Live – Red Hot Chilli Pipers at Albert Hall Conference Room Nottingham

Red Hot Chili Pipers at Albert Hall Conference Centre, Nottingham, 28th April 2022

Spice Up Your Night

Albert Hall Conference Centre, Nottingham, is a stunning venue; sparkling, pristine but retaining much of its original Victorian heritage. With great sound, great lighting and great seating, what better place for Red Hot Chilli Pipers to launch their 20th Anniversary 2002-2022 English Tour.

With barely time to breathe, following a hugely successful five-week tour of the USA, the Pipers are off again touring the concert halls of England in celebration of twenty years being ‘…the most famous bagpipe band on the planet…EVER!’

Now before you turn away at the thought of a couple of hours of bagpipe music, think again!

With nearly 40k social media followers, in today’s terms RHC Pipers are stratospherically popular and, judging by the night’s concert goers, they appeal to everyone across the board.

What is the Pipers’ magic?

You could be forgiven for thinking you should have been at Nottingham’s iconic Rock City when Founding Director Willie Armstrong engages with the audience: ‘Are you ready to rock? Are you ready to Bag Rock!’ With a resounding ‘Yeeesss!’ the familiar skirl of the pipes begins.

From beginning to end, the show is packed with a varied programme, featuring every member of the band at some point, demonstrating immense musicality in every quarter.

The show, in two halves, covers a delicious menu of emotive music as well as some great rock standards. Particularly moving in the first half is when people are invited to wave the torches on their mobiles as the wonderfully powerful Chris Judge serenades the audience with the gorgeous Tom Walker song Leave A Light On: one of those ‘hairs standing up on the back of your neck’ moments!

Its equal, in the second half, is a beautiful traditional tune, Heroes of St. Valery, written in remembrance of the hundreds of soldiers of the 51st Division of the Argyll and Sutherland Highlanders captured after the Dunkirk evacuations in the Second World War.

Predominantly, the show was light, fun, and entertaining with brilliant arrangements of AC/DC’s Thunderstruck fused with Smoke On The Water; Leonard Cohen’s Hallelujah and a bit of Robbie Williams’ Let Me Entertain You to give just a flavour of this rather different rock concert.

With an encore of It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll) and Queen’s We Will Rock You, the Red Hot Chilli Pipers left the Nottingham audience cheering, applauding and definitely wanting more following an evening’s top entertainment from a much (unjustified) maligned instrument.

#bagrockrules

Red Hot Chilli Pipers

Words and photos by Tina Sherwood at All The Ts Photography

1st May 2022

DIY Alive Festival 2022 (London)

DIY Alive, London, 23rd April 2022

It’s always good to see a new festival staking its claim in the ring and, given their record for championing new music, the prospect of DIY Magazine as a contender was always going to be intriguing. The inaugural DIY Alive took place at the weekend at East London’s Oval Space, ably flanked by great venues at The Pickle Factory and Canvas across the road and Space 289 a few minutes walk away.

As you’d expect, an eclectic line-up to choose from. Our day got off to an impressive start with locals Human Interest, the rhythm section a shining light for the laid back vocals – an energy akin to The Cramps without the psychobilly twang, and who doesn’t love a standing drummer?

Next, to the main stage to witness Chilli Jesson’s new incarnation and material. Interesting to see how he’s starting to develop his own brand away from past indie classics. A solid crowd response to an early set, and a nod to the past for the old faithful fans, closing with Best of Friends. 

With their contemporary take on a contorted dystopian world, Legss felt like the perfect fit for the festival, starting with more familiar tunes then drifting into newer material. By the end your eyes were torn between watching them or watching the front rows trying to jump in time to awkward drum patterns and time signatures – that’s what happens in dystopia.

Continuing their whirlwind of shows, Baba Ali have honed a slick performance, their blend of soulful vocals against a rock/electronic background a thing of beauty. Understated but impossible to ignore, a welcome addition to any line-up.

