Preview – DIY Alive Festival 2022 (London)

DIY Alive, London, 23rd & 24th April 2022

Championing new music on stage as opposed to on the page, a new event comes to the capital next month. DIY Alive promises ‘A weekend of live music, talks, workshops and more, bringing the spirit of DIY Magazine to the heart of East London, it offers attendees a chance to celebrate new music and explore the creative industries surrounding it. A collaboration with Oval Space, the festival will take place across four venues and Oval Park in late April 2022’.

With lots of breakthrough artists performing, including Breaking Glass favourites VLURE, Keg and Fräulein, and ‘In Conversation’ slots with Self Esteem and Baxter Dury amongst others, this looks set to be a great couple of days. Shame (Sat) and Lily Moore (Sun) take the headline slots.

Full details and tickets here

Words by Siobhan

14th March 2022

 

Live – Get Cape Wear Cape Fly | BLAB | Wild Front at The Wedgewood Rooms Portsmouth

Get Cape Wear Cape Fly, BLAB & Wild Front at The Wedgewood Rooms, Portsmouth, 11th March 2022

With his revered debut album The Chronicles of a Bohemian Teenager turning 15 last September, Get Cape Wear Cape Fly (aka folk favourite Sam Duckworth) is back out on the road to celebrate. Stopping off in Portsmouth on Friday night, the party was joined by supports BLAB and Wild Front. Photo gallery from Hannah Mesquitta below…

Wild Front

BLAB

Get Cape Wear Cape Fly

Photos by Hannah Mesquitta

14th March 2022

Live – Franz Ferdinand at Concorde 2 Brighton

Franz Ferdinand at Concorde 2, Brighton, 11th March 2022

Launching their 20-track greatest hits collection Hits to the Head, Franz Ferdinand dropped into Brighton last night to play an intimate outstore performance for local record shop Resident. Back at Concorde 2 for the first time since April 2004, it was a fantastic opportunity to see them in a smaller venue and marvel at the extent of their back catalogue.

Dark of the Matinee, Walk Away, Michael, Always Ascending, the hits just kept coming and the newest formation of the band, including Audrey Tait on drums, sounded absolutely on point. What a fabulous night – captured in pictures here by Mike Burnell.

Franz Ferdinand
Hosted by Resident and One Inch Badge

Photos © Mike Burnell (iso400.com)
Words by Siobhan

12th March 2022

 

 

International Women’s Day 2022

International Women’s Day, 8th March 2022

International Women’s Day calls for all of us to
– Celebrate women’s achievement
– Raise awareness against bias
– Take action for equality

For this year’s IWD, we’ve gathered together photos of inspirational women taken by amazing women photographers; we hope you’ll enjoy looking through the images and check out more of everyone’s work.

Today’s feature is dedicated to Jennifer’s mom, Fran.
(header photo and below)

************************************************************

Jennifer Mullins 

Photographer, Phoenix

This is a photo I took of my mom, who died on January 23, 2022, from a once-in-a-lifetime trip that we took to Hawaii in July 2015. I always loved photographing her when she didn’t know I was doing it. I would often catch her in a reflective pose. I have this photo hanging on my wall. It’s been a sad time, but I feel this is a way to honor her.

Website | Prints | Instagram | Twitter

************************************************************

Cath Dupuy

I’m Cath Dupuy, a music photographer from SE London. I didn’t start shooting music until well into my 50s, though been going to gigs since I was 15! It’s good to see more women in the pit now, even if I am the oldest.

Grace Jones

Website | Instagram | Facebook

************************************************************

Gosia at Nettlespie Photography

My name is Gosia aka Nettlespie Photography, originally Polish, based in the north west. Music photography is my absolute love and catching a glimpse of the artist’s energy and the feel of the moment is what it’s all about for me!

Lowes at Reading & Leeds Festival

Instagram

************************************************************

Samantha Quinn Photography

Photographer, Northern Ireland 

I’m Samantha, a wedding photographer who used to specialise in gig photography!

Kelli & Rachel had the most beautiful intimate day in a gorgeous Georgian house during the first Covid lockdown. They knocked it out of the park!

