Saturday Night is out now from Doomshakalaka, the brainchild of Paul Rafferty, who you may be familiar with as the former vocalist and bassist for Liverpool indie outfit Hot Club De Paris. The track forms part of a collection of songs that have been in the making since 2011 and will finally greet the world on his upcoming album. With track titles including The Lost Homework of Isabella Perez and I’ll Kill You Motherfucker, there must surely be high hopes for the rest of its content. One Last Saturday Night builds suspense as you wait for the vocal to kick in and, when it finally does, it’s satisfyingly refreshing with hints of nostalgia to a mix of eras past. Paul explains, ‘It’s a love letter to the past and the feeling of possibility we experience in youth. Adulthood is a cliff we sleepwalk off and responsibility lurks below. You can try and fall for as long as you want, but at some point you’ll plunge into the analogous sea. What if you could go back for one last lost weekend, before the free fall of real life and responsibility?’ It’s worthy of note that the video was shot in line with current quarantine restrictions by his girlfriend on an iPhone whilst Paul and scene-stealer Pettibon the dog took a walk near their home; an impressive use of daily exercise.

The self-titled album from Doomshakalaka is released on 5th June via Moshi Moshi Records; pre-order here and watch the video for One Last Saturday Night  below

Doomshakalaka

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Words by Siobhan

24th April 2020

 

Album Review – The Strokes: The New Abnormal

What do The Strokes mean in 2020? It’s almost 20 years since their toweringly influential debut album Is This It? was released, still heralded as the defining picture of rock in the 2000s by many. Adored critically and commercially, it spearheaded a garage rock renaissance, spawned affectionate imitators and inspired an impressionistic youth the world over: Alex Turner wasn’t the only one who wanted to be one of The Strokes.

Though unavoidable, it’s perhaps a little unfair to compare every subsequent Strokes release to their debut, as history has often told, longevity after such a perfect start is never simple. Despite 2003’s follow up Room on Fire managing to pack a similar punch, quality control over subsequent releases was patchy and for much of the last decade it seemed like a new Strokes release was the last thing on some of the group’s minds.

Thankfully though, The New Abnormal sees the band at last singing along to the same hymnbook, one that’s conducted by an appreciation for ‘80s New York cool, complete with Basquiat artwork; it’s a hymnbook written in graffiti aside a rattling subway train. When lead vocalist (and reigning coolest name of all-time champion) Julian Casablancas asks, “and the ‘80s song, how did it go?” on Brooklyn Bridge to Chorus, one might as well retort back that it appears on this album! Both The Psychedelic Furs and Generation X receive songwriting nods for Eternal Summer and Bad Decisions respectively, with the latter’s chorus built upon a lovely interpolation of Dancing with Myself, though it’s hard not to get caught mis-singing the original “If I had the chance, I’d ask the world to dance” line which sadly has no counterpart here.

The album opens with the somewhat sedate The Adults are Talking, which despite not doing anything wrong itself, feels like a missed opportunity against a song like At The Door which would have made for a more brazen opener, and is just one of the many highlights which come from Casablancas seemingly having a ball behind the microphone. It’s impressive hearing him shift from a pop-punk drawl on Brooklyn Bridge To Chorus to a funk-pop falsetto on Endless Summer and he manages to elevate Selfless, Not the Same Anymore and Ode To The Mets to heights unimaginable with another indie rock vocalist.

Familiar Strokes’ elements remain rooted to the group’s sound, there’s plenty of clunky yet danceable guitar riffs, watery arpeggios and driving basslines throughout, though it seems Casablancas has brought a little something of his other project, The Voidz, into the mix; Eternal Summer, Why Are Sundays So Depressing? and At the Door wouldn’t have sounded out of place on their mostly brilliant and a little bonkers last album, Virtue. As for misfires, there’s little in the music to not be enamoured by, though with most of the track-list sitting around the 4-6 minute mark and often seeming to be finishing for a good minute or two before they eventually fizzle out; some trimming around the edges wouldn’t have gone amiss.

As to what The Strokes mean in 2020, it’s still a little unclear, these days they’re more commonly found adorning the cover of countless ’noughties indie’ Spotify playlists, crystalised still in that golden period of garage rock revivalism. But with a little help from career revitalisation specialist Rick Rubin, The New Abnormal (a somewhat poignantly apt title for our times) is at least The Strokes’ most cohesive and fun sounding record in over a decade.

The New Abnormal is out now via Cult and RCA Records.You can get the latest news from The Strokes and order the album here – watch the video for At the Door below.

Words by Ryan Bell

14th April 2020