Breaking Glass Magazine – January 2023

Breaking Glass Magazine – January 2023

Happy New Year everyone, here’s hoping that 2023 will treat us all well, and bring heaps of great music and photo opportunities.

Getting things off to a promising start, we’re off to our first festival of the year at the inimitable Rockaway Beach, and looking forward to being back in the midst of things – come say hi if you’re heading there too.

Also keen to start running more photographer features again – we have one ready to publish in the next couple of days and would love to hear from you if you’d like us to showcase your work, all styles and subjects welcome; some previous features here.

Let’s make 2023 a good one…

Cover shot of Goring seafront by Morgan Elliott

1st January 2023

Contributors 2022

Breaking Glass 2022 Contributors

To all the photographers, writers, reviewers and creatives who’ve been involved with Breaking Glass over the last twelve months – you’ve once again absolutely smashed it and given us brilliant content all year long. Here’s the roll call of talent for 2022 – thank you all so much! Thanks also to all the bands, artists, music PR teams and promoters, publishers, venues, museum and gallery curators who’ve invited us in and sent us previews, and anyone else who’s played a part in any way. See you back here in 2023…

Adam Hampton-Matthews
Alan Cruickshank
Alex Curran
Amelia Jones (Inkblots)
Andy Gardener
Ange (Cobspix Photography)
Anya Weston-Shaw
Becky Jones
Callum O’Driscoll
Caoimhe Clements
Cath Dupuy
Cayleigh Moore
Charlie Smith
Chris Hibberd
Clare Ratcliffe
crimebird
Daniel Caceiro
Del Edwards
Derek Rickman
Don Blandford
Erin Servey
Gary Hough (shotfrombothsides)
Gosia (Nettlespie Photography)
Gregor Boyd
Hannah Mesquitta
Hector O’Donnell
Ingrid Turner
Jacob Rose
Jennifer Mullins
Jess Robinson
Joe Baker
Joshua Russell
Jurga Kalinauskaite
Kaza Black
Kevin Harpin
Mac McCreery
Maddie Drake
Mark Cartwright
Matisse Moretti
Maurice O’Connor
Mia (Jean) Tolley
Mike Burnell
Milly McPhee
Morgan Elliott
Nigel King
Peter Nicholson
Petra Eujane Photography
Phil Drury (2324 Photography)
Rachel Wonders
Robert C Maxfield II
Ryan Bell
Ryan Howarth
Samantha Quinn
Seb K Akehurst (Jolly Bearded Promotions)
Siobhan (16 Beasley St Photography)
Sofia Savino
Stephen Flynn
Steve White
Steven Medeiros
Tina Sherwood

Photo by Siobhan at 16 Beasley St Photography

30th December 2022

 

Tina Sherwood – A Retrospective

Tina Sherwood, Music Photographer

For the past 18 months, we’ve had the pleasure of having Tina on board as a regular contributor at Breaking Glass. It was such sad news to hear that she had passed away earlier this month. We’ll miss her photos for sure, but equally her sheer enthusiasm for everything she did.

From reviewing for Rock Shotz Soundz to taking up a dream position at The Forge Music Group supporting and promoting new talent, Tina’s live music photos captured the essence of the performances that she loved so much – and her behind the scenes shots gave an insight into her fantastic sense of fun. Here’s a selection for you to enjoy, and to quote the closing sentence in the last piece Tina contributed “Long live Rock!”


Hell’s Addiction at Rockin’ the Bowl Festival, September 2021

Inglorious at Rescue Rooms Nottingham, September 2022

Left: Shape of Water at NWOCR Festival, October 2022
Right: Skindred at Corporation Sheffield, October 2021

Left: Fallen Mafia at Corporation Sheffield, November 2022
Top: Magnum at Rock City Nottingham, September 2022
Bottom: Asking Alexandria at Motorpoint Arena Nottingham, November 2022

Archy & the Astronauts at Call of the Wild Festival, May 2022

Left: Massive Wagons at Call of the Wild Festival, May 2022
Top: THEIA at Rock City Nottingham, September 2022
Bottom: The LA Maybe at Call of the Wild Festival, May 2022

Marco Mendoza at Real Time Live Chesterfield, November 2022

Absolute Bowie at Rescue Rooms Nottingham, November 2022

South of Salem at Call of the Wild Festival, May 2022

Left: Late Night Legacy at Corporation Sheffield, April 2022
Right: Badness at Whitwell Festival of Music, September 2022