I had the privilege of capturing this absolute badass of a bride who had the most perfect home wedding with a stunning Victorian twist.

Instagram | Facebook

************************************************************

Kaza Black Photography 

Photographer, Melbourne

Adalita – an inspiration to me, who fronted a band in the 90s which was rare at the time, and continues to do so in a male dominated industry. Adalita continues to front Magic Dirt as well as her solid solo career. This photo was taken at the Reclink Community Cup 2019.

Website | Instagram

************************************************************
Amelia Jones – inkblots

Amelia Jones (inkblots) – a photographer, filmmaker and motion graphics editor from the North West, based in Manchester, England and specialising in portraits, gig and concert photography and videography.

My Mum captured on 35mm film

My friend Jess playing YES last year

Instagram | Facebook | Twitter

************************************************************

Mia ‘Jean’ Tolley 

Photographer, Exeter

I’m a commercial photography student who likes to explore her own sexuality and femininity through her work. This image doesn’t have a solid story, other than it was part of a project exploring women’s body image throughout the fashion industry.

Instagram

************************************************************

Maddie Drake 

I’m a student taking pictures at gigs all around the city (Manchester) mostly just to see live music for free. The photoset is of Talie of the Red Stains, headlining at Castle Hotel in December 2021.

Instagram

************************************************************
Anya Weston-Shaw 

Photographer, north west

A large volume of female musicians inspire me to use my camera and feel good in myself. Ellie Rowsell. She inspired me to capture the world’s beauty. This shows you Wolf Alice as if you were looking through my eyes.

Photography InstagramPersonal Instagram

************************************************************

Alex Curran

My name is Alex Curran. I am a music and event photographer based in Dublin. I have experience in live performance photography. I chose the image below as it captures the authentic emotion of the musician just before her performance. Her name is Rachel Mae Hannon.

Instagram

************************************************************
Ingrid Turner

I’m Ingrid Turner, a Manchester based photographer. My passion for taking pictures began with street photography, catching poignant moments and chance encounters, and this background is reflected in my event and charity photography. I love capturing intimate, special moments that take place when people connect.

A woman supporting the Together With Refugees Rally in Oct 2021. She looked really serene and kind.

A dancer rehearsing

Website | InstagramFacebook | Twitter

************************************************************

Rachel Wonders

My name is Rachel Wonders and I am a music photographer based in London & The North West. My style is very soft, feminine and ethereal and I view my practice as an art form as opposed to something more documentary. This is a photo of Foxes at the Islington Assembly Hall shot for Square One Magazine.

Instagram

************************************************************

Hannah Mesquitta Photography

Hannah Mesquitta – photographer from Portsmouth. Enjoys shooting live and landscape.

When I’m not snapping away, I’m either busy being a retail manager (my job) fussing my cat (or other people’s cats haha) adding to my ever growing houseplant collection or spending hours on Animal Crossing. 

Lauran Hibberd live

My friend Carrie

Instagram | FacebookTwitter

************************************************************

Ange at Cobspix Photography

I’m a freelance gig photographer shooting bands around Greater Manchester for the last 4 years. This is Annabelle Zaychenko, lead singer for Circus 66, an upcoming rock band from Maidenhead. Annabelle delivers powerful soaring vocals and owns that stage. Go check them out!

Instagram | Facebook | Twitter

************************************************************

Jess Robinson

I’m Jess and I’m a photographer from Manchester. I’ve been taking shots of live music for a few years now and here is one of my favourites! The shot is of the wonderful Martha Phillips from The Elephant Trees.

Website | Instagram

************************************************************

Siobhan at 16 Beasley St Photography

I’m Siobhan, I live on the Sussex coast and mostly shoot gigs, festivals and other events. I started Breaking Glass as a platform for my own and other like-minded people’s work. It’s amazing to have contributors from all around world.

Beth from brilliant Brighton band LibraLibra

Lifted by Mimbre

Website | Instagram | Twitter

************************************************************

It’s been a pleasure to put this feature together and celebrate a whole range of talent; huge thanks to all who have contributed. You can check out  more from each photographer on the links shown. All images are copyrighted by the photographer credited; please do not use without gaining their permission first.

