Live – VLURE | Kynsy | Redolent at The Lexington London

VLURE, Kynsy & Redolent at The Lexington, London, 3rd November 2022 (BBC Introducing)

In a week where BBC services have taken a potential battering, a reminder of all that they do outside of the regular TV and radio shows. Thursday night saw The Lexington packed, despite the irascible weather and threats of a train strike that happily never happened – an eclectic platform to showcase three artists, all of whom are well deserving of that support.

First up, Redolent’s mix of dark drums and synth samplers drew the crowd in, with a visible upturn in appreciation as the set progressed.

Redolent

Next on stage, Kynsy impressed with a collection of songs that charged down the standard indie-pop of other acts, with accomplished vocals, great musicianship and ridiculously catchy hooks.

Kynsy

Headliners for the evening, and crashing with ease through the huge wave of anticipation for their set, VLURE maintained their status at the top of the new acts you cannot miss tree. It’s beyond me that they’re not already much bigger, but they have an astute awareness of how the industry works and of keeping things moving at their pace rather than feeling forced into saturation; a stance that many  over-exposed acts could learn from.

But this isn’t just clever marketing, VLURE have style and substance in abundance. An unexpected switch up with Alex taking vocals in her stride on the opening track, some new songs, some already firm favourites, a cacophony of sound that somehow brings calm and makes sense of the madness going on in the world right now. There’s a bit of me that wants it to stay like this, but VLURE deserve every success that comes their way and, if there’s any justice in the world, it surely will.

VLURE

And to all the teams at BBC Introducing who continually work to bring artists like this to the forefront, we’re all keeping our fingers and toes crossed for you – to lose this would be unforgivable.

Review & photos © Siobhan

7th November 2022

 

Mutations Festival 2022 – part 1 (Brighton)

Mutations Festival opening day, Chalk Brighton, 3rd November 2022

An international flavour to open and close day one at Chalk, the biggest venue taking part in this year’s Mutations Festival, as things kicked off with The Netherlands’ indie-pop outfit Pip Blom, and finished with the riotous glory of Russia’s Pussy Riot. Deftly sandwiched in the middle were Manchester electro wizards WH Lung and dream-psych Brighton favourites Penelope Isles.

Gallery below from Mike Burnell. Keep an eye out for more from Mutations on the website during the week.

WH Lung

Pip Blom

Penelope Isles

Pussy Riot (plus header shot)

Photos © Mike Burnell (iso400.com)

6th November 2022

Exhibition – Chris Killip, Retrospective (The Photographers Gallery)

Exhibition, The Photographers Gallery London, 7th October 2022 – 19th February 2023
Chris Killip, Retrospective

Header image: Youth on Wall, Jarrow, Tyneside 1975
© Chris Killip Photography Trust, all images courtesy Martin Parr Foundation 

Chris Killip was born on the Isle of Man but was best known for his monochrome documentary photography of the people of Tyneside. Amongst numerous subject matters, his depiction of young people and culture captured moments in time that almost smell of nostalgia. A sad loss to the photography world, Killip died in 2020, leaving behind a huge collection of poignant images.

Bever, Skinningrove, N Yorkshire 1983
© Chris Killip Photography Trust, all images courtesy Martin Parr Foundation 

Currently underway at The Photographers Gallery, a celebration of some of his work is on display until February next year. Details from their website below.

‘Chris Killip’s continued efforts to value and document the lives of those affected by the economic shifts in the North of England, throughout the 1970s and 80s, have made him one of the most influential figures of British Photography. 

This retrospective exhibition of more than 140 works serves as the most comprehensive survey of the photographer’s work to date and includes previously unseen works.

Left: Father and son watching a parade, West End of Newcastle 1980   
Right: The Station, Gateshead 1985   
Both © Chris Killip Photography Trust, all images courtesy Martin Parr Foundation

His sustained immersion into the communities he photographed remains without parallel. Whilst marking a moment of deindustrialisation, Killip’s stark yet tender observation moves beyond the urgency to record such circumstances, to affirm the value of lives he grew close to – lives that, as he once described ‘had history done to them’, who felt history’s malicious disregard and yet, like the photographer himself, refused to yield or look away.