Massive Wagons at Rock City Nottingham, November 2022

Red Hot Chili Pipers at Albert Hall Conference Centre Nottingham, April 2022

Landlubber Music Festival, April 2022

BlitZ at The Old Wine Vaults Eastwood, June 2021

All photos © Tina Sherwood – thanks for the memories, you’ll be missed…

29th December 2022

Best Music Shots of 2022

Always a highlight of the year, welcome to Best Music Shots of 2022, an eclectic collection of live music images from photographers across the UK and worldwide. This year has excelled itself, and the gallery is bigger and better than ever before, so much so that I considered publishing it in two parts. However, it seemed a shame to split the huge range of talent, styles and genres, so find a comfy space and spend a bit of time with all of us looking back at some stunning shots from 2022. Enjoy…

Header image by Adam Hampton-Matthews, details in article

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Joan Smith and the Jane Does
The Dakota Tavern, Toronto, May

Common Deers
3030 Dundas West, Toronto, September

By Steven Medeiros Photography – Website | Instagram

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Gary Numan
Leeds Academy

Public Service Broadcasting
The Fire Station, Sunderland, October

By Steve White – Flickr

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Hannah Lia of Fallen Mafia
Corporation Sheffield, November

Chick McFarlane of Bad Actress
Real Time Live, November

By Tina Sherwood at All the Ts Photography – Instagram

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Gin Palace
The Deer’s Head, Belfast, September

Alpha Twin
The Deer’s Head, Belfast, September

By Seb K Akehurst at Jolly Bearded Promotions – Linktree

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Zuzu
Meadowlands Festival, Nottingham, June

Max and Harvey
The Bodega, Nottingham, April

By Milly McPhee / Milly’s Photos – Website | Instagram

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Seeyouspacecowboy
Debonair Music Hall, New Jersey, July

By crimebird – Website | Instagram

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Jealous
The Hope and Ruin, Brighton, October

Damefrisor
The Hope and Ruin, Brighton, July

By Hector O’Donnell – Instagram

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Pa Sheehy
Dolan’s Warehouse, Limerick, October

James McGregor of The Clockworks
Kasbah Social, Limerick, November

By Maurice O’Connor – Instagram | Twitter

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Jimmy Wallace
Back alley behind his shop, Garland Texas, July

Randy Rogers
Western Days, Lewisville Texas, September

By Robert C Maxfield II – Website | Instagram | Facebook

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Lea Heart

The Scratch
Otherside Festival, Slane, July

By Alex Curran – Instagram

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The Soap Girls
The NE Volume Lounge, Stockton, October

Joe Quigley of Mille Manders And The Shut Up
Kendal Calling, June

By Mark Cartwright – Flickr

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Erika Badu
Love Supreme Festival, July

Blood Red Shoes
Chalk, Brighton, June

By Mike Burnell – Website | Instagram | Twitter

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Mellor
Purple Turtle, Reading, November

October Drift
Clwb Ifor Bach, Cardiff, October

By Kevin Harpin – Instagram

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Lewis Maynard of Dry Cleaning
Rough Trade, Nottingham, July

Imogen Hart
Rough Trade, Nottingham, November

By Nigel King – Website | Instagram | Facebook | Twitter | Mastodon

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Nita Strauss, Alice Cooper’s band
Resorts World Arena, Birmingham, May

Matt Bellamy of Muse
Eventim Apollo, London, May

By Clare Ratcliffe – Instagram | Facebook

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Coyote Tango
Rebel Lounge, Phoenix, November

Danielle Durack
The Trunk Space, Phoenix

By Jennifer Mullins – Website | Prints | Instagram | Twitter

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Crushed by Waves
Ollifest, Ross on Wye, August

Fired Up
Ollifest, Ross on Wye, August

By Del Edwards – Website | Instagram | Facebook

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Heavy Lungs
Chalk, Brighton, November

Ciel
Prince Albert, Brighton, October

By Chris Hibberd – Instagram | #chibberdyviews

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Go_A
St Luke’s, Glasgow, October

Gary Numan
O2 Academy, Glasgow, May

Jurga Kalinauskaite – Website | Instagram | Facebook

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James Bay
O2 Institute, Birmingham, December

Avatar
O2 Academy Oxford, July

By Joe Baker – Instagram

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Martin Couri of The Courettes
Night and Day Cafe in Manchester, June