Something different as the DIY Alive experience included workshops and in conversation events alongside the music. Anyone who’s read Baxter Dury’s book Chaise Longue will know it’s full of tales of growing up in what might seem like a pretty bohemian world but, as he says, you don’t know any different when you’re a kid. There was plenty of opportunity for this to be an uncomfortable chat as a keen to please audience seemed ready to laugh at his every word, maybe not gauging that some of the stories might be funnier from the outside than in. Dury however took control and guided the tone of the discussion graciously, sharing glimpses into his upbringing, his love for Kendrick’s music and much more. An easy raconteur for sure, hopefully there’s another book in the offing. (I’d love to hear someone interview him without mentioning you know who just once).

And then VLURE. It never gets easier to describe VLURE playing live without sounding like a gushing child. The intensity and intimacy of their set, whatever size venue they’re in, makes for a very special experience. The relatively small stage at Space 289 never really caused a concern as so much of their time is spent in the crowd anyway. At this point, they’re so good it feels like the only people VLURE have to outdo is themselves… and still they do it every time. A band with a seemingly limitless ceiling; it’s tantamount to watching a block of flats being demolished. If it didn’t feel genuine it would be weird, but there’s no shadow of insincerity here. Euphoria indeed.

Over at The Pickle Factory, Jessica Winter once again wowed with her off the scale vocals. For self proclaimed sad music, what she produces makes people surprisingly happy. It can be difficult to compete as a solo performer with a backing track, but it says a lot when just you, your keyboard and laptop still stand out against a backdrop of full bands.

Back at Oval Space, no surprise that Shame drew the biggest crowd. Amidst extensive touring, they’re well versed in whipping up a crowd frenzy, and despite it being hard to be a bigger band nowadays, they’re still gaining fans to surf across and taking the most likely to cause a moshpit award.

Time for one last set and, from the get-go, Audio Books sounded like the best of Chris and Cosey, while displaying a persona and performance all of their own. Captivating dark techno with lyrics spat like a challenge, they couldn’t have done a better job to round off the night and the encore, though a thing less prescient these days, was well deserved. Some like to mosh, others like to dance – if you’re a dancer head for Audio Books.

Day 2 looked set to be just as enjoyable with more fantastic breakthrough artists – Fräulein, Keg, Phoebe Green and Lily Moore to name a few.

Big thanks to DIY for having us along. Their plan to bring ‘the spirit of DIY Magazine to the heart of East London’ an unquestionable success – look forward to seeing what next year brings.

DIY Alive | DIY Magazine

Words / Photos by Callum / Siobhan

25th April 2022

 

 

 

 

 

 

Live – Late Night Legacy at Corporation Sheffield

Late Night Legacy at Corporation, Sheffield, 20th April 2022

If you’re reading this in Leeds, then you probably know these guys!

For the rest of you, here’s a recommendation to update your track listing and to put on your gig list. Late Night Legacy is an Alt/Rock band who are well and truly on the up.

With charismatic frontman, Ryan Kitto, these guys have moved on apace to delivering a much heavier, energetic and more socially conscious live set, as I witnessed earlier this week when the band were supporting Jaya the Cat in Sheffield.

Last week saw the release of their most recent track, JUST a SOnG, which, from the opening bars suggests the shift to a heavier sound whilst maintaining melodic vocals, reminiscent of bands such as Red Hot Chili Peppers.

If Late Night Legacy is a new name to you, check them out across all major socials: you won’t be disappointed!

Late Night Legacy are:
Ryan Kitto…vocals/guitar
Rob Orange…lead guitar
James Iain Clegg…bass
Matt Exton…drums

Late Night Legacy

Words and photos by Tina Sherwood 

23rd April 2022

Live – Japanese Television at The Green Door Store Brighton

Japanese Television and Frank & Beans at The Green Door Store, Brighton, 14th April 2022

On the eve of their debut album being released, Japanese Television demonstrated first hand what they mean by the ominous yet enticing world of ‘Space Surf’ – READERS BEWARE – it’s loud.

A Thursday evening at the iconic Green Door Store is where I was introduced to Japanese Television (JTV), but first were the supporting act of the evening, Irish act Frank & Beans.