Against a background of shipbuilding and coal mining, he witnessed the togetherness of communities and the industries that sustained them and stayed long enough to see their loss’.

Chris Killip, retrospective is co-curated by Tracy Marshall Grant and Ken Grant. Exhibition supported by the Isle of Man Arts Council and Culture Vannin.

Helen and her Hula-hoop, Seacoal Camp, Lynemouth, Northumbria 1984
© Chris Killip Photography Trust, all images courtesy Martin Parr Foundation 

Information and images above are from The Photographers Gallery website where you can find further details; we always recommend checking the site for any updates before visiting.

The Photographers Gallery, 16 – 18 Ramillies Street, London W1F 7LW – please check the website for opening times, admission prices and other events.

3rd November 2022

Live – The Bug Club | The Dream Machine | Hutch at The Piper St Leonards

The Bug Club, The Dream Machine & Hutch at The Piper, St Leonards-on-Sea, 29th October 2022

It would seem there’s no stopping The Bug Club, with tickets flying out wherever they play. And they have been playing far and wide, amassing followers as they go, and gifting what must be close to a 20-song set to those who came to see what all the fuss was about at The Piper on Saturday. It’s pretty simple really – they know how to write a great hook, their energy is infectious and they look like they’re having the best of times. There are still loads of dates coming up if you’re lucky enough to grab a ticket on a night that isn’t sold out, value for money guaranteed.

Support came from Liverpool’s The Dream Machine, who may also be relative newcomers but are already making a name for themselves with a nod to local stalwarts of the Merseyside scene The Coral and The Zutons, and an added layer of pure NYC punk rock riffs. Proficient and precise, the band played a strong set and look to be well on their way to bigger things. Frankly, anyone who can rock a NWA T-shirt with a crocheted waistcoat is deserving of some attention.

On the subject of attire, harp-inclusive ensemble Hutch picked up the Halloween memo and wore it well, opening the evening in style and with a gentle wash of soft-psych nostalgia; photo gallery from all three acts below.

Hosted by Acid Box Promotions and Dictionary Pudding.

Hutch

The Dream Machine

The Bug Club

Review and photos by Siobhan

2nd November 2022

Breaking Glass Magazine – November 2022

Breaking Glass Magazine – November 2022

Remember, remember, that now it’s November… we have to start planning our year end galleries. It’s a highlight every year and I’m sure 2022 will keep the bar high.

For those who haven’t taken part before (or have just plain forgotten) we publish two online galleries each December; the first is for live music shots, and the second is a general gallery of your favourite images you’ve taken this year – any subject matter excluding live music photos because they have their own special place.

Details for submission are below, and you can check out our 2021 galleries here for inspiration:

Best Music Shots of 2021 | 2021 Through the Lens

How to submit:

– Breaking Glass is not a profit-making publication; we can’t pay for contributions nor do we charge for submissions as some sites do.

– Everyone is welcome, professional or amateur, camera or phone, film or digital photographer.

Copyright remains with the photographer; by submitting your photos you grant us permission to include them on the website and our social media with credit.

– You can submit to one or both of the galleries, a max of 2 images per gallery.

– For the live music gallery please include artist, venue and month taken.

– For the general gallery please include a title for each image, or just a note of what the picture is of.

– For both galleries, include your name, how you would like to be credited and links you would like us to include to your work, e.g. website / socials.

– Photos should be sent as jpg files please – portrait / landscape / square / colour / black & white are all fine, any style, you can send with or without watermark.

– Please ensure there is no offensive content and that you have permission to share images of people not taken in a public place or including minors.

– Let’s aim to get these in by a deadline of Wed 7th December, any time from now is fine.

Can’t wait to see what 2022 brings!