Martin and Flavia Couri – The Courettes
Night and Day Cafe, Manchester, June

By Gary Hough at shotfrombothsides – Website | Instagram | Twitter

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Flogging Molly
O2 Forum Kentish Town, August

Messhugah
Royal Albert Hall, June

By Daniel Caceiro – Website | Instagram

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Perfume Genius
All Points East Festival, August

Jehnny Beth
All Points East Festival, August

By Adam Hampton-Matthews – Instagram

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Gwenno
Komedia, Brighton, September

VLURE
The Great Escape, May

By Siobhan at 16 Beasley St Photography – Website | Instagram | Twitter

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A massive thank you to all the photographers featured here for sharing their work, look forward to seeing what 2023 holds in store for you. You can check out more from each contributor on the links shown above. And huge thanks also to everyone who’s joined us throughout the year in any way – I hope your holiday season is peaceful and kind to you, take the best care of yourselves and each other.

All pictures are copyrighted by the photographer credited; please do not use without gaining their permission first.

22nd December 2022

2022 Through the Lens

“The best thing about a picture is that it never changes, even when the people in it do” – Andy Warhol

Capturing those special moments throughout the year, we have some amazing images from a bunch of talented photographers who have shared their favourite shots from 2022. A mix of portrait, landscape, nature, events, street and toy photography, it’s a great showcase of diverse subject matter and styles, as always in no particular order so please scroll all the way through and enjoy…

Header shot by Daniel Caceiro, details in article.

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Nature

By Mike Burnell – Website | Instagram | Twitter

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Diwali celebrations at Trafalgar Square

Iranian women’s march

By Don Blandford – Instagram | Twitter

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The Transporter Bridge Middlesbrough at sunset

The Humber Bridge taken during a rain storm

By Mark Cartwright – Flickr

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Sunset

Punk’s not dead… yet

By Seb K Akehurst at Jolly Bearded Promotions – Linktree

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The Norwegian Fjords

By Caoimhe Clements – Instagram 1 | Instagram 2 | Twitter

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ELLiS·at Bottegar Rooms, Brighton

By Hector O’Donnell – Instagram

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Elderly man in front of a punk concert, London

Man walking past Cesar building in Lyon

By Daniel Caceiro – Website | Instagram

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High Raise

Flamingos

By Derek Rickman – Instagram | Twitter

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Dia De Muertes at Desert Botanical Garden, Phoenix

Mother and daughter at Butterfly Wonderland

By Jennifer Mullins – Website | PrintsInstagram | Twitter

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Just Do It Now! Paste Up, Brighton

By Chris Hibberd – Instagram | #chibberdyviews

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Katie

By Alex Curran – Instagram

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Dinner Time

By Joe Baker – Instagram

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Beach huts at Wells-next-the-Sea, Norfolk

Lincoln Cathedral

By Clare Ratcliffe – Instagram | Facebook

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Confronting A Preacher at Nottingham Pride

Fire Breathing, Nottingham

By Nigel King – Website | Instagram | Facebook | Twitter | Mastodon

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Pete Shelley Mural, Leigh

Osmotherley, North Yorkshire

By Steve White – Flickr

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Helter Skelter on the beach at Weymouth

Accrington Victorian Market

By Gary Hough at shotfrombothsides – Website | Instagram | Twitter

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Honeyglaze, The Great Escape

Brighton & Hove Pride Parade

By Siobhan at 16 Beasley St Photography – Website | Instagram | Twitter

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Having a cuppa with the great Marco Mendoza

By Tina Sherwood – Instagram

Forgive me a little indulgence to include some text on this one. It was so sad to hear of Tina’s passing earlier this month. She loved photography and all that went with it – the joy of live music, meeting people, supporting new artists and not least her family – her passion for all of it was obvious. Tina sent me images for this and our music photography feature a few weeks ago; she was a big part of Breaking Glass and I’ll miss our conversations very much.

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Thank you to everyone who contributed to the gallery – you can check out more from those featured on the links shown above. And for another display of talent, our Best Music Shots of 2022 feature will be live this week.

All pictures are copyrighted by the photographer credited; please do not use without gaining their permission first.

20th December 2022

 

New Music – Frankie Wesson

Frankie Wesson – Just Friends

Hard gigging Frankie Wesson and her band have just had a launch party for her new single Just Friends. Frankie Wesson started writing songs and performing in her hometown of Abergavenny at the age of 16. Her cinematic songs draw inspiration from her personal experiences of bitter-sweet nostalgia, unrequited love, teenage angst and the complicated reality of growing up LGBTQ+.

