Icebreaker Festival 2020 (Portsmouth)

Icebreaker Festival, Southsea, 25th January 2020

Drawing a long, cold January towards its conclusion, Icebreaker Festival was back with a bang at the weekend, offering up another huge variety of live music from the freshest faces on the local and national scenes. Filling up The Wedgewood Rooms and a fine selection of pubs along Southsea’s Albert Road and Elm Grove, this year’s event certainly seemed to be the busiest so far with crowded rooms from early till late – brilliant to see so much support for new artists and independent venues as always.

Icebreaker is a great place to discover bands and singers who you haven’t seen before; this year starting with some sunny sax-filled pop tunes from Yasmin Natasha at the Edge of the Wedge while next door, Bella Estelle opened up the Wedgewood Rooms’ stage with a confident set full of big pop-rock songs, setting the tone for some huge performances over the day.

Along the road at the Wine Vaults, it was a pleasure to catch the chilled, soulful sounds of The Isle of CC – definitely one to watch.

Doing Littlehampton proud (and it’s usually only the cafe on the beach that can say that), Gloo took the volume up a level or five with their crashing punk antidote to traditional seaside living, making a big impact on the main stage audience.

A scoop for Icebreaker as Fast Trains played their debut at the festival – lots of local support on display for the already award winning project from Tom Wells, ex of Kassassin Street, bringing along some familiar faces to play with him on the day. An accomplished first performance boding well for the future.

Every time LibraLibra play they seem to up their game and another stand out set left the crowd in awe once again. Fabulous to see them on a bigger stage, their heartfelt punk-glam hybrid is just captivating. A very smart booking for any festival – can’t really recommend them highly enough.

Another two bands who are both firm favourites on the local festival scene, Drusila gave their usual energy filled performance and The Howlers never disappoint live – check them both out if you have the chance.

Locals The Stone Birds’ reputation is steadily building and they  definitely squeezed one of the biggest crowds of the day into the Wine Vaults. Their blend of 60s’ tinged blues and rock sets them apart from a lot of other new bands and, with new music and live dates pending, it will be interesting to see how things develop for them. Certainly on this occasion the big crowd was well deserved.

Closing the Edge of the Wedge stage, Currls brought some solid indie grunge tracks and a fitting party atmosphere to end the night on a high note.

Hot on the heels of this weekend’s success, Icebreaker have announced that there will be a new summer event – stick a star on 18th July in your diary and keep an eye on the website for updates…

More from Icebreaker here

Words and photos by Siobhan

28th January 2020

Exhibition – Masculinities: Liberation through Photography (Barbican, London)

Exhibition, Barbican Art Gallery, London, 20th February – 17th May 2020
Masculinities: Liberation through Photography 

Header photo: Rotimi Fani-Kayode – Untitled, 1985
© Rotimi Fani-Kayode, courtesy of Autograph, London

Across society there are many traditions and expectations; how we look, think and behave are all subject to comment by the press and the opinions of others on social media. Thankfully, views from the past about what should be perceived as ‘masculine’ are being challenged and are changing as a result. Still, there is huge disparity in this between different cultures and backgrounds and the chance to consider this in visual form makes up the subject matter for a new exhibition at The Barbican, opening its doors in February.

Photo: CatherineOpie – Rusty, 2008
© Catherine Opie, coutesy of Regen Projects, Los Angeles
and Thomas Dane Gallery, London

Masculinities: Liberation through Photography features a wealth of big name photographers as well as some newer names in the arena. Having begun to take photos as a child with a gifted Kodak Instamatic, LA based Catherine Opie has risen in stature to exhibit in galleries across the US and internationally, her portraiture and social commentary shots famed around the world and now displayed here. Also included is the work of Rotimi Fani-Kayode. Arriving in Brighton as a child having fled the Nigerian civil war, he went on to study photography in New York before returning to the UK to produce an esteemed body of work, both technically and socially, before his death in 1989. He is quoted as saying, ‘On three counts I am an outsider: in terms of sexuality; in terms of geographical and cultural dislocation; and in the sense of not having become the sort of respectably married professional my parents might have hoped for. Such a position gives me the feeling of having very little to lose’; a statement that underlies the essence of this exhibition as it sets out to encompass masculinity in all its forms and realities.