The duo, consisting of guitar/vocals and drummer, conducted unearthly sounds from the get-go. They departed with a trudgey first song which paved the way for the remainder of their set. The guitarist produced sounds from his instrument comparable with a nuclear generator about to explode, serious ear bending stuff which has slowly been noticed in more and more live sets.

Notoriously, GDS is a nightmare of a venue to get sounding good, however in this instance Im more inclined to say that it was the distorted fret muffling and pedal stomping which caused such a raucous sound. New single To Be Fair conquered any ambivalence though, with a slap-back lead vocal and a steady and assertive thud-thud-thud drum beat rolling through the toms on the kit, and I was swayed by the vast noise the pair were creating. With only a few seconds of breathing time between songs, Frank & Beans rattled through their set with such prominence I was left invested in such a power that the Irish duo presented – a blazing start to the evening!

During the interval, promoters Acid Box had someone tucked in the corner of the room with an unusual addition to the layout of the Green Door Store venue. An abundance of coiling cables, vintage pedals, a suitcase full of obscure cassettes and a 6 track mixer. From all this, they produced eerie and atmospheric sound pockets which reverberated around the room. The ambience was perfect, and a nice change up from your bog standard sound engineer’s Spotify playlist (not always the one). However, no one else seemed that bothered by the strange sounds from the looping tape. Saying this, I was potentially the youngest person in the room so perhaps everyone else was either oblivious to it or too cool to care – either way I was very impressed. By this time, the gaps in the room had been filled and everyone was ready to enter the void of music which JTV were about to open up.

As the looping intensified and the lights dimmed, headliners Japanese Television took to the stage. The band took off with such velocity and volume – the rhythm section and synths dominated the sound in the room leaving the surfy guitar parts adrift for the first few songs. When the bassist trod on their distortion pedal it almost tore the room in half, reminiscent of the bass outro in the Post Animal tune Gelatin Mode, only here theres no vocals and the full instrumental force is felt. It reminded me again of how loud it can get in the Green Door Store, if you like it turned up to 11, strap on your space boots because Japanese Television are sending you intergalactic!

After a couple of space jams, the guitar parts appeared and gave the surfy melody which I had been promised after hearing their recordings. Whether its the more laidback 60s influence of Mosquito Dance Routine or Ghoul Rules with the waltzer-sounding keyboard leading the pack, or the huge bass sounds from creepy number Doppleganger Disco, it was nothing short of experimental trippy brilliance! All together it was a mega blend of psych pudding ready to be devoured by its hipster spectators and dancing mums. Admittedly, not the tightest band Ive seen but then again, they do say time bends in outer space.

More from Japanese Television here – Space Fruit Vineyard is out now on Tip Top Recordings

Words by Matisse Moretti
Header photo by Luis Kramer

20th April 2022

Live – Sparks at De La Warr Pavilion Bexhill

Sparks at De La Warr Pavilion, Bexhill, 16th April 2022

The iconic art deco De La Warr Pavilion, steeped in history and complete with a record shop housing a life-size Bowie cardboard cut-out, seems an appropriately worthy setting for Sparks’ visit to the south coast.

After decades of performing and making music that has consistently set rather than followed trends, this was always going to be something special, and as the Mael brothers arrive on stage it takes less than seconds for the crowd to erupt into a cacophony of cheers and declarations of love that will be maintained throughout the evening.

With a showcase of songs from different eras, there are classics, surprises and delights galore. Taking it right back to the start, Wonder Girl rubs shoulders with Edith Piaf and Johnny Delusional, while Russell pours his heart out to a hand mirror in I Married Myself. 

Theatrics have always been integral to the Sparks’ brand, Russell the playful protagonist while Ron’s unsettling stare has been often copied but never matched. These days he rightly allows humour to take the forefront at points in the set, taking centre stage to share vocals on Shopping Mall of Love, and treating us to the famous ‘Ron dance’, a sight to behold; an artist deserving of their keyboards bearing the name Ronald instead of Roland. Still, Russell is the conversationalist, chatting to the audience about everything from the failures of the early days to the highs and lows of lockdown, including the film releases of The Sparks Brothers documentary and Annette, for which they composed the music. His shout out to Ron’s songwriting skills is a reminder of just how accomplished their back catalogue is, their latest album A Steady Drip, Drip, Drip maintaining the standard and showcased perfectly in the articulately dramatic Stravinsky’s Only Hit. With nods to operatics, vaudeville and the purest electronic glam, it’s obvious just how many other artists have been influenced by them along the way.