Her versatile vocal range and talent for emotive, relatable song writing makes for captivating live performances. Frankie’s original songs have been featured on BBC Radio 6 and BBC Introducing as well as Spotify’s Chilled Pop Hits and New Music Friday playlists. The electro-pop single Reasons from her album Still Got Time has had over 112,000 streams on Spotify. Swansea’s Soundboard magazine described Wesson’s music as ‘timeless; appealing to fans of Fleetwood Mac and Paramore alike without compromising or diluting any of the style that makes Wesson’s music her own’.

Frankie Wesson

We’re really happy to have some new contributors joining us from across the UK – check out more of photographer Del Edwards’ work on Instagram, Facebook and the website link below.

Words and photos by Del Edwards

16th December 2022

Live – Blancmange at The Venue Worthing

Blancmange at The Venue, Worthing, 9th December 2022

There’s a moment every year when it suddenly starts to feel like Christmas, and this year Friday night at The Venue was that moment. For those not local, the eponymously named venue in question is what used to be converted church St Paul’s Arts Centre. Retaining the original stained glass windows and balcony, and festooned with giant snowflakes and balloons, it felt more like walking into a weird office party than a gig (in a good way). It’s a very cool location, in architectural features and temperature, but coats firmly staying on didn’t stop the crowd from singing and dancing their hearts out as the current formation of synth-pop royalty Blancmange hit the stage.

With a set list spanning the decades, the songs held a certain charm that combined the original sound with subtle reworkings from different eras. Tracks from new album Private View received a great response; latest single Reduced Voltage showcases a deeper version of electronica that stands up in today’s market, and vinyl copies of the album had sold out at the merch desk before the show began. Neil Arthur clearly still loves being on stage and there was lots of chat and interaction with the crowd. 

And those hoping for a little nostalgia weren’t to be disappointed, as the set was interspersed with favourites including Waves, That’s Love That It Is and Blind Vision, before the inevitable flourish of a finish with Living On The Ceiling. With the room still singing along to the riff, the band left the stage briefly before returning to close with Don’t Tell Me. A night full of atmosphere and top tunes – and good to see the live music circuit in Worthing continuing to expand.

Blancmange

Review / photos by Callum / Siobhan

14th December 2022

 

 

 

 

 

Live – The Vamps | The Aces | Henry Moodie at Nottingham Royal Concert Hall

The Vamps, The Aces & Henry Moodie at Nottingham Royal Concert Hall, 10th December 2022

Celebrating a decade of hits, The Vamps are packing out venues across the UK before heading off on worldwide dates in the new year. 10 Years Of The Vamps – The Greatest Hits Tour stopped off in Nottingham on Saturday night, with support from The Aces and Henry Moodie; Milly McPhee was there to capture the moment…

Henry Moodie

The Aces

The Vamps

We’re delighted to introduce photographer Milly McPhee to Breaking Glass readers; you can check out more of her fabulous images via the link below!

Photos by Milly McPhee

12th December 2022

IDLES – Five Years of Brutalism

Having stumbled upon IDLES by chance in a tent at 2000 Trees in 2016, news of a show at Brighton’s 100 capacity Prince Albert was a welcome follow on. As the date grew nearer and tracks were shared from their then upcoming album Brutalism, the scrap for tickets was huge. For those of us lucky enough to have picked some up early, it was obvious that something big was about to happen for IDLES, as their stage performance and the buzz around the album got louder and louder.

IDLES, The Prince Albert Brighton, 13/03/17

Now five years on, it sits as a collection of tracks that has marked its place in the annuls of musical history, and the occasion will be suitably marked. Details from the press release here:

Set for release on Friday 9th December via Partisan, Five Years of Brutalism will be re-issued on limited cherry-red vinyl with alternative artwork. The digital package will feature the entire set from their surprise performance from the BBC Introducing Stage at this year’s Glastonbury.

Brutalism was originally self-released in March 2017, surpassing expectations to become one of the decade’s most important debut albums. Beneath the surface of its aggressive, foreboding music and lyrics lies a level of confessional vulnerability and honesty that comfortably cemented it as an instant classic.