Happy International Women’s Day 2022! See you back here next year – and keep the sentiment going every day between now and then…

8th March 2022

Interview – Pizza Crunch

Pizza Crunch – Interview with Jacob Rose

After the release of their latest single ‘Flatfoot’, a blend of the melancholy and freedom originating from 2020’s lockdown, I had the delightful opportunity to speak to Pizza Crunch about their past with the single’s evolution, as well as the future of their sound…

JR: So first, I’ve got to say that I’ve really enjoyed the new single Flatfoot. Loved the Smithsy vibes from the track, which hopefully isn’t a comment that’s been haunting you since. I’ve heard that there were some changes to the song since its creation in the first lockdown – how much would you say it’s changed since its original creation and were there any key moments that determined that change?

Ewan (vocals): So Nathan (lead guitarist) and I do the bulk of the writing. And I think in the early days of the band we often got lost in our own parts. For example, I’d write the lyrics and I’d want them to be squeezed into the song without putting much care into other sections. Flatfoot was originally quite focused on the vocal and lead. Since we first wrote the song we have reworked the chorus so it packs more punch and is more easy listening. We went into the studio with Johnny Madden of Baby Strange a year or so ago and the emphasis he puts on chorus melodies probably influenced us with this new tune.

You mentioned how the jovial tone of Flatfoot stemmed from the freedom you felt from that first lockdown – did the band share that feeling in their respective situations? Or were there any conflicts between what you guys wanted to produce from the feeling of that lockdown?

Yeah, because I write the lyrics my feelings kind of take precedence haha. But often, Nathan will write a jovial guitar part and I’ll write some misery filled lyrics and we’ll kind of have this contrast between the music and the lyrics. I’m sure the other members of the band did go through tough spells during the lockdown as we all did, I think I was in the minority in seeing the initial part of it as a bit of a holiday.

I feel obliged to ask at least one a bit off kilter question – if you could choose any new instrument to take with you to the recording booth for your next tunes, what would you like to bring in?

Haha great question. For the new stuff we have been working on we’ve actually brought up in some new instruments. We’ve got all sorts going on, trombones, gloks, cellos, etc. I’d love to bring in a sax at some point. I’d also love to get a choir involved.

In respect of keeping the new project in any and all secrecy you like, I just wanted to ask if there were any musicians or albums that have inspired where you’ll be taking your music. Obviously, if the honest answer is Pizza Crunch and Pizza Crunch only, that’s just as good an answer.

Nah mate don’t worry, we steal from anyone and everyone. I’ve been listening to a lot of soundtracks recently, so I’m keen to use some atmospheric soundscapes etc., rather than bread and butter guitars, bass and drums. We’re big fans of The Ninth Wave, the new Wolf Alice record has impacted us a lot. We also like the Parliamo EP. We’re just looking forward to releasing some songs that are different from the standard indie release.

Just as a follow up to that last question, I was wondering what soundtracks you’ve been listening to recently?

A lot of Cliff Martinez, like the Drive soundtrack. My favourite one at the minute though is the Lost River soundtrack, I think Johnny Jewel did that one. Only God Forgives too, there is a cool Thai song at the end of it called You Are My Dream.

To focus more on the lyrics too, a question I forgot to ask before was if you had any non-musical influences that have really affected how you approach your writing or even an influence on how you guys as a band approach music.

I think non-musical influences help shape the lyrics a lot, I’d say it is mostly musical things that influence the sound though. I’ve been reading a lot of Bukowski recently for example and that has probably made my writing a little more cynical. I think maybe non-musical things can indirectly impact the sound and music itself. I feel that if I’m reading something sentimental maybe that is more likely to come across in the mood of the song. Those artists/albums I talked about in the last email are the main factors in this slight changer in direction though. I think what they all have in common is that they are bodies of work made up of songs that all belong next to each other. Being able to do this is impressive on its own so I really want us to do that next, hence the EP…

Listen to Flatfoot here and check out more from Pizza Crunch on Bandcamp and via their Facebook page

************************************************************
Interview by
Jacob Rose – many thanks to Pizza Crunch

7th March 2022

New Music – Fräulein

Fräulein – Drag Behind

Fräulein’s new single Drag Behind continues the duo’s streak of creating small fires with which to burn emotions on. 