The two hour set culminates with the big hitters of The Number One Song in Heaven and This Town Ain’t Big Enough for the Both of Us – both as utterly iconic and timeless as the setting we’re in. Once the adulation from the crowd has eventually died down a little, Russell takes time out to thank the band and extol their individual talents. Of course, they’re never going to get away without an encore and return to complete an absolutely outstanding performance with Suburban Homeboy and All That.

A night to remember for sure and a privilege to witness the phenomenon that is Sparks. When do they get to sing My Way? Any time they like, any song they like, they really have earned a space in the musical elite. It’s worth a mention that everyone from security to the ticket desk and merch stand at the De La Warr was really friendly and helpful too.

Difficult to adequately sum up the experience but, to steal a line from the final song, the show was ‘all that we’ve seen, we’ve heard, we’ve dreamed, all that, all that and more…’

Sparks play tonight at The Roundhouse in London before heading across Europe.

Words / photos by Callum / Siobhan

17th April 2022

Landlubber Music Festival 2022 (Barnsley)

Landlubber Music Festival, Barnsley, 9th April 2022

A brand new grassroots festival emerged from the depths of the pandemic during April. Situated in the fantastic Birdwell Venue, just off the M1 at Barnsley, this event was Quality (with a capital ‘Q’) from start to finish. The venue, recently refurbished, has outstanding sound and lighting, with live screens throughout the venue, so you never need to miss a thing!

Looking down the programme of artists, you just knew this would be a fantastic day! Opening act, Canadians In Space, were hilarious! They would have benefitted from being further down the list for a greater audience, but they were playing more than one gig that day. Do check them out: tremendous musicians, but their songs are laden with a good old Yorkshire sense of philosophy, leaving the audience with some fantastic earworms that might get you slung out of the supermarket if you were singing them aloud!

Huddersfield Alternative Grime Rock band were also moving on to another gig, this time in Mamchester. Loud, energetic and with a conscience, these guys were in complete contrast to the previous act, a real selling point for future events: a broad selection of genres.

In contrast again came 15-year old Dan Ottewell-Naish, a young man so clearly inspired by The Levellers. What a talent he is! Great songs. Great guitar playing. Huge stage confidence! A really humble young man off stage. Lovely to see!

The wonderfully named Frank Grimes and The Disasters (a Simpsons reference) continued the diversity with their Punk/Pop/Rock set, reminiscent of bands such as Green Day, The Offspring and Smashing Pumpkins.

Warsop’s Caution Horses played a great set, even though they were a man down, followed by more Warsop talent, the very funny and entertaining Star Botherers.

The final 4 bands of the day can all be found in the same circuits. Firstly, the wonderful Celtic Punk Black Water County, filling the stage with that wonderful penny whistle sound that makes you want to swing a pint and jump up and down!

Following on, came Sheffield new favourites, Shanghai Treason, described as ‘Yorkshire Flatcap Punks.’ Their front man, vocalist Sam Christie, was largely responsible for the whole event , so he fully deserved all the accolades that day!

Penultimate performers were the raucous Roughneck Riot, from Warrington. They filled the stage with energy and angst and Punkish excitement!

The Barstool Preachers gave a phenomenal performance of Ska and Punk to close the day. Their frontman, TJ McFaull, strides the stage and delivers with passion and vehemence the band’s tirades against the injustices within society.

This was a day with a social conscience. A day full of top music, with musicians of all ages having their say and entertaining a welcoming crowd.

All credit to Sam Christie of The Gig Cartel and his team at The Birdwell for putting on one hell of a show! Bring on the next one!