Having previously released two cult EPS, 2012’s Welcome and 2015’s Meat, it was Brutalism that catapulted IDLES into the spotlight. Showcasing the band’s ability to summarise societal discourse with pin-point accuracy, one of the album’s central themes was to highlight the role of women in singer Joe Talbot’s life. Having lost his mother during the recording of the record following a long illness, it journals his experiences with grief and eventual rebuilding. The original album artwork features a photograph of his mother alongside a sculpture created by Talbot and his father. A limited edition of 100 LPs were released in October 2017 with Talbot’s mother’s ashes pressed into the vinyl. Speaking further about the album, Talbot writes;

“What started as a headstone slab of indulgence and unrest became a long journey of beauty, forgiveness, and gratitude. Little did we know that it was not just a headstone but the foundations we were building, for a house full to the brim with loving human beings. Thank you so so much”.

In the 5 years since Brutalim’s release IDLES have gone on to achieve so much, including a number one album, sold out tours and festival headline appearances around the world. Its follow-up, Joy as an Act of Resistance, further springboarded the band into the UK (and beyond)’s consciousness and paved the way for the colossal ‘Ultra Mono’ – the band’s first UK No. 1 album. Last year’s CRAWLER contained the buzz-saw urgency that their now global fanbase had come to expect, but expanded its sound with more melodic and introspective songs. At every step of the way the band have garnered a wealth of dedicated supporters – from the early breaks given to them by Steve Lamacq and BBC 6 Music, the independent live music circuit and the rabid AF Gang community – the latter of whom produced a feature film entitled “Don’t Go Gentle: A Film About IDLES” released globally and screened at many international film festivals.

To further celebrate the release of the Five Years of Brutalism the band will be taking part in a Youtube Listening Party on release day at 19:00 GMT, giving fans the opportunity to listen and chat alongside members of the band whilst they communally listen to the original album. The event will begin with the broadcast of a brand new video for album track ‘1049 Gotho’ directed by frontman Joe Talbot. Speaking further about the video he writes: 

“The 1049 Gotho video is a pastiche of some old cliched ideas I had when we started the band and I wanted to honour that and also nod to the references of Crawler which were a reflection on the Brutalist period. It’s a time capsule of ego and gratitude”.

Join the Party at 19:00 tonight, Friday 9th December here: https://youtu.be/IpvpJnR1MJk

IDLES

Intro and live photo by Siobhan, header photo by Tom Ham via Sonic PR

9th December 2022

Live – Shinedown | Asking Alexandria | Zero 9.36 at Motorpoint Arena Nottingham

Shinedown Planet Zero World Tour at Motorpoint Arena Nottingham, with Asking Alexandria & Zero 9.36, 29th November 2022

The Rock was hot on Tuesday night at Nottingham’s Motorpoint Arena when Shinedown brought their Planet Zero World Tour to town.

The good people of the city and beyond turned out in force to enjoy an amazing show complete with huge pyro effects throughout!

Asking Alexandria’s incredible energy and Zero 9.36’s contrasting style all came together to deliver a faultless evening’s entertainment.

Long live Rock!

Shinedown

Asking Alexandria

Zero 9.36

Words and photos by Tina Sherwood at All the Ts Photography 

1st December 2022

Breaking Glass Magazine – December 2022

Breaking Glass Magazine – December 2022

Where did 2022 go? Here we are again approaching the end of the year and looking forward to the annual ‘Best Of’ galleries – still a few days left to submit your best music shots and favourite general shots from 2022, full details on November’s cover page.

Huge thanks to everyone who’s been a part of Breaking Glass this year, big or small. Whatever you’re doing over the holidays, look after yourselves and each other x

Words and cover shot by Siobhan

1st December 2022

Live – Squeeze at The Brighton Centre

Squeeze at The Brighton Centre, 26th November 2022

For a band who first charted back in 1978, Squeeze undoubtedly still have a lot to offer, and it’s not just nostalgia. Saturday night was cold and wet, but inside The Brighton Centre a warm atmosphere and a buzz of anticipation for the performance, that never abated throughout the evening.

When you have Dr John Cooper Clarke as your warm-up act you know it’s going to be a good night. With wit and charm as abrasive as ever, the good doctor was perhaps a bit off brand for some of the crowd but, undeterred by any such notion, he delivered his beautifully cynical observations on the world and quickly gained traction in winning everyone over. Always a pleasure.