The tune starts with an infectiously drab riff, one which as the track progresses, begins searing with the energy to go further, energy stopped perfectly by the bleak atmosphere of the tones created. This seems to go hand in hand with Joni Samuels’ lyrics, conveying the search to reach potential, until “your constant comparisons drag you down”.

Samuels’ voice brings an intricacy to the classic styles of post-punk singing, seen in the likes of influence PJ Harvey and equally Bristol-stemming contemporaries wych elm, with each lyric seemingly hiding a hidden emotion to decode, from playfulness to despair. Van der Tol’s drumming, too, can’t go unmentioned: capturing the perfect rhythm with which the track casts equal measures of fever and underlying gloom. 

With their style freshly evolving through the band’s London/lockdown era, it’ll be a despondent delight to see where they next take our ears. 

Fräulein

************************************************************

Words by Jacob Rose
Photo by Hannah Mason

4th March 2022

Live – Self Esteem | Phoebe Green | Seraphina at Chalk Brighton

Self Esteem, Phoebe Green & Seraphina at Chalk, Brighton, 3rd March 2022

There are some sterling shows coming to Brighton at the moment and another excellent line-up at Chalk last night arrived in the shape of Self Esteem with strong support from Phoebe Green and Seraphina. Catching everyone’s attention with latest album Prioritise Pleasure, Self Esteem (aka Rebecca Lucy Taylor) is surely set for bigger stages and bigger things all round…

Event hosted by One Inch Badge
Photo gallery from Mike Burnell below

Seraphina

Phoebe Green

Self Esteem

Photos © Mike Burnell (iso400.com)

4th March 2022

 

 

 

Live – Dry Cleaning | PVA at Concorde 2 Brighton

Dry Cleaning & PVA at Concorde 2, Brighton, 2nd March 2022

Winners of Brighton record emporium Resident’s album of last year with their stunning debut New Long Leg, Dry Cleaning were back in town last night with their sardonically articulate brand of musical spoken word, filling a bigger venue each time they visit. Support came from revered electro-dance trio PVA.

Photo gallery from Mike Burnell below:

PVA

Dry Cleaning

Photos © Mike Burnell (iso400.com)

3rd March 2022

 

Breaking Glass Magazine – March 2022

Breaking Glass Magazine – March 2022

March means International Women’s Day is coming around again, this year falling on Tuesday 8th.

Championing “a gender equal world, a world free of bias, stereotypes and discrimination, a world that’s diverse, equitable, and inclusive, a world where difference is valued and celebrated”, it’s an event that we’re happy to be part of.

This year, we’d love to feature photos of women taken by women – portrait shots, live music shots, your friends, family, neighbours, anyone at all, just pick your favourite image that fits the bill and email to us here at breakingglassmag@gmail.com with a link to your Insta and/or website/other socials, and tell us about yourself and your photo in 40 words or less.

Some more details if you’d like to join in…

– Please send in by midday on Monday 7th March
– Breaking Glass is not a profit-making publication; we can’t pay for contributions nor do we charge for entries as many sites do
– Copyright remains with the photographer; by submitting your photos you grant us permission to include them in the stated gallery and to promote this and related posts on the website and social media with credit
– Jpg files please – portrait / landscape / square are all fine
– You can send with or without watermark; please ensure you have permission for images not taken in a public space or of under 18s

Look forward to seeing your shots!