Landlubber Music Festival

Words and photos © Tina Sherwood at AlltheTs Photography

16th April 2022

Live – Everything Everything | Liz Lawrence at Brighton Dome

Everything Everything & Liz Lawrence at Brighton Dome, 12th April 2022

Eclectic collective Everything Everything put on a great show at Brighton Dome last night, with an impressive support slot from Liz Lawrence. Promoting their new album, Raw Data Feel, you can catch Everything Everything in London, Stoke and Dublin over the rest of the week before they return for festival performances later in the year.

Photo Gallery by Mike Burnell

Hosted by JOY

Liz Lawrence

Everything Everything

Photos © Mike Burnell (iso400.com)

13th April 2022

Live + Interview – Jack Howard at WaterBear Venue Brighton

Jack Howard at WaterBear Venue, Brighton, 5th April 2022

A night of Brighton debuts for me as it was the first time experiencing the intimacy of the WaterBear Venue, as well as London jazz artist and long time friend, Jack Howard, who returns to Brighton after a 4 year hiatus from the city.

The place was brimming with Brightonian student life. Friends and fans of both headliner Jack Howard and support, Amber Burgoyne, hustled around the bar to grab their (modestly priced) £4 beer – perks of a university run venue, ey?

Prior to his set I managed to nab Howard for a quick 10 minute chat where he opened up about past releases, musician FOMO, and some poignant decisions that he has chosen to take to benefit him with his songwriting and his authenticity as a musician. With seven releases to date we began by chatting about Howard’s debut Yesterday. I was as green as they come when I wrote Yesterdayexplains Howard earnestly.

Honourably, Howard has made a conscious decision to take more time in his artistry and worry less about being a big name in lights at this point in his career.Before I just thought Id write all these pop songs and become famous but the more I ended up writing, the more the idea of being famous wore off and the better my writing became”.

He mentions that just before lockdown he sold out Colours, a 300 cap venue in London and was taken aback on how hed managed to sell out a venue without any management or industry backing. However, Howard picks up that he wasnt entirely happy with the music he was making and his own development. He describes what I like to call musician FOMO’.

Around me I kept seeing other [artists] doing something…”. Ambiguous as it sounds, I believe that that something is Howard observing other musicians being proactive with their career. I felt like fuck, I need to do something’, when that should never be the motivation behind true creation. In Howard’s words, he is the self proclaimed laziest person he knows in terms of creationbut, I have to disagree with my friend Jack here and give him some credit. An artist cannot move themselves to London, grow a social media following on Instagram and TikTok, be an unsigned and unmanaged solo artist that can sell out venues and call themselves lazy – not to mention the gig I was about to witness which was self-promoted.

As we ended the interview the support, Amber Burgoyne, played her final song, a well rehearsed and tight band backing Burgoynes strong stage presence. The room was now prepped and ready for the headliner to play his first show back in Brighton after 4 years, as the underground venue was packed out.

The set kicked off with a funky instrumental that really set the tone. From the word go it was clear the headliner was much more in his own using jazz and funk melodies with a pop tinge and raspy vocals – thoughts of Paulo Nutini spring to mind, a self-confessed inspiration of Howard’s.

Highlights from the set included when Howard cheekily dismissed the band and performed a spine tingling stripped back version of his latest release How to be a Man. As the crowd hushed any mutters from potential hecklers, the room fell silentHere I see how Jacks vocals cant be faulted, despite some minor technical errors which are brushed off with a harmless smile and giggle from both musicians and the crowd, altogether it made for a terrific performance from the whole band. Further moments on was the fan favourite Sublime and unrelated tune Meteora song said to be about a man rating his car, from the perspective of Howard – a non-driver. Special mention to the saxophone/backing vocalist Molly, whose shy character juxtaposed her every time she jumped from sax to microphone, really adding some additional authenticity to the live performance.

It continues to be a refreshing thing to hear yet another artist using the pandemic as a time of reflection and integral pondering, signalling that many artists actually used the halt on humanities day-to-day life to study themselves rather than be bitter about it. Jack Howards return to Brighton did truly feel like a homecoming. A homecoming filled with appreciation, care and authenticity. I walked out onto the very breezy Brighton seafront having discovered a new venue and what felt like a new artist certain on his path and ready to write that song that gives him the recognition as an artist that he deserves.