And so to Squeeze, a band still more than cool for cats whose lyrical content is matched only by their obvious love of the music it sits alongside. Taking no prisoners on the opening trio of tracks, the crowd were treated to Take Me I’m Yours, Hourglass and jewel in the crown Up the Junction to kick things off. The perfectly matched songwriting team of Chris Difford and Glenn Tilbrook are responsible for a long string of hits over the years, and it was great to hear their new material make itself a strong mark in the setlist. With all proceeds from new EP and single Food for Thought, being donated to independent food banks, there was also an invitation for those attending to bring non-perishable items to be passed on to local food banks, and the response was huge. It warms my heart and makes me angry in equal measures that this is necessary but hats off to the band for doing this on their tour dates and taking time to talk about the Trussell Trust mid-set.

Where you find several incarnations of a band, it can often be the case that the original members will hang on the spotlight and effectively find themselves a backing band to play live with. This is far from the case with Squeeze as there is some fierce talent amongst the entirety of the band members, not to mention moves that would leave Gene Kelly pondering his place on the dancefloor from Stephen Large on keys. It was refreshing to see the authenticity of performance and, whilst you wouldn’t have to be a Squeeze fan to have enjoyed the night, the room was full of people who most definitely were.

The evening closed with an encore of Slap and Tickle and Black Coffee in Bed, and we headed out to battle the weather again with umbrellas unable to meet their need, but a bunch of songs stuck in our heads that most definitely could.

Review and photos by Siobhan and Callum

28th November 2022

 

Live – Placebo | Cruel Hearts Club at Portsmouth Guildhall

Placebo & Cold Hearts Club at Portsmouth Guildhall, 18th November 2022

In the midst of a huge world tour, Placebo stopped off at Portsmouth Guildhall last week to share an equally huge stage performance to a packed venue. Bringing less experience but plenty of attitude to the support slot, Cruel Hearts Club look sure to have picked up a host of new fans on the tour. Gallery from both artists by Hannah Mesquitta below.

Cruel Hearts Club

Placebo

Photos by Hannah Mesquitta

25th November 2022

 

Live – Absolute Bowie at The Rescue Rooms Nottingham

Absolute Bowie at The Rescue Rooms, Nottingham, 19th November 2022

Widely acknowledged as the best Bowie tribute in Europe, Absolute Bowie take the crowd on a journey through the many personas of David Bowie in a set full of hits from across the decades. Check out our gallery from The Rescue Rooms below…

Photos by Tina Sherwood at All the Ts Photography

23rd November 2022

Photography – In Focus with Sofia Savino

It’s always a pleasure to see new photographers joining the music circuit – in today’s feature, Sofia Savino recounts her love of photography and talks us through some of her favourite shots so far…

My name is Sofia Savino and I am a professional traveling photographer all over the North East Coast of the US. 

My passion for taking pictures has followed me my whole life. In my time of self-discovery, I have always found myself returning to a love of photography: documenting my life from intimate moments to noisy concert venues.

It wasn’t until August 2022 that I really picked up my first Nikon DSLR and got the courage to venture into concert photography. It’s been a thrilling journey at lightspeed but after months of focus I was able to build a reputation and become a contributor for publications like Ascribe Magazine.

My creativity is always sparked by creative lighting and capturing motion in unconventional ways. I adore playing with light and color to create visually engaging shots. I work primarily with local DIY bands in the Philadelphia and Newark scene.

My first ever shot that I was really proud of was at my first concert shoot for Plead The Widow’s Cause where I was messing with long exposure on shutter priority.

Since then, I’ve fallen in love with unconventional techniques and double exposures and really doing anything to get an inventive shot.

I look forward to only learning more and growing into my own personal style of photography in the future. I am eternally grateful for the opportunity to create and contribute to the community of music I adore.

Hope you’ve enjoyed learning a little about me! Feel free to reach out to me on Instagram or check out my full portfolio.

I would love to work with more artists in the future so if you like what you see and you’re interested in a shoot just send me an email at ShotsBySofiaSav@gmail.com

Thanks for taking the time to follow along; I am so very thankful for all those who have supported me on this journey! Now is the time to just keep moving forward…

Words and photos © Sofia Savino

22nd November 2022

New Music – Thomas Truax with Budgie

Thomas Truax with Budgie – Everything’s Going to be All Right

In the left corner – Thomas Truax, multi-instrumentalist, musical inventor and purveyor of all things unexpected. In the right corner – Budgie, the drummer whose instantly recognisable hooks made him the lynchpin of The Banshees and The Creatures. This could never be a dull collaboration. Everything’s Going to be All Right sounds a little as though Sonic Youth teamed up with Sparks at a very, very cool party. It’s clever, it’s fun, it’s an experiment that you’ll want be involved in. Watch the video here, and look out for Truax’s new album, Dream Catching Songs, in the new year.