Words and photo from Brighton Fringe by Siobhan

1st March 2022

Live – Yonaka | King No-One | July Jones at Chalk Brighton

Yonaka, King No-One & July Jones at Chalk, Brighton, 27th February 2022

Kicking off their tour in Brighton, local favourites Yonaka were back in style playing to a crowded room at Chalk last night. Support came from indie catalysts King No-One and alt-pop artist July Jones. Photo gallery from Mike Burnell and further live dates below…

July Jones

King No-One

Yonaka

The tour continues at:

Feb 28 – Birmingham, o2 Institute
March 1 – Nottingham, The Rescue Rooms
March 2 – London, o2 Forum Kentish Town
March 4 – Glasgow, Garage
March 5 – Leeds, Stylus
March 7 – Manchester, o2 Ritz
March 8 – Cardiff, Tramshed
May 25 – Belfast, Limelight
May 26 – Dublin, Academy

Photos © Mike Burnell (iso400.com)

28th February 2022

New Music – cheerbleederz

cheerbleederz – cute as hell

cute as hell is the latest from London punks cheerbleederz, a blast of nostalgic rock sprinkled with just the right amount to add a modern twist.

This dissonant spin is felt in the first few seconds of the track, as a guitar gently sears over a bass line that jumps right near the edges of easy listening. In the verse, the band come together in an image of desire dangled just above danger – the hell is definitely not to be left unseen, or even in jest, when it is followed with “I’m going to bash your brains out your skull”.

The track, as hinted with the music, always feels on the edge of chaos, on the edge of destruction, which keeps its pop-punk vibe immaculate, and it’s dips into the styx of aural and lyrical aesthetic.

Released on Valentine’s day, cheerbleederz have given the first of their lovely gifts, one of many to come in the build up to their album’s release in the summer.

cheerbleederz

************************************************************

Words by Jacob Rose

25th February 2022

Photo Gallery – Black and White Images

Timeless, classic and evocative – there’s something about black and white photography that doesn’t just grab your attention but holds it too. In our latest gallery we’ve revisited the monochromatic style to bring you a set of images from photographers far and wide, each capturing their own moments across a range of subjects.

“To see in colour is a delight for the eye but to see in black and white is a delight for the soul” – Andri Cauldwell

Header photo by Gregor Boyd; details in article

************************************************************

Bob Vylan – The Ferret in Preston 27/8/2021

Colin from GBH at North West Calling, O2 Ritz, Manchester 30/6/2018

By Gary Hough at allthecoolbandsphotography – Website | Instagram | Twitter

************************************************************

SS Nomadic – Titanic Quarter, Belfast 2019

Apocalypse Action Man – 2014

By Seb K Akehurst at Jolly Bearded Promotions – Instagram | Facebook | Twitter

************************************************************

Untitled

By Gregor Boyd – Website | Instagram

************************************************************

Danielle Durack at Valley Bar on the 1st anniversary of her album No Place release

Glass blower at Bud’s Glass Joint on Roosevelt Row 1st Friday, downtown Phoenix

By Jennifer Mullins –Website | Prints | Instagram | Twitter

************************************************************

Sand, Sea, Sky (Aberystwyth looking toward Constitution Hill)

Guitar Man (Park Street, Birmingham)

By Mac McCreery – Instagram

************************************************************

Jehnny Beth supporting IDLES at Victoria Warehouse in Manchester, Feb 22

The crowd at Enter Shikari playing Victoria Warehouse in Manchester, Dec 21

By Amelia Jones at Inkblots – Website | Instagram | Facebook | Twitter

************************************************************

Coi Fish Pond, State College

Outdoor Portrait, Harrisburg, PA

By Erin Servey – Instagram

************************************************************
Churches

By Becky Jones – Twitter

************************************************************

HENGE at Manchester Academy on 30th October 2021, frontman Zpor and the crowd 

By Ingrid Turner Photography – Website | InstagramFacebook | Twitter

************************************************************

The Black and White Sheep of the Family

Inside Looking Out

By Charlie Smith – Twitter

************************************************************

Toronto, Ontario, Canada

By Steven Medeiros Photography – Website | Instagram

************************************************************
Wear a Mask

Dale Barclay, Broadcast, Glasgow, May 2018

By Siobhan at 16 Beasley St Photography – Website | Instagram | Twitter

************************************************************

As always, big thanks to all the photographers who have shared their wonderful images. If you like what you see, you can find more of their work on the links shown.

All pictures are copyrighted by the photographer credited; please do not use without gaining their permission first.