Photos: Left – Hal Fischer – Street Fashion: Jock from the series
Gay Semiotics, 1977/2016
courtesy of the artist and Project Native Informant London

Top right – Catherine Opie – Bo from ‘Being and Having’, 1991
Collection of Gregory R Miller and Michael Wiener
© Catherine Opie, courtesy of Regen Projects, Los Angeles,
Thomas Dane Gallery, London and Solomon R Guggenheim Museum, New York

Bottom right – Sunil Gupta – Untitled 22 from the series Christopher Street, 1976
courtesy of the artist and Hales Gallery
© Sunil Gupta all rights reserved, DACS 2019

Details from the press release below:

‘Barbican Art Gallery will stage Masculinities: Liberation through Photography, a major group exhibition that explores the ways in which masculinity is experienced, performed, coded and socially constructed as expressed and documented through photography and film from the 1960s to the present day. The exhibition brings together over 300 works by over 50 pioneering international artists, photographers and filmmakers such as Laurie Anderson, Richard Avedon, Rineke Dijkstra, Rotimi Fani-Kayode, Peter Hujar, Isaac Julien, Annette Messager and Catherine Opie, alongside a lesser-known and younger generation of artists including Cassils, Sam Contis, George Dureau, Karen Knorr, Elle Pèrez, Paul Mpagi Sepuya, Hank Willis Thomas, Karlheinz Weinberger and Marianne Wex among others.

With ideas around masculinity undergoing a global crisis and terms such as ‘toxic’ and ‘fragile’ masculinity filling endless column inches, the exhibition will chart the representation of masculinity in all its myriad forms, rife with contradiction and complexity. Touching on themes of patriarchy, power, queer identity, race, sexuality, class, female perceptions of men, heteronormative stereotypes and fatherhood, the works in the exhibition present masculinity as a largely unfixed performative identity shaped by cultural, political and social forces, with photography and film central to the way in which masculinity is shaped and understood.

Masculinities: Liberation through Photography is part of Inside Out, the Barbican’s year-long programme exploring the relationship between our inner lives and creativity.’

Photo: Peter Hujar – David Brintzenhofe Applying Makeup (II), 1982
© 1987 The Peter Hujar Archive LLC
courtesy of Pace/MacGill Gallery, New York and Fraenkel Gallery, San Francisco

Masculinities: Liberation through Photography runs from 20th February – 17th May 2020
Barbican Centre, Silk St, London EC2Y 8DS

Opening times: Sun-Wed 10-6, Thurs-Sat 10-9, Good Friday 10-9, Easter Monday 10-6
Standard tickets Mon-Fri £15, Sat-Sun £17 – please check the website for concession prices and for further details of this and other exhibitions before visiting

All images and exhibition details are reproduced with permission from The Barbican and are copyrighted as credited

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Unconnected to the exhibition but a valuable resource for those who may need it, The Campaign Against Living Miserably (CALM) is leading a movement against suicide, the single biggest killer of men under 45 in the UK and the cause of 18 deaths every day. Their website advises, ‘Anyone can hit crisis point. We run a free and confidential helpline and webchat – 7 hours a day, 7 days a week for anyone who needs to talk about life’s problems’. If you need to speak to someone or would like to support their cause you can find CALM here.

Words excluding press release by Siobhan

21st January 2020

 

Live – Adam Thorn at The Globe at Hay

Adam Thorn / Nick Thorn – The Globe at Hay, Hay-on-Wye, 18th January 2020

Nestled away in the foothills of the Black Mountains, the Globe at Hay features some of the best local and national unseen talent. On Saturday night it welcomed Adam Thorn, a Welsh singer-songwriter studying a popular music degree in Gloucestershire. Adam’s soulful and acoustic music taste is highlighted in much of his original material and it’s clear to see as he takes inspiration from the likes of Lewis Watson, Nick Mulvey and Lewis Calpaldi. In addition to his headline gig Adam invited his father, Nick Thorn, as support and it’s clear where Adam gets his talented musical genes from!