Jack Howard – FFO: Tom Misch, Paolo Nutini, Isaac Waddington

Words and photo from WaterBear by Matisse Moretti

12th April 2022

Live – Warmduscher | CLT DRP at Concorde 2 Brighton

Warmduscher & CLT DRP at Concorde 2, Brighton, 9th April 2022

When Warmduscher came together, made up from fragments of other bands, it felt like a great experiment that might or might not last. Happily, the band has done nothing but go from strength to strength – a hybrid of genres meshed and held together by sheer talent and an occasional disco ball.

On Saturday, Brighton had the pleasure of their company on a seaside trip to Concorde 2. Starting strongly with the heady trio of Big Wilma, Midnight Dipper and The Salamander, it was an early reminder that they have accumulated a huge heap of accomplished tracks to choose from and, despite providing matinee and evening performances, there was no let up in energy, the sold out crowd loving every second. There’s no doubting that Warmduscher are rated, but every possibility that they’re still hugely underrated – if the chance to see them live comes along, grab it with both hands.

Solid support on the night came from local punk favourites CLT DRP; a good choice to kick things off, photos from both sets below.

Hosted by JOY.

CLT DRP

Warmduscher

Words and photos by Siobhan

11th April 2022

Live – Skunk Anansie at Brighton Dome

Skunk Anansie at Brighton Dome, 9th April 2022

Originally formed back in 1994, Skunk Anansie have a host of accolades and awards under their belt. Still standing out from the crowd, the band are back out on the road, stopping off to captivate a packed Brighton Dome on Saturday night. The tour heads to Cardiff tonight then continues through to July with a stream of UK and European dates.

Always a stunning visual display, Mike Burnell captured the highlights in our photo gallery below.

Hosted by JOY.

Skunk Anansie

Photos © Mike Burnell (iso400.com)

11th April 2022

Live – Divorce at The Hope & Ruin Brighton

Divorce at The Hope and Ruin, Brighton, 29th March 2022

Still simmering slightly under the radar but surely not for long, Nottingham’s Divorce create a blend of dark and light in their music that keeps us all guessing what will come next. Following their debut single Services, the band are playing some live dates across the UK – probably a good time to catch them in a small venue before things inevitably take off.

5th April – The Polar Bear, Kingston upon Hull
6th April – Headrow House, Leeds
7th April – Bootleg Social, Blackpool
8th April – The Chameleon Arts Cafe, Nottingham

Photos from last night’s show at The Hope & Ruin in Brighton, hosted by Love Thy Neighbour, below.

Divorce

Photos by Siobhan

30th March 2022

Live – JPEGMAFIA at Concorde 2 Brighton

JPEGMAFIA at Concorde 2, Brighton, 24th March 2022

Following an extensive run of live dates across the States and Europe, experimental rapper and producer JPEGMAFIA (aka Barrington DeVaughn Hendricks) played a sold out show at Brighton’s Concorde 2 last night. The tour continues to Bristol, London, Glasgow, Manchester and Dublin.

Photo gallery capturing the energy of the night by Mike Burnell below.

Event hosted by SJM Concerts.

Photos © Mike Burnell (iso400.com)

25th March 2022

Live – White Lies | VLURE at Chalk Brighton

White Lies & VLURE at Chalk, Brighton, 18th March 2022

The return of White Lies with new album As I Try Not To Fall Apart has cemented their ability to create powerful songs that, despite the perceived sadness in their titles, have the ability to make people very happy. Out on tour around the UK, theirs is an impressive show on many levels.

An interesting pairing taking VLURE along as support – though both bands are with Red Light Management – the Glasgow five-piece have made a huge dent in the music scene captivating smaller venues, but how would this transfer to a bigger stage further from the crowd, many of whom potentially hadn’t heard or seen them before? In a genius move I’ve not witnessed previously, the simple answer was for vocalist Hamish Hutcheson to perform the whole set from the raised ledge in the photo pit – apart from the jump over to wander through and sing up close to the audience (props to security for ensuring the mic lead didn’t claim any victims on its ever extending journey). It’s hard to do the VLURE experience justice in a few words – intense, emotional, and just the right side of chaotic, they’re without doubt one of the best new bands around and clearly give the same maximum effort wherever they play.