Thomas Truax | Budgie

Review by Siobhan

21st November 2022

Mutations Festival 2022 – part 2 (Brighton)

Mutations Festival, Brighton – 4th/5th November 2022

It was good to see Mutations back following last year’s successful post-lockdown event. Word seemed to have spread, as we met lots of people who’d travelled from across the UK to be here.

After an energy-filled start on Thursday, Friday saw a welcome return to Brighton for Pozi at the Latest Music Bar. Some technical issues at the start of the set must have had the band reminiscing about the feedback horrors of the Great Escape, but fair play to the sound team on this occasion for getting things back on track; setting up a violin to be its best must be a challenge after a swathe of guitar bands, but thankfully not an insurmountable challenge on this occasion. It wouldn’t often come across as a compliment to say a band is interesting – Pozi though really are interesting in the best of ways, and always a good booking.

Some consternation from ticket holders that their expectations of being guaranteed entry to the headline acts at Chalk were blighted by long queues outside the venue, which seemingly was already at capacity, resulting in some missing out on the joys of Warmduscher and the eclectic stage presence of Squid. Security is often much maligned but did a great job here in appeasing the crowd and keeping things upbeat.

Happily, this seemed to have been resolved by Saturday, and not even the continuous rain could dampen the mood. After lots of strong rumours about the secret set at Chalk, The Murder Capital came on fashionably late; a general crowd-pleaser seeming pleased themselves to cause a mosh pit so early in the day.

More audience interaction over at The Albert, as Saint Agnes stepped in at the eleventh hour and brought together old fans and new – their tribute to Keth Flint, a pure punk version of Firestarter, putting a smile on everyone’s face.

And if those present thought that was a lively performance, they were about to have the stakes upped in dramatic fashion. Priestgate are always going to be in line for the most photographed band award – the fact that they could barely all fit on the stage not causing an issue as vocalist Rob Schofield is barely still for a second, and as happy in the crowd or hanging from the lights as at the front. A delight to watch and shoot, look out for a return date to Brighton in February.

Over at The Hope & Ruin, Spang Sisters brought the pace down with ease and style. With an ever-changing line up and numerous ties to other local bands, they played a beautiful set complete with flute, cello, violin, drums, bass, and some hopping between guitar and keys. It can be easy in all-day events to stick with the most outrageous or frenetic on the bill, but to master laid back orchestration is something special and those present here were onto a winner. Charismatic, refreshing, and a welcome break from ego that delivers more than any facade could.

A quick run down the road to Komedia Studio delivered a very busy room engulfed by the smoke machine. Thankfully, Jessica Winter’s vocals are consistently so sharp and on-point that they cut through the dried ice with ease. Replicating recorded versions of tracks isn’t a gift everyone has, and it’s a measure of talent and confidence that lets an artist carry off a solo performance where nothing is lost in translation – downstairs at the theatre felt like stepping into something separate from the rest of the festival, a happy parallel world in a darkened basement.

Sticking around at Komedia, finally a chance to see Hamish Hawk live – and it didn’t disappoint. Hawk falls comfortably into that cluster of Scottish vocalists who have a certain euphonious quality of tone that captivates and charms (preceded by Mackenzie, Collins, Kapranos et al). Another act returning to Brighton in the new year, and one not to be missed.

And then the inevitable choice between headliners and more intimate surroundings resulted in a dip into both. Shame brought a big crowd at Chalk, choosing a wall of sound over clarity, and won the crowd over with lots of early favourites mixed with teasers from next year’s album release.

While back at The Hope & Ruin, Fräulein showcased their grunge-tinted talents, giving a great performance and engaging the room from start to finish. The two-piece have an obvious musical connection which only seems to get stronger over time. A perfect way to end the evening.

With more to follow for those attending on Sunday from Scalping and Bob Vylan amongst others, Mutations managed once again to put together an impressive list of artists to fill the venues of Brighton, leaving the train strikes and the weather a distant memory. See you next year!

Review / Photos by Callum / Siobhan

Gallery from Thursday at Mutations here (featuring Pussy Riot, Penelope Isles, WH Lung and Pip Blom)

12th November 2022

Interview & Album Release – Smut

A rollercoaster of emotions encapsulated in song, the new album from Smut, How the Light Felt, is released today. A far from generic take on the delights of shoegaze, the Chicago via Cincinnati five-piece have created something that feels both melancholic and hopeful at the same time. We caught up with them to chat about their journey so far, favourite places and musical memories…

Hey there, introduce us to Smut – who’s involved and what brought you all together?