As Adam continues to write and perform as a solo act, he also produces the lead vocals and guitar for Northern Ruins, a Welsh band who recently took to the main stage of the famous Young People’s Village in the summer of 2019.

Check out our gallery from the evening here…

You can find more from Adam Thorn here

Words and photos by Andrew Barrell

21st January 2020

Urban Festivals 2020

While the whole of the UK seems to be fighting with Storm Brendan (a rather friendly moniker for endless downpours and winds that blow you off your feet), thinking about outdoor festivals may not be top of your agenda. However, the rise in popularity of the multi-venue city festival offers the opportunity to plan some outings that don’t involve taking a tent along. We’ve picked out 5 across the UK that are well worth putting in your diary…

Stag & Dagger – Edinburgh 2nd May, Glasgow 3rd May

Picking up steam and recognition every year, Glasgow’s Stag & Dagger takes place across venues in a compact area of the city centre in early May. With much more to come, acts confirmed so far include the eclectic mix of Shame, Ezra Furman, Hockey Dad and Vanishing Twin. This year sees the festival extend to Edinburgh the same weekend for its own event, line up to be announced imminently.

Stag & Dagger Glasgow  /  Stag & Dagger Edinburgh

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The Great Escape – Brighton 13th – 16th May

The prototype of urban festivals, Brighton’s The Great Escape has been a fixture in the city since 2006. It’s by far the biggest of this kind of event and plays host to hundreds of artists from around the world. Given the extent of the venues involved it’s helpful to have some local knowledge or test things out with a dry run as you can cover some serious distances over the few days. The line up is still in progress; some of those already confirmed are Lazarus Kane, Girls in Synthesis, Molly Parton and Sinead O’Brien.

The Great Escape

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D2D – Manchester 22 May, Bristol 23rd May, Nottingham 24th May

Dot to Dot takes its line up to 3 cities in 3 days, making it a bit more accessible to more people with less travel. The lucky locations are Manchester, Bristol and Nottingham and this year a collection of venues across each of them will play host to the likes of Easy Life, Gracey, Spacey Jane and Drug Store Romeos plus many more to be announced.

Dot to Dot Festival

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Dials Festival – Portsmouth, 3rd October

Heading towards the end of the year for the next two which may seem a long way off but past events suggest they’re definitely worth a bookmark. First up, Dials Festival has built up over the last few years into an established showcase for a whole range of genres and talent. Raising funds for charity partner Solent Mind, this is music with awareness and that combination is surely something worth celebrating. Keep an eye out for announcements throughout the year.

Dials Festival

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Swn Festival – Cardiff, 16th – 18th October

Wales’ first and biggest multi venue metropolitan event, Swn Festival returns to maintain its reputation for bringing new music to the fore, with many past performers having gone on to much bigger things. Details of this year’s line up will emerge in the run up to the festival and you can sign up to their newsletter now to receive updates.

Swn Festival

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Words by Siobhan

16th January 2020

New Music – Mint Julep, Peaness, Bandaid Brigade

New releases and tour dates: Mint Julep, Peaness, Bandaid Brigade

Mint Julep – Stray Fantasies (album)

With the release of their new album pending, Mint Julep have shared its title track, a hypnotic layered synth-pop piece that evokes the past whilst bringing the production bang up to date.

Speaking about the track, Keith (one half of the couple who make up the ambient duo) says, ‘Stray Fantasies is a song about the confusion and inner struggle of a relationship at a crossroads. Musically, since the lyrics were so heavy we wanted to balance that with something bright, but with some imperfection and edge; even though there’s a lot of instruments layered throughout it feels tenuous with various textures coming in and out, lots of dynamic shifts and moments of tension and release.’