And so to White Lies – it’s always a bold move to start with one of your most successful songs and the opening notes of Farewell to the Fairground set the pace for a show full of formidable tracks. By this stage Chalk was absolutely rammed with fans old and new enjoying what it has to be said was a faultless showcase. The band sounded great, the music was beautiful, the lighting was spot on, there was a lovely atmosphere, and really you can’t ask for much more than that.

The new songs are strong and along with the title track from As I Try Not To Fall Apart, other stand-outs came in the shape of Am I Really Going To Die and There Is No Cure For It. The old favourites were very much on hand as well, displaying the quality of their songwriting from early on in To Lose My Life, Unfinished Business and with only a tiny hint of amusement that the crowd was actively cheering for Death.

The tour continues tonight in Dublin, then heads for Liverpool, Norwich, Oxford and London through the week. Go to see White Lies and discover VLURE – or go to see VLURE and marvel at the long-standing talent of White Lies. Either way, this was a mighty return and an excellent night’s entertainment.

(White Lies European dates follow until the beginning of May).

White Lies | VLURE

Event hosted by Lout Promotions

Words / photos by Morgan / Siobhan

21st March 2022

Live – Lynks | Jessica Winter at The Green Door Store Brighton

Lynks & Jessica Winter at The Green Door Store, Brighton, 17th March 2022

From their Brighton debut at the tiny Rossi Bar two years ago, the Lynks message has clearly spread. After stealing the show at Mutations Festival in November, tickets for the Green Door gig started flying out and those who were lucky enough to grab one were not disappointed.

First though, proof if it were needed that you should always catch the support slot. Stunning vocals from Jessica Winter and the stage presence of a film noir starlet captivated the room. The perfect way to kick things off.

To the strains of The Wedding March and clad in a psychedelic bodysuit, Lynks walked down the aisle through the crowd and jumped on stage, catapulting straight into live favourites This is the Hit and Everyone’s Hot (And I’m Not). New track Hey Joe (Relax) was just as well received, with sing backs from the heaving crowd continuing throughout the set.

Ably backed by the Lynks Shower Gel trio, a Lynks show is an immersive experience that never fails to lift the spirits. Finishing with the ever popular Str8 Acting, the crowd response was as loud as I’ve heard at the venue and justifiably so. The tour continues tonight at London hotspot Heaven, then moves through Bristol, Birmingham, Nottingham, Leeds, Birkenhead, Glasgow, Newcastle, Manchester, Southampton and Margate – catch it if you can.

Lynks | Jessica Winter

Words and photos by Siobhan 

18th March 2022

Live – The Cribs | The Blinders at Chalk Brighton

The Cribs & The Blinders at Chalk, Brighton, 12th March 2022

With a back catalogue spanning eighteen years and every album full of fan favourites, it’s difficult to imagine how The Cribs pick their setlist and still leave everyone happy with their choices. I guess if you don’t have a bad song in there you can’t really go wrong.

Their release of latest album Night Network was a welcome return that lifted the shadows of lockdown, and the anticipation of the accompanying tour proved utterly justified as they hit the stage at Chalk in Brighton on Saturday.

First up with a lot of support in the crowd, The Blinders treated us to a mix of older tracks and others taken from this year’s Electric Kool-Aid EP. Their advancement from a trio to a five-piece adds extra layers to their performance, though the dark undertone is undeniably still present.

By the time The Cribs walk out to the heady hat-trick of Running into You, I’m a Realist and Our Bovine Public, Chalk is heaving with the unmistakable atmosphere that comes with each and every one of their gigs. You won’t find a better crowd and, no matter the size of the venue, it always feels like it’s just a big group of friends out to see that band they love – the group of friends has extended majorly over the years but the love for the band never dips. Whatever the circumstance, when  you meet another Cribs fan you just know they’re alright.

The energy continues on and off stage alike, word perfect singalongs from the crowd to everything from an unexpected rendition of I’m Alright Me to an acoustic Shoot the Poets and later set stalwarts Be Safe and Pink Snow, the band, mosh pit and surfers barely pausing for breath.