Words and cover shot by Siobhan

1st November 2022

NWOCR Festival 2022 (Wolverhampton)

New Wave of Classic Rock Festival, Wolverhampton, October 2022

With the summer festival season under wraps, it’s great to see indoor events kicking in to help us through the colder seasons. The inaugural New Wave of Classic Rock (NWOCR) festival brought a host of rock acts to the stage at KK’s Steel Mill in Wolverhampton. Tina Sherwood was there to soak in the brilliant atmosphere, photos from some of the acts performing below, including Saturday headliners The Dust Coda and Sunday headliners Bad Touch.

Ashen Reach (see also header shot)

Bad Touch

The Dust Coda

SKAM

Shape of Water

More about NWOCR here

Photos by Tina Sherwood at All The Ts Photography

28th October 2022

 

 

Live – Architects at Chalk Brighton

Architects at Chalk Brighton, 24th October 2022

Architects returned to Brighton for an intimate sold out hometown show at Chalk to celebrate the release of their new album, The Classic Symptoms of a Broken Spirit.

The band now join Biffy Clyro’s UK arena tour, a formidable pairing if you have the chance to catch them.

Mike Burnell was at Chalk to capture the action, gallery below.

Photos by Mike Burnell (iso400.com)

25th  October 2022

Live – Frank Turner | PET NEEDS (+ Interview) at O2 Guildhall Southampton

Frank Turner and the Sleeping Souls & PET NEEDS at O2 Guildhall Southampton, 14th October 2022

Interview – PET NEEDS

PET NEEDS played the final night of a USA and UK tour at the O2 in Southampton last week. It was the culmination of weeks on the road, coast to coast across North America, touring with Frank Turner and the Sleeping Souls.

I managed to catch up with two of the members of PET NEEDS after they’d finished their sound check. The other bands were still on stage so we decided that we would go outside and sit in their tour van for a chat. The first thing Jack (drums) and Johnny (lead vocals) did was to apologise for the state of the van. I told them that after such a long tour, it had every right to look well lived in (it really wasn’t that bad at all). Looking out of the van window, we could see the queue for the gig building already.

I started by asking Johnny how the USA Tour had been for them…

The tour has been nuts! The reception we had in the States was overwhelming. We could see the momentum building as the tour went on. We even had people buying flights from the east to the west coast just to see the next show! Our favourite gig was probably the Las Vegas one, it was wild! As a place, it’s the complete opposite of my ideological position, but I think that’s why it was so surreal. It’s like the Toby Carvery of life, just too much of everything, all at once!

I see you’re heading back out for a headline tour soon

Yeah, we can’t wait, it starts in December, we’re playing Germany and then to the UK, and we’re back in Southampton too. We have a show at The Joiners which we’re so excited about. We finish the tour in Colchester for a hometown finale and it’s already sold out! That’s going to be such an emotional night!

I happen to be one of the City Managers of Sofar Sounds in Southampton and I know you’ve played a Sofar show in Oxford. How was that for you?

We absolutely loved playing it, it’s so nerve racking though. We knew that we were walking into a room where no one really knows our music, so it’s a strange experience. The audience have no idea who they’re coming to see because it’s a secret gig, as you know, but the audience was so full of love, and it was obviously made up of real live music lovers. They really are special gigs to be part of.

I listened to some of the lyrics you write and thought that some were really on the money, I particularly liked Only Happy. Where do the song ideas come from?

Lyrics are important to us. I [Johnny] write most of the lyrics, sometimes it’s based on true stories. Only Happy is based on a woman I met in a park in Germany. We were chatting about her life and her plans for the future, and she was convinced that she was going to meet the person she would marry in that city. She seemed almost obsessed with the idea. It started me thinking about whether happiness is a thing you’re aiming for or whether it’s about life being a journey of ups and downs. I hope that come across in the song.

Are all the band involved with the writing of the music?

The songs are born in my spare room on a battered acoustic guitar, and I bring them to the band and they bring their musicianship to build it to the final version. It’s all about trust, something I really enjoy compared with being a solo musician.