Stray Fantasies is released on 31st January via Western Records

You can pre-order the album here

Mint Julep

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Peaness – Kaizen (single)

Ahead of their UK tour, Peaness have released their first new material in a long while. Fans of the band will be happy to hear that new track Kaizen is every inch the perfect fuzzy indie-pop tune you would expect and hope for.

Bassist / vocalist Jess explains, ‘It’s a song to remind myself that with every act of kindness and every crime, we affect the future, and that those choices go on to shape others, and our beautiful planet, long after we’re gone. The word ‘Kaizen’ is a Japanese word that literally translates to ‘change for the good’, and that’s what we’re hoping for.’

Following live dates in January and February, Peaness will play a headline set at The Lexington in London on 6th May

January
27th – Leicester, Firebug
28th – Birmingham, the Hare & Hounds
29th – Guildford, the Boileroom
30th – Brighton, The Prince Albert
31st – Southampton, Heartbreakers

February
1st – Oxford, The Wheatsheaf
7th – Manchester, Soup Kitchen
8th – Leeds, The Lending Room

Peaness

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Bandaid Brigade – I’m Separate (album)

Bandaid Brigade is the musical project of Zach Quinn (PEARS), Brian Wahlstrom (Scorpios, Gods of Mount Olympus) and friends Paul Rucker (Armchair Martian, Street Dogs, Drag The River) and Chris Fogal (The Gamits). With the imminent release of their debut album, they have shared a taster in the form of Travel Light, a foray into an, at times, unlikely genre mix. The track kicks off sounding undeniably like it’s dipped into Odyssey’s Native New Yorker before heading into their more traditional punk / rock territory.

Bandaid Brigade say, ‘It’s quite possible that this is the best album ever made. We hope you like it as much as we think you think we think we do.’

The band play the following UK dates before heading out across Europe:

January
29th – Staines, The London Stone
30th – Leeds, Wharf Chambers
31st – Edinburgh, Banshee Labyrinth

February
1st – Dundee, Rad Apples
2nd – Stafford, Red Rum
3rd – Exeter, The Cavern
4th – London, New Cross Inn
5th – Canterbury, Lady Luck Bar

I’m Separate is released into the world on 21st January

Bandaid Brigade

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Words by Siobhan

Photos via One Beat PR and Wall of Sound PR

10th January 2020

Preview – Icebreaker Festival 2020 (Portsmouth)

Icebreaker Festival, Southsea, 25th January 2020 

Back in its regular January slot, Icebreaker Festival once again brings a plethora of new musical talent to Southsea’s Albert Road and Elm Grove, putting on over 80 artists in 1 day at 7 venues in the area. With a wide range of genres included in the line up, there’s an opportunity to discover some new favourites live and that’s just what we’re hoping to do, as well as catching up with some acts that are already making waves.

Returning after strong performances at last year’s event, look out for some lively desert rock from The Howlers (Wedgewood Rooms) and soul-infused garage from Currls (Edge of the Wedge).

Highlights at other local festivals this year, it’s also great to see mighty art punks LibraLibra and electro duo Drusila on the bill – both on the Wedgewood Rooms stage; neither of whom should be missed.

A few more recommendations for the day come in the shape of…

– Blues-soaked rock from local favourites The Stone Birds (The Wine Vaults)
– 90s influenced grunge-rock from Dutch Mustard (Edge of the Wedge)
– Some lovely laid back soulful sounds from The Isle of CC (The Wine Vaults)
– And what looks set to be a blow the roof off performance from indie punks Glossii (The Deco)

We’ve added tracks from all the artists mentioned to the playlist below so you can listen at your leisure…

*Edit – sadly, it seems that Glossii have decided to call it a day and won’t now be appearing but give their music a listen anyway and keep an eye on new projects from band members*


Check out the full line up complete with stage times for each venue on the Icebreaker website.