24th February 2022

New Music – Pushpin

Pushpin – Deep Dive Brain Drive

It’s hard to tell where Pushpin will go with every new single. Their animal-drawing singles gave ranges of math-rock styled indie, to Radiohead-esque anthems to all out indie rock. With Deep Dive Brain Drive, they venture into something different.

Deep Dive Brain Drive begins with a rhythm: a strong beat that feels like its own voice in the track. From this, the musicality can expand, beginning with a creation of a sonic atmosphere, one that feels perfect for a road trip on the sunrise, if that helps visually create the song. Lead vocals and piano intervals manage to supplement this atmosphere without replacing it all, only adding more. However, this is the least of the track’s capabilities.

As we pass the halfway mark, Pushpin break from film to video game soundtrack – synth keys and distorted bass line push the notch to 11, bending into that indie rock style with an even higher intensity than any previous tune.

With their debut EP set to release in April, it’ll be hard to anticipate (but a joy to wonder) where the band head next.

Pushpin

************************************************************

Words by Jacob Rose

21st February 2022

EP Review – Blue Bendy

Blue Bendy – Motorbike

Motorbike is the new debut EP of South London sextet Blue Bendy – a glorious exploration of experimentation, that weaves through so many great aspects of music it’s hard to really pin it down – then again, was music ever meant to be pinned down?

The EP begins strong, with Spring 100: the closest the band will get to a consistent sound. A waning bass along with some near minimalist percussion brings a steady atmosphere, that only elevates through the brilliant range of tones on display – from lifting flute melodies to wheezing guitars. Even the vocalist, Arthur Nolan, brings an engaging range of potential influences, from pre-Morrissey Morrissey to (and in saying this I fear a sigh of repetition from the number of times they must hear this) Alex Rice.

So many styles manage to interweave within one another, and yet the band never feel stale – never rehashing new ground. Clean is Core provides new energy in a backbeat, train-chugging rhythm, which itself blends so well with shifts into effervescence, with backing vocals and a lo-fi guitar shift, matched with artificial, yet oddly beautiful, strings.

Even with the use of similarly coating synths and backing vocals in next track A Celebration, Blue Bendy find new ground, letting the phrase “I’m no longer on my baby’s mind” and its mild despondence deliver another descent within a funkily energetic song.

A strong personal highlight comes in Settling: Cool, where the band’s style is perfectly emanated within just 3 minutes. From its calm-yet-tense opening, with extraterrestrial sounds, we explode into an eclectic mix of jumping chords, leaping vocals and drums that skip along, never being contained in the rhythm. Occasional grand atmospheres give Nolan’s lyrics (i.e. “My dad is a spaceship”) a glow, bringing an even larger impact that fades in and out on a whim.

As we are brought in and out of a melancholic mid-8, the stakes have somehow never been higher. The song and the EP end with the heaviest of the band’s style, bringing all aspects together in a clashing finale that helps to show the band’s strong potential for the future.

Listen to Motorbike below and purchase on Bandcamp

Blue Bendy

************************************************************

Words by Jacob Rose
Photo © Jason Sheehan

18th February 2022

New Music – Kathleen Frances | Pearz

New releases – Kathleen Frances, Pearz 

Kathleen Frances – Boy

Bristol songwriter and producer Kathleen Frances has a voice that demands your attention in the subtlest, most captivating way. Her deep baritone vocal has a timeless feel that would sit equally at home in a prohibition jazz bar as it does today. It reminds me a little of the heart-rending sound of Anohni and, if pending EP Through the Blue maintains this standard, it doesn’t seem unrealistic to think that Kathleen could claw those levels of success too. Very firmly on the ones to watch list, take a listen to Boy here and discover the talent that’s lurking therein.

Kathleen Frances

************************************************************

Pearz – Saudade

The new track from multi-instrumentalist Francesco Perini, aka Pearz, quashes the idea that you can’t tell a story without words. The accompanying video plays out scenes to match the music, but you could just as easily visualise your own journey through the crescendos and dramatic changes in pace on offer. Hailing from Florence, Pearz uses his established production skills to present the music as a composition with definite filmic values, encapsulating waves of nostalgia and yearning. The video, shot by Jules Apollinaire, is equally enchanting – watch below.