After the show ends, the surrounding streets of Brighton are filled with reasonably in key variants of the opening chords of Another Number. Whatever else is going on in the world one thing remains dependable, you’ll never leave a Cribs gig without a smile on your face – here’s to many more.

The Cribs | The Blinders

Words and photos by Siobhan

15th March 2022

 

Live – Get Cape Wear Cape Fly | BLAB | Wild Front at The Wedgewood Rooms Portsmouth

Get Cape Wear Cape Fly, BLAB & Wild Front at The Wedgewood Rooms, Portsmouth, 11th March 2022

With his revered debut album The Chronicles of a Bohemian Teenager turning 15 last September, Get Cape Wear Cape Fly (aka folk favourite Sam Duckworth) is back out on the road to celebrate. Stopping off in Portsmouth on Friday night, the party was joined by supports BLAB and Wild Front. Photo gallery from Hannah Mesquitta below…

Wild Front

BLAB

Get Cape Wear Cape Fly

Photos by Hannah Mesquitta

14th March 2022

Live – Franz Ferdinand at Concorde 2 Brighton

Franz Ferdinand at Concorde 2, Brighton, 11th March 2022

Launching their 20-track greatest hits collection Hits to the Head, Franz Ferdinand dropped into Brighton last night to play an intimate outstore performance for local record shop Resident. Back at Concorde 2 for the first time since April 2004, it was a fantastic opportunity to see them in a smaller venue and marvel at the extent of their back catalogue.

Dark of the Matinee, Walk Away, Michael, Always Ascending, the hits just kept coming and the newest formation of the band, including Audrey Tait on drums, sounded absolutely on point. What a fabulous night – captured in pictures here by Mike Burnell.

Franz Ferdinand
Hosted by Resident and One Inch Badge

Photos © Mike Burnell (iso400.com)
Words by Siobhan

12th March 2022

 

 

Live – Self Esteem | Phoebe Green | Seraphina at Chalk Brighton

Self Esteem, Phoebe Green & Seraphina at Chalk, Brighton, 3rd March 2022

There are some sterling shows coming to Brighton at the moment and another excellent line-up at Chalk last night arrived in the shape of Self Esteem with strong support from Phoebe Green and Seraphina. Catching everyone’s attention with latest album Prioritise Pleasure, Self Esteem (aka Rebecca Lucy Taylor) is surely set for bigger stages and bigger things all round…

Event hosted by One Inch Badge
Photo gallery from Mike Burnell below

Seraphina

Phoebe Green

Self Esteem

Photos © Mike Burnell (iso400.com)

4th March 2022

 

 

 

Live – Dry Cleaning | PVA at Concorde 2 Brighton

Dry Cleaning & PVA at Concorde 2, Brighton, 2nd March 2022

Winners of Brighton record emporium Resident’s album of last year with their stunning debut New Long Leg, Dry Cleaning were back in town last night with their sardonically articulate brand of musical spoken word, filling a bigger venue each time they visit. Support came from revered electro-dance trio PVA.

Photo gallery from Mike Burnell below:

PVA

Dry Cleaning

Photos © Mike Burnell (iso400.com)

3rd March 2022

 

Live – Yonaka | King No-One | July Jones at Chalk Brighton

Yonaka, King No-One & July Jones at Chalk, Brighton, 27th February 2022

Kicking off their tour in Brighton, local favourites Yonaka were back in style playing to a crowded room at Chalk last night. Support came from indie catalysts King No-One and alt-pop artist July Jones. Photo gallery from Mike Burnell and further live dates below…

July Jones

King No-One

Yonaka

The tour continues at:

Feb 28 – Birmingham, o2 Institute
March 1 – Nottingham, The Rescue Rooms
March 2 – London, o2 Forum Kentish Town
March 4 – Glasgow, Garage
March 5 – Leeds, Stylus
March 7 – Manchester, o2 Ritz
March 8 – Cardiff, Tramshed
May 25 – Belfast, Limelight
May 26 – Dublin, Academy

Photos © Mike Burnell (iso400.com)

28th February 2022