Words and photos by Siobhan

7th January 2020

Live – Penelope Isles + CIEL + ITCHY KID at Chalk Brighton

Penelope Isles / CIEL / ITCHY KID, Chalk Brighton, 11th December 2019

A significant night for Penelope Isles – their 100th show of the year, their biggest headline set to date and a hometown crowd full of love and support. Having established themselves playing smaller venues, the transition to a bigger stage was seamless and showcased exactly how far the band has come. Songs from their debut album Until the Tide Creeps In sounded smooth and accomplished (Leipzig a stand out track), their brand of jangly dream pop creating the warmest singalong, feel-good atmosphere from an audience packed into a sold out Chalk. Their performance was treated to a suitably psyched colourful backdrop from visual artist Innerstrings. A fitting addition to the Bella Union family, there is something reminiscent here of that swirling chasm of beautiful music that was Cocteau Twins. Penelope Isles have clearly worked hard to achieve what they have so far and, if Wednesday night was any indicator for the future, they’ll be going much, much further.

Support on the night came from CIEL, another outfit making waves on the local scene with softly delivered vocals over a dash of shoegaze and worth catching on future dates if you have the chance. A late inclusion on the bill, ITCHY KID provided a 5 minute introductory slot before Penelope Isles’ set with some spoken word – a fairly daunting prospect for a new act in front of so many people you would assume but well received. The idea left me thinking that this is actually a great way to offer an artist exposure and create interest without them needing half an hour’s worth of rehearsed material; it certainly did the trick here.

Check out all three artists via the links below once you’ve had a browse through our gallery here…

CIEL

ITCHY KID

Penelope Isles

Penelope Isles      ITCHY KID      CIEL

Photos by Siobhan

13th December 2019 

Best Music Shots of 2019

Following on from the success of 2018’s feature, we have once again been scouring the many awesome live music shots taken across the year for your delectation. We’re very lucky at Breaking Glass to be in contact with many talented music photographers; some established, some just starting out – and it’s great to see the different styles and interpretations of shots that come through.  This year’s collection again covers numerous genres of music and includes images ranging from small, intimate gigs to huge festivals. As always, they’re not in any particular order so please check out every single one of them to avoid missing something special. To see more from each photographer, just click on the links in their credit. 2019’s been a good one… 

(Header photo above by Malc Burke, details in article)

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FEVER 333
O2 Institute, Birmingham, November 2019

By Dan Mills – Instagram

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Heavy Rapids
Assai Records, Edinburgh, July 2019

By Alan Campbell Photography – Instagram

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Anteros
110 Above Festival, August 2019

By 2324 Photography – Website / Instagram / Twitter / Facebook

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Unglued
89 North Music Venue, New York, October 2019

By View From The Pit Photography – Website / Instagram / Facebook

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Coyote Tango
The Rebel Lounge, Phoenix, September 2019

By Jennifer Mullins – Website / Instagram

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Emptifish
Interstellar Food Drive at The Dockyard Club, Portsmouth, November 2019

By Hannah Mesquitta – Instagram / TwitterFacebook

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Hands Off Gretel
Loserpalooza II at Aatma, Manchester, September 2019

By garymhoughphotography – Instagram / Facebook / Flickr 

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The Winery Dogs
Rio Theatre, Santa Cruz, May 2019

By Charles Hyman – Instagram

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Zeal & Ardor
Les Docks, Lausanne, November 2019

By Sam Ryan – Website / Instagram

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Sleater-Kinney
Fox Theater, Oakland, November 2019

By Kris Comer – Website / Instagram

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IDLES
The Leadmill Sheffield, March 2019

By Ryan Bell – Instagram / Twitter

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Habits
The Jacaranda Club, Liverpool, October 2019

By Gary Lambert at Glam Gig Pics – Instagram / Twitter / Facebook

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Sub Cultures
Speakeasy Bar, Hereford, November 2019

By Rob Wilkinson – Instagram

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The SoapGirls
Brudenell Social Club, Leeds, November 2019

By Steve White – Instagram / Flickr

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Gogol Bordello
Cropredy Festival, August 2019

By Indie Images Photography (shot for Gig Junkies) – Instagram / Facebook

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Black Futures
Liverpool Sound City, May 2019