Pearz

************************************************************

Words by Siobhan
Photos: Kathleen Frances © Michaela Frances, Pearz © Tess Parks 

17th February 2022

Live – Pigeonhole | Average Life Complaints at The Green Door Store Brighton

Pigeonhole & Average Life Complaints, The Green Door Store Brighton, 12th February 2022

Following two weeks of isolation, the prospect of live music was even sweeter than usual. And it’s safe to say that the bill at Brighton’s Green Door Store on Saturday didn’t disappoint.

Up first but could just as easily have headlined, Average Life Complaints received no complaints but shouts for a “3 hour set” instead. With a hint of The Cure in their music but very much on today’s terms, the four piece impressed to a high level.

Next up, in another name anomaly, Pigeonhole were actually pretty hard to pigeonhole. With elements of rock and post-punk, their organic line-up lends itself to a fairly chaotic performance that was much embraced by the crowd.

Altogether a fine night and lovely to see the place packed and bouncing. Curated by Only Mellor – photo gallery below.

Average Life Complaints

Pigeonhole


Words and photos by Siobhan

15th February 2022

 

 

New Music – Cage Park | Sprout

Cage Park – Hand Me Downs

While previous singles MUD and  BUS made exciting breaths into the experience of the No. 50 bus and festival madness, Cage Park’s newest Hand Me Downs brings a slice of melancholy to the band’s repertoire, still brimming with their power of both lyrical and aural storytelling.

Suiting the track’s title, Hand Me Downs is fuelled by a stoked yet drowsy handful of chords, the bass and drums creating a slow heartbeat with which vocalists Mist and Belben paint portraits of the past and impending future – “holding onto hand-me-downs” and that irritating urge to actually complete those monkey bars, crashing with the presence of adolescence and the urge to ‘Move On’ (wherever that leads).

As the imminence of becoming the hand-me-downer arrives, guitarist Leo White and drummer Reuben Saunders shine, both in the dances of their instruments in verses, but especially in bringing the burn of emotion – shown effortlessly through the drift into the chorus, bringing an atmospheric passion into the constant question asked within this beautifully waning tune.

Released just days before their headline at the Hare and Hounds, Cage Park are once again keeping our eyes and ears open, handing us down only the best they can bring in musical expertise – the type of hand-me-down you’d be proud to pass along.

Cage Park

************************************************************
Sprout – I’m Just Getting By

If you ever needed the perfect fit from album art to song, look no further than the bright, unhappy clown of Sprout’s I’m Just Getting By – perfectly representing a track that weaves between sorrow and a strange optimism.

Akin to the likes of other 7476 artists like Lizzie Reid, the track’s main shine rings in the intimacy that Meg Grooter brings to their conversation of depression. As figured in the title, the track draws an image of quaint existence in perceptions, compared with the personal, sung delicately and beautifully throughout, softly bursting into harmony as these images expand.

Instrumentally, through a muted electric piano that dances in similarly delightful yet sombre ways, the song’s strange amalgam of tones fits together, pulling the heart in just the right ways.

Described by Grooter as a “genderless, genreless blob of emotion”, Sprout is a project with a great potential to create virtue and a dash of pain, with this debut acting as a phenomenally intriguing start.

Sprout

************************************************************

Words by Jacob Rose

11th February 2022

Live – The Kooks | The Snuts at Brighton Centre

The Kooks & The Snuts at Brighton Centre, 5th February 2022

Touring to celebrate the 15th anniversary of their debut studio album Inside In/Inside Out, The Kooks were back to play a hometown show at The Brighton Centre, supported by West Lothian’s rising indie stars The Snuts.

Mike Burnell was there to capture the moment, gallery below.

The Snuts

The Kooks

Photos © Mike Burnell (iso400.com)

Mike is a prolific music photographer in Brighton and we’re delighted to be featuring his work on Breaking Glass – check out more of his images via the link above.