How is it working alongside your brother (George – lead guitarist)?

It’s really good, although challenging at the start. We both brought our own ideas, from different styles. George excels at arrangements and after about a year, we found a way so our joint creativity can show through. It now works so well for us all. We all get on so well together. We’re now on the final night of the tour and there’s not been a cross word between any of us.

So how do you see the future panning out?

We just want to keep this going. This is our life for now. We’ve got some festivals planned for next summer, but we can’t give you any details at the moment. We really want to get back to the States while we have the visa, so maybe a solo tour, or with another band. This tour with Frank really has changed our lives. It all began when one person saw one of our shows, that was the catalyst to being asked to tour with Frank, we left our jobs, and here we are. We’re really enjoying the ride and want to keep it going.

……………………………………………………

The gig itself was certainly a mix of genres. The opener was Mash Pea, a solo Afro Beats artist whose mix of singing and rapping certainly started the evening off with some energy. He was then joined on stage by Truck Stop Honeymoon, a couple from Texas, who played some wonderful Americana Country style guitar and double bass. They really engaged with the audience by telling stories from the other side of the Pond that had everyone smiling.

We then got to the PET NEEDS set. The emotional end to their epic first tour. You could tell that the lads were at the end of this emotional roller-coaster, but they played with confidence, skill and unabashed enthusiasm! From the opening bars to the final note, their energy burst through any nerves.

I’m used to photographing rock bands, so am usually ready for moving around the photo pit to get the best angles, but Johnny’s energy had me racing from side to side to try and keep up with him! If I hadn’t known this was the band’s first major tour, I’d have thought I was shooting seasoned professionals.

The rhythm section (Jack on drums and Rich on bass) drove the music perfectly, precise musicianship and an obvious joy in what they were doing. The two brothers, Johnny and George, were clearly loving every minute of their stage time together. There was an emotional pause in the set for Johnny to thank Frank Turner and everyone else who had made the tour possible. When he told the audience that they had all quit their jobs to make the band their sole focus, there was a huge cheer. Johnny joked that the audience took the news far better than their parents had! The set continued with the same energy as it started. George’s guitar solos and Johnny’s vocal working perfectly together. The only downside was the ever-problematic sound in the O2. The room acoustics are not great for punk! Some of Johnny’s lyrics, which are superb, were occasionally lost, so I look forward to seeing them at a festival in the summer so that I can hear every word and enjoy another performance.

With the audience well and truly warmed up, Frank Turner walked on stage to a huge reception. His ever-engaging style and confidence meant the crowd were in the palm of his hand from the outset. He gave his usual speech about how he wanted the evening to go. He told the crowd that they were as an important part of the show as the band. He told them the rules… “Get involved…. If you know the words, sing. If someone next to you is having a problem, help them… and above all…. (which is when the crowd joined him in shouting) Don’t be a d***head!!” Huge cheers, everyone understood!

The set was polished and full of atmosphere. An obviously well-practiced set from the tour, as well as showing Frank’s desire to have the crowd involved throughout. From my spot in the photo pit, I could hear the crowd singing as loud as the PA as it blasted Frank’s vocals. They loved it!

It was a welcome return to Southampton for Frank and his band. By his own admission, it had been far too long. I met and photographed Frank in March when he played an intimate solo gig at the Brook in Southampton, but this show was a full-on, full band experience. It was clear that the final show of the tour was a special moment for Frank and, as he said, it was a home-town show for him, and special for lots of reasons.

Frank Turner | PET NEEDS

Review, photos and interview by Peter Nicholson

17th October 2022

Live – Divorce | Safety Jacket | Ladylike at The Hope & Ruin Brighton

Divorce, Safety Jacket & Ladylike at The Hope & Ruin, Brighton, 11th October 2022

Back in March, Divorce played in the bar downstairs at The Hope & Ruin. They undoubtedly made a good impression, as this time round they filled the bigger space upstairs with their subtly sanguine post-punk tunes and a hugely enthusiastic crowd. Although still relatively early days in their musical union, it seems Divorce have found their niche and their followers, even playing a second rendition of Services to allow an audience member to take over drum duties.