By James Baker – Instagram

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Bang Bang Romeo
Hive, Manchester, February 2019

By Malc Burke Photography – Website / Instagram / Facebook

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GUTS
The Peer Hat, Manchester, November 2019

By Dean Unsworth Photography – Instagram

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L1nkin P4rk
The Junction, Plymouth, October 2019

By Jordan Kinsey Photography – Website / Instagram / Facebook

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Rambal
Northcote Social Club, Melbourne, July 2019

By Sean Clohesy – Website / Instagram / Facebook

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The Zutons
Rock City, Nottingham, April 2019

By Nigel King Photography – Website / Instagram / Twitter / Facebook

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Bloc Party
Victorious Festival, August 2019

By Siobhan at 16 Beasley St Photography – Website / Instagram / Twitter

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Foo Fighters
Summer Sessions at Bellahouston Park, Glasgow, August 2019

By Martin Ross – Instagram

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Once again, a massive thank you to everyone involved for sharing their stunning shots – we look forward to seeing more from all of you, and discovering new music along the way, in 2020! Why not give our contributors a follow so you can do the same?

All pictures are copyrighted by the photographer credited; please do not use without gaining their permission first.

11th December 2019

2019 Through the Lens

Every picture has a story to tell, so the saying goes. We asked photographers around the world to share their favourite shots of the year – no restrictions on style or subject matter and, it’s fair to say, there are some stories to be told from the results below. 

Take a leisurely look through – there is no specific order; the images have been mixed by format and content so please don’t stop scrolling till you reach the end…

(Header photo above by Nigel King, details in article)

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Ben Nevis
‘After climbing Ben Nevis for a few hours I couldn’t believe
these guys were carrying bikes up the mountain’

By Joe McKillop – Instagram

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Budapest at Night

By Rory Charles – Instagram

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Reflection
Six Mile Cypress Slough Preserve, Fort Myers Florida

By Jennifer Mullins – Website / Instagram

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Solo
Amsterdam Central

By Juanita McKenzie – Website / Instagram / Portfolio

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Virgin Hot Air Balloon
(Taking off at Chrome Hill in the Peak District)

By 2324 Photography – Website / Instagram / Twitter / Facebook

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The Reveal
‘Before this moment only the mother of the bride had seen Grace’s dress’

By Victoria Broad – Website / Instagram

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Langdale Pikes
The Lake District

By Derek Rickman – Instagram

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Something Great
Belfast – New Ulster University Campus

By Caoimhe Clements – Instagram

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Family Life
Vietnam

By Janet Parker – Twitter

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My Little Girl Was Born On A Ray Of Sound
(Inspired by the lyrics to She Is Good Beyond Evil by The Pop Group)

By Robert H King – Website / Instagram / Twitter

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All the Fun of the Fair
Brighton

By Siobhan at 16 Beasley St Photography – Website / Instagram / Twitter

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Aaron Edenborough of Hollow Horizons
(Behind the scenes during a video shoot)

By Jordan Kinsey Photography – Website / Instagram / Facebook

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Back Garden Football
Taylor and Logan

By Indie Images Photography – Instagram / Facebook

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Ochil Hills

By Alan Campbell Photography – Instagram

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The People’s Vote March
London

By Tim Beavis Photography – Website / Instagram / Twitter

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Saint Anne’s Square
Belfast

By Shane O’Neil – Website / Instagram / Twitter / Facebook

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Southsea Castle Fountain at Night

By Hannah Mesquitta – Instagram / TwitterFacebook

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Model at One BC Clothing Shop
Nottingham

By Nigel King Photography – Website / Instagram / Twitter / Facebook

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Sitting with Mother

By Irena Siwiak Atamewan – Website / Instagram / Twitter

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It’s been an absolute pleasure to compile this amazing round up of beautiful shots that were captured across the year… a huge thank you to all the very talented photographers who have contributed – we’ll be keeping an eye on all of them to see what 2020 brings; if you’d like to do the same please check out and follow their work on the links provided.

Our Best Music Shots of 2019 feature will be live later this week.