Tay: Hello, we are Smut! I am Tay, the singer, Andrew plays guitar, Sam plays guitar and synth, Bell is our bassist and also plays synth, and Aidan is our drummer. Andrew and I started the band a million years ago and Sam was the first to join soon after. Bell joined about 5-6 years ago when we poached her from another band, and Aidan joined the gang last year by sliding into our DMs.

Tell us about the Chicago music scene, venues worldwide seem to be struggling to stay open – how are things there?

Tay: We actually moved to Chicago during the height of the pandemic so we don’t have much perspective on how it was compared to before. As far as we’ve experienced we love playing here and the shows have a high energy and enthusiasm that we definitely missed during lockdown. Sleeping Village is probably up there for me as far as good sound, stage, and space.

And where else would you recommend in the city, where are those places that you wouldn’t find anywhere else?

Andrew: The Music Box Theater is amazing. We all just went and saw Nosferatu with a live band playing an original score. I also want to shout out Taqueria Chingon and Graveface Records/Museum.

You’ve been working with Bayonet Records for a while now, how did that come about?

Bell: A few years ago, we were shopping labels for quite some time and having a really rough go of it. Feeling kind of defeated, I talked (ranted) to one of my old bandmates while at a show we were playing at Elsewhere in Brooklyn. He recommended we reach out to his pal Katie, who co-owns Bayonet. I name dropped him in our submission email to her and the rest is history! I think Bayonet was the perfect fit for us all along, we get along with everybody there so well and really love working with them. I know we’re also all so grateful that they all really believe in us and love our music. It’s a very cool feeling to know you have people in your corner.

The new album How the Light Felt is out today – has it been a long time in the making?

Andrew: Yeah, some of these tracks date back to 2017, and some are as recent as last year! It’s been a hugely eventful couple of years, the worst and best of what life can give; this record really spans that entire period of time.

You deal with some tough subject matter in your songs, is song-writing a cathartic process for you?

Tay: Yeah, I’ve always used writing as a coping mechanism, to be honest. When we started the band it was Andrew who asked me to make music with him because I had so much to say and was constantly writing or ranting about some injustice in the world. I have a lot of passion and no other outlet, so music is my catch all. It gives me control over my emotions.

Tell us about one of the tracks on the album.

Tay: I guess the title track How the Light Felt hasn’t been talked about much. The final version on the record is actually the first demo we recorded of the song and that’s really special to me because it felt like we really captured a bittersweet honest feeling in it that we didn’t even want to try to replicate. And once it was written it made a lot of sense that the album should take the same name because the album as a whole can be summed up in the content of this song. It’s about grieving and loss.

There’s lots of different influences coming through on your songs, what are your early memories of listening to music – at home, in the car, wherever?

Andrew: I grew up in a really musical family, my grandma was a Suzuki instructor and my dad played bass in a ton of great bands in the 80s. My first memory with music is playing Lightly Row on violin with my grandma. I had probably played it a dozen times before, but this time my eyes were closed and I could see these huge, dark blue curtains with homemade silver and gold stars. I didn’t know music could do that, it had been a chore until that moment, When I was in middle school my dad took me to see RHCP, The Police and English Beat and that really solidified it for me.

If you could have any artist cover one of your tracks, who would you opt for?

Andrew: Kids! Like, a not famous kid. I would freak out if I saw a video of someone who took the time to learn one of our songs and post it wherever. I bet Jeff Tweedy would shred a version of How the Light Felt.

And what’s next for Smut – what will 2023 bring?

Andrew: Hopefully a show in every city and more music!

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You can find Smut here. How the Light Felt is released today on Bayonet Records – check out your local record shop, Bayonet’s website or buy via Bandcamp

Interview by Siobhan
Photos by Jaycee Rockhold

11th November 2022

Live – Massive Wagons | Ugly Kid Joe at Rock City Nottingham

Co-headliner Massive Wagons & Ugly Kid Joe at Rock City, Nottingham, 4th November 2022

A night to cleanse your ears as Massive Wagons and Ugly Kid Joe played their co-headliner at Rock City on Friday! Some great shots from the evening by Tina Sherwood in our gallery below.

Ugly Kid Joe

Massive Wagons

Photos by Tina Sherwood at All The Ts Photography

9th November 2022