In support, Safety Jacket’s camaraderie is obvious as they perform their new songs with growing confidence, and openers Ladylike impressed on only their third gig.

Hosted by Love Thy Neighbour – photo gallery from all three bands below…

Ladylike

Safety Jacket

Divorce

Review and photos by Siobhan

14th October 2022

 

New Music – H. L. Grail

H.L. Grail – Sandman

An accomplished musician now best known as bassist with revered indie quartet Goat Girl, Holly Mullineaux embarks on a new solo project under the moniker of H. L. Grail. Described as ’an honest outpouring of love, pain and disappointment’, debut single Sandman is a sonic reflection of emotions and acceptance that lulls you towards a better state of mind with hypnotic vocals and the subtle overlay of multiple instruments.

The track features special contributions from bandmates Lottie Pendlebury, Reuben Kyriakides and Ellie Rose-Davies on violin, cello and backing vocals, as well as sax by co-producer (with Holly) Euan Hinshelwood and additional vocals from Daisy Goodwin (Token Girl DJs).

Sandman is out today via Spinny Nights’ offshoot Underfoot; watch the accompanying video below and catch pending live dates in Southampton and London if you can.

16.10.22 – Heartbreakers, Southampton (w/ Robbie & Mona/Bingo Fury)
17.11.22 – Bermondsey Social Club, London (w/ Ulrika Spacek)

H. L. Grail

Review by Siobhan
Photo by Maximilian Hetherington

12th October 2022

Live – Easy Life at The Brook Southampton

Easy Life at The Brook, Southampton, 8th October 2022

I had been looking forward to seeing Easy Life at the Brook, primarily because I really like their studio work, but I had been less than impressed by videos I’d seen of their live performances, so I wanted to see for myself. The band is clearly formed around some very talented musicians, who write good songs and do offer a very different sound. However, my hopes for a true live experience were left a little wanting.

The Brook is a perfect venue for this kind of intimate live event. It gives the band a real connection with their fans and lets the fans get close to the musicians because of the unique set up at the Brook. It also has the benefit of a large balcony and plenty of room for people to find the vantage point they feel most comfortable with. Whether that’s right at the front of the stage or sat on bar stools at the back, the high stage ensures a great view for everyone. Not only is the view great, but the sound is the envy of much larger venues. No expense has been spared to make the sound work perfectly. The lighting is also a real bonus of this venue. I regularly photograph bands at The Brook and am always guaranteed of some wonderful photographic lighting. Unfortunately, the promoter of this event, for some unknown reason, wouldn’t allow me to use my professional cameras, so I had to use my simple handheld camera.

Easy Life came on just after 8:15, despite a published start time of 8pm, a minor inconvenience, and there was a full house waiting for them. My enthusiasm was immediately dampened when the backing track started. I had really hoped for a fully live set, but that clearly wasn’t on the cards. I’m not naive enough to think that everything from a studio recording can always be replicated live on a stage, but I suspect that if the backing track had been removed, it would have been a very different experience.

The most enthusiastic member of the band was, without question, Oliver Cassidy on drums. He was clearly enjoying his time on stage, and, halfway through the short set, he even walked round his kit to the front of the stage in an obvious effort to get the crown engaged. He succeeded. The crowd reacted very positively to his enthusiasm, which seemed to be somewhat lacking from the rest of the band.

There was a nice touch during the set when the raffle tickets, which had been given to everyone, resulted in one lucky girl being invited on stage and being given an album, which the band signed for her. Although Murray Matravers (the front man of the band) did smile as he conceded that they were staying after the gig to sign albums for everyone who had paid for that part of the evening.