6th February 2022

 

 

 

Icebreaker Festival – Winter 2022 (Portsmouth)

Icebreaker Festival, Multi-Venue Southsea, 29th January 2022

I maintain that in the UK, January is a great time for indoor festivals. There’s the post-Christmas lull, an inexplicably long month that goes way beyond its alleged 31 days, and just a general sense of being cold and looking for a fresh start to the year.

Year on year, Icebreaker responds to this beautifully – something to look forward to, a lovely warm atmosphere and always some new artists to discover alongside some familiar and already favourite faces.

My day started with Temples of Youth (above) sounding incredibly polished, with or without the requested reverb that eventually made a guest appearance late in the set. An acoustic set from Joe Johnson (below) also proved to be a welcome way to ease into the day.

One of the joys of this festival is that it’s not just multi-venue but also multi-genre so I often find myself seeing artists I probably wouldn’t catch otherwise, and I was grateful for the introduction to the jazz-infused sounds of Maple Sky (below).

Having made their live debut at Icebreaker two years ago, it was great to see a packed Wedgewood Rooms for Fast Trains (below) as they made the transition to the main stage look easy. Look out for their return to the Wedge in April.

Albert Road edging onto Elm Grove in Southsea is well established for these kind of events now, hosting a number throughout the year with a wide array of pubs, cafes and of course the jewel in the crown that is The Wedgewood Rooms all taking part. There’s no ignoring that there were issues with the door staff at one venue, which was a huge shame and quite unprecedented so unexpected for all. However, I understand that this is being addressed so won’t dwell on it here. It’s fair to note that generally and elsewhere, everyone involved was welcoming and friendly, as has always been my experience at Icebreaker, and they shouldn’t be tarred with the same brush.

More new acts to me included slick electro-rock outfit Dronningen (above) and Van Gosh (below and header) who ran away with the best-dressed award, their costumes only momentarily distracting from the fact that they’re actually really accomplished musicians.

In what was undoubtedly the hottest venue on the street (felt like in the world at the time to be honest but that may be a minor exaggeration), Beige (below) played a great set of hazy rock filled tracks at Back to the Belgrave – previously Acapulco, previously Al Burrito, always very hot in there whatever it’s been called!

For those with a penchant for glam and The Slits, Brighton’s Slant provided just the thing (above and below right), and local alt rock band Broken Links (below left) made a big impression on a big stage.

And a happy way to close my night was with the fabulous Arxx at The Fox (below and centre above), a powerful duo prepping with lucky star jumps, playing a stomping set and getting a deservedly appreciative response from the crowd.

Every festival has its niche, and for Icebreaker the opportunity to showcase unsigned acts is always one that it takes to the max. Here’s hoping that the planned summer event will be able to go ahead this year. Thanks to all involved for another top day out.

You can keep up with Icebreaker events here

Words / photos by Callum / Siobhan

4th February 2022

New Music – Divorce

Divorce – Services

It’s hard to pick out a ‘best’ part of Divorce’s debut single Services. Is it the charm of their gorgeous split-scene music video, produced by Bristol superstars Clump Collective? Is it the already clear talent, seen through each member’s work in bands including Megatrain and Do Nothing? Is it the fact that I keep on getting the wrong results from searching “Divorce Services”? Or is it (almost definitely) the playfulness of it all, the collaboration of so many moving elements?

Maybe it’s even the music.

In a lot of ways, Services brings the feel (and joy) of some haunted carousel. Each tone brings its own purpose: a heavily pumping bass line to the dancing staccato of electric guitars; infectious drums twist the atmosphere effortlessly with a change of cymbals; and, of course, the vocals, bringing a quaint image amidst the building…macabrity?

The chorus brings even more to the table, pumping a pseudo-musical duet of melodrama, tainted perfectly with a harsh twist of discordance – all before returning to that quaint image with: “That’s where my miracle ends”.

A perfect summation of the engaging catastrophe, in cardboard flames and scorching tones, that sparks the beginning of Divorce’s well-earned existence.

Divorce

************************************************************

Words by Jacob Rose
Photo © Aria Shahrokhshahi

2nd February 2022