The set lasted for about 40 minutes, which is what the audience expected, and there was a very welcome, one song encore. It was then time for those who had only paid for a ‘ticket only’ option to leave. Those who paid for the signing part of the evening were allowed to stay to have their merchandise signed by the band. As I had only paid for the gig itself, it was time for me to head out. Unfortunately, no one really knew where they were supposed to go for the signing, other than it was up on the balcony area. Knowing the Brook as well as I do, I know there is a staircase at the back of the room which leads upstairs. The organisers tried to tell people to queue towards those stairs. However, the obvious and main route to the balcony is up the stairs by the main entrance. So, despite shouts from the organisers, it had a feel of an attempt to herd cats. I was quite glad to be heading out.

Once outside I spoke to a couple of Easy Life fans who had very differing views of the show. The guys I overheard were laughing together about the short set, and clearly hadn’t realised the show would be so brief. They were good natured about it and when I chatted with them, they said they’d seen the band previously and were disappointed that some of the music wasn’t live. They wanted to see trumpet and saxophone, as well as a longer set. To be fair, the event was clearly advertised as a signing event with a 40 minute stage set. That didn’t stop the guys I spoke to laughing and saying, “Two stars from me”. To balance the disappointment, I spoke with another couple who were obviously big fans, and were thrilled to have been there, this was the first time they’d seen the band on stage.

In conclusion, the evening wasn’t what I’d hoped for from the band. It lacked some enthusiasm, apart from one or two points in the show, and I was disappointed in how much they relied on pre-recorded tracks. However, there were some real positives. The venue gave a wonderfully intimate feel and had superb sound, which, let’s be honest, is one of the most important things. It’s also great to see bands playing local, intimate shows for their real fans. So many artists who make it to the ‘next level’, often forget their roots, and no longer play at the venues they played before their ‘Glastonbury moment’. So, credit to Easy Life for keeping in touch with the real fans, credit to the organisers, and credit to The Brook.

Photos and review by Peter Nicholson

10th October 2022

New Music – The Haunted Youth

The Haunted Youth – Teen Rebel

Making music that reflects the aptly chosen moniker The Haunted Youth, the Belgian band centred around Joachim Liebens, add layers of shoegazey synth and guitar loops to what essentially is a great pop record, taking it to a different level of poignant melancholy. The initial MGMT comparisons are perhaps inevitable, however, as the track progresses it saunters more towards Euro-trance, something to listen to while the rains falls onto the bright lights of the city.

Teen Rebel is newly shared to the UK market and comes from forthcoming debut album Dawn of the Freak, due for release on 4th November via Mayway Records. “It’s therapy, a way of dealing with my existence”, says Liebens. “And I hope this album will be universal and accessible enough for others to enjoy it in the same way.”

There’s a suggestion of UK dates coming soon; with a schedule across Europe for the rest of the year it looks likely that we may have to wait until 2023 for the pleasure.

The Haunted Youth

Review by Siobhan

4th October 2022

Breaking Glass Magazine – October 2022

Breaking Glass Magazine – October 2022

Time to say goodbye to the summer and wrap up for the winter. We’ll have plenty of new music and live coverage to warm your hearts as always.

After our festival gallery last month, it’s almost time for all you music photographers out there to start contemplating your best live shots of 2022 for our year end feature – full details to follow. We’re also planning another general gallery for you to submit images of any subject (other than live music!) that reflect your memories of the year.

In the meantime as we find ourselves in uncertain times, take care, take solace in your favourite music and look out for each other.

Cover shot: All Points East Festival by Siobhan

1st October 2022

Interview & Preview – Paul Young & Los Pacaminos

Preview – Paul Young and Los Pacaminos at The Brook, Southampton, 11th November 2022

Paul Young’s career must be the envy of artists across the world. As well as singing the opening lines on the Band-Aid single in 1984 and appearing at the iconic Wembley Stadium Live-Aid concert, he also released three number one albums, received a Brit Award and became a household name. He continues to do what he obviously loves, and is still making music and performing live.

Paul is due to return to Southampton on Friday 11th November with his band, Los Pacaminos. They will be performing at a venue that they love, having played at The Brook on 20 previous occasions!

I saw (and photographed) Paul and the band when they played at The Wickham Festival back in the summer. I loved the joy they bought to the stage, as well as the high standard of musicianship, which was obvious across the whole line up of the band.

I managed to catch up with Paul earlier this week and we chatted about the upcoming gig, his career and, of course, about Los Pacaminos:

How would you describe the band, Paul?

I originally wanted to start a Tex-Mex band to embrace the fusion music which came out of Texas. I wanted to blend the Blues and Rock ‘n’ Roll, with a Mexican twist, keeping true to the Mexican immigrants who came across the border. We’re now on the third album and I’d started to think we were drifting away from the where we started, but with this album, we’re actually coming back to more of a Tex-Mex sound.

How did the band start? Was it your idea?

Yes it was. I’d grown up listening to so many bands singing about going to Mexico, across the border and escaping from something. It all just had such a romantic sound to it. I started getting really into the music of the country, then the cuisine and then the whole structure of the differences between the north to the south. The music varies so much across the country.

Did you have a plan of who you wanted to be in the band?

Well, I was already writing a lot with Drew [Barfield], and Jamie [Moses] was playing guitar on my solo work, so I approached them first. Jamie was also playing in a band for Deana Carter, an amazing Country artist, and he’d played with Melvin [Duffy]. Jamie asked Melvin along to one of our sessions, and as soon as we heard him playing the slide guitar, he was in the band! He didn’t have much say in it! [smiling].

Does this band feel very different to your solo career?

Absolutely. During my solo career I could move across genres and styles, experimenting, as so many other solo artists can, Peter Gabriel is a good example. But within a band, you have the parameters of the sound that you need to be true to. That’s what I enjoy about the Pacaminos. Sure, we drift a little, but when we do, sometimes we elevate it to something really special. It’s the same as with a cuisine, you can have a peasant dish that’s occasionally elevated to something really special.

Looking back on your career, would Los Pacaminos be one of the highlights?

Oh yeah, it definitely is. It was a challenge I took on that was something really different, but I really enjoy it, and we do a damn good job of it! [a broad smile].

You’ve been involved in some amazing collaborations over the decades, how did they come about?

I was really lucky in that most of the collaborations were because musicians approached me rather than me seeking them out. The duet with Chaka Khan came after I bumped into her, and the work with Zucchero was because we were on similar paths, but in different countries. Each time I’ve done something with someone, it’s rarely been planned, it’s almost always been happenstance.

How do you feel the industry has changed over the years?

I do think streaming has hindered music in many ways. It’s almost become too accessible. When you saved the pennies to buy an album, I think it meant so much more. I remember reading every word on the covers of albums I bought. Spotify works well for me because I’ve had enough hits in enough countries that I get a reasonable amount from it, even though I didn’t write many of the hits. So it’s good for artists like me, but it’s not so good for people trying to break through.

When I photographed you at a festival last summer, I took a shot of you where you looked to be completely lost in the moment of the music, do you enjoy playing as much as the photo implies? 

I saw that photo, it’s one of my favourites. I do feel like that when I play. Tex-Mex music does have a sense of humour about it, as well as talking about love, loss and betrayal, there’s a deep joy in it too. Oh yes, I love playing live as much as I ever did.

You can see Paul Young with Los Pacaminos at The Brook on Friday November the 11th 2022. Tickets are still available here.

Interview and photos by Peter Nicholson

30th September 2022

Live – Lauran Hibberd | Daisy Brain | Viji at The Wedgewood Rooms Portsmouth

Lauran Hibberd, Daisy Brain & Viji at The Wedgewood Rooms, Portsmouth, 23rd September 2022 

South coast superstar Lauran Hibberd stopped off at The Wedgewood Rooms last week – always with an excellent live show, Lauran brought great support acts along too in the shape of Daisy Brain and Viji. Check out our photo gallery below…

Viji

Daisy Brain

Lauran Hibberd

Photos by Hannah Mesquitta

29th September 2022

Photo Gallery – Festivals

“Here’s to the nights that turned into mornings, and the friends that turned into family” – Anon

A full year of festivals was just what the doctor ordered. While there will be no shortage of autumn/winter events still to come, now that the big summer dates are over we thought we’d take a look at some of your favourite festival shots and relive some of those happy moments…

Header photo by Stephen Flynn; details in article

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Sunset Memories at Indietracks

Splendour Festival

By Nigel King Photography – Website | Instagram | Facebook | Twitter

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Nile Rodgers at Belladrum Tartan Heart

Chris ‘Kingfisher’ Ingram at Belladrum Tartan Heart

By Alan Cruickshank – Flickr

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Kamikaze Millionaires at Glastonselfy – this event is held every year in memory of a young woman who died due to cancer, held in Crosskeys rugby field in Gwent

The Commitments taking in Ollifest in Ross on Wye

By Delwyn Edwards Photography – Website | Instagram

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‘And the award for biggest crowd of the day goes to…’
Buzzcocks, 10,000 people, R-Fest, Blackpool

Buzzcocks, backstage at R-Fest

By Steve White – Instagram | Twitter

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Dylan at Latitude Festival

Priestgate at Latitude Festival

By Andy Gardener – Instagram | Twitter

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London Grammar at South Facing Festival

By Joshua Russell – Instagram

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Archy & the Astronauts at Call of the Wild Festival

Badness at Whitwell Festival of Music

By Tina Sherwood at All The Ts Photography – Instagram

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HENGE at Fusion Festival, Germany

By Ingrid Turner – Website | Instagram | Facebook | Twitter

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Spector at 110 Above Festival

The Pigeon Detectives at Camper Calling

By Phil Drury at 2324 Photography – Website | Instagram

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Tatiana Shmailyuk at Bloodstock

Dimmu Borgir at Bloodstock

By Clare Ratcliffe – Instagram | Facebook

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Kelly Jones of Stereophonics at Victorious Festival

Tim Booth of James, crowd-surfing at Victorious Festival

By Stephen Flynn at Live Music Snaps – Instagram

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I’m Tired Now – Self Esteem at Victorious Festival

In the Moment – All Points East

By Siobhan at 16 Beasley St Photography – Website | Instagram | Twitter

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Thank you to all the photographers who have contributed to the gallery, and to everyone involved in the festival industry – it’s great to have you back. You can check out more from those featured on the links shown above.

All pictures are copyrighted by the photographer credited; please do not use without gaining their permission first.

28th September 2022

 

New Music – Forgetting the Future

Forgetting the Future – Cigarettes, Cigarettes, Cigarettes 

It can’t get much more indie-rock than Forgetting the Future’s latest Cigarettes Cigarettes Cigarettes, a track that bounces along with carefree danceability, one that’ll give it high praise in the crowds of future gigs. Rather than trying to weave in a joke about forgetting their future gigs (haha), lets just talk about the track, yeah?

With a strongly vibrant intro, Cigarettes*3 begins. Its verses are subdued, giving vocalist Robbie McNicol his first chance to sew seeds of a story that holds some darker, yet titularly related, beats. References to a cold atmosphere where electric bills are replaced with drugs seems to hold its influence in our current CoL crisis, snuck within the happy go lucky tune like poison in your vodka coke.

As we continue, the band are treated to higher distortions. The second verse feels grittier, ‘cooler’, fuelling the fire of both the song and story. It comes to its pinnacle, as expected, in its bridge, with the energy of drums, guitar and bass boosting up to beat rhythm between McNicol’s triplets, exploding into a final four bars of pure rock energy.

With its mingling of fun, worrying undertones and musical bombast, Forgetting the Future have set themselves up for a line of upcoming gigs that are sure to impress, throughout Scotland this November.

Forgetting the Future

Review by Jacob Rose

26th September 2022