All images are copyrighted by the photographer credited; please do not use without gaining their permission first.

9th December 2019

 

Exhibition – The Clash: London Calling (Museum of London)

Exhibition, Museum of London, 15th November 2019 – 19th April 2020
The Clash: London Calling

Header photo – At the London Calling video shoot on the River Thames, 1979 © Pennie Smith

A band firmly born into the punk scene, over time The Clash introduced elements of reggae, dub, rockabilly, funk and ska into their music, bringing a whole new range of genres to a much wider audience. Their double LP London Calling was met with enthusiasm from music critics and fans alike and the album quickly cemented its place in rock history. In a review written shortly after its release, Rolling Stone’s Tom Carson wrote:

‘Merry and tough, passionate and large spirited, London Calling celebrates the romance of rock & roll rebellion in grand, epic terms. It doesn’t merely reaffirm The Clash’s own commitment to rock-as-revolution. Instead, the record ranges across the whole of rock & roll’s past for its sound, and digs deeply into rock legend, history, politics and myth for its images and themes… It’s so rich and far reaching that it leaves you not just exhilarated but exalted and triumphantly alive’.

Now 40 years since it hit the shelves, a new exhibition celebrating the album and the band has opened its doors, offering a glimpse behind the scenes and recalling some great memories along the way.

Photos: Left – Handwritten album sequence note by Mick Jones © The Clash

Top right – A preliminary sketch by Ray Lowry for the cover artwork of the 1979 album London Calling by The Clash circa September 1979  © Samuel Lowry

Bottom right – A lyric fragment in Joe Strummer’s handwriting for the song Lost in the Supermarket, the 4 lines in black ink on the reverse of an Ernie Ball custom gauge strings paper envelope, the lyrics representing the chorus of the song  © Casbah Productions Ltd

Details from the press release:

‘The Museum of London is pleased to announce that the highly anticipated The Clash: London Calling, a free exhibit showcasing a collection of over 150 items from The Clash’s personal archive including notes, clothing, images and music, many previously unseen, is now open and free to view until 19th April 2020.

When The Clash’s third album London Calling was released in the winter of 1979, it was clear that the band had made an instant classic, an era defining masterpiece which still stands as one of rock’s all-time greatest albums.

London Calling was, and is, a hugely compelling melting pot of musical styles, driven by a passion for action and a fierce political anger, with music and lyrics which remain as relevant today as they were on release. As well as showcasing influences and context for the writing and recording of the seminal double album, this new exclusive exhibit at the Museum of London will also examine how the capital influenced The Clash as they became the most popular British band of the 20th century’.

Photos: Left – A 1950’s Gibson ES-295 with a white finish inside a hardshell contour case with orange plush lining; the guitar was used by Mick Jones during recording of the London Calling album and in the music video for the title track of the album, released as a single in December 1979 © The Clash

Top right – White shirt and leather jacket worn by The Clash © The Clash

Bottom right – Simonon’s Fender Precision bass was damaged on stage at The Palladium in New York City on 20th September 1979, as Simonon smashed it on the floor in an act of spontaneous and complete frustration © The Clash

The exhibition includes some instantly recognisable pieces alongside newly displayed items. Visitors will have the opportunity to view Paul Simonon’s smashed bass, the resulting photo of which appeared on the iconic album cover, a handwritten album sequence note by Mick Jones showing the final and correct order for all 4 sides of the album, one of Joe Strummer’s lyric notebooks and Topper Headon’s drum sticks, his only remaining items from this time. Additionally there will be previously unshown photos by legendary rock photographer Pennie Smith and original drafts from cartoonist and artist Ray Lowry’s sketchbooks, including the preliminary and final drafts for the album artwork.

Whether you’re a fan of the band, the era or just general music history, this exhibition will take you on a nostalgic journey while highlighting the differences between making music in the 70s and now. You can also become your own tour guide by downloading the free Smartify app to discover more detail about the artefacts on display as you look around.

If you’re in London in the next few months, take a trip down memory lane and check out the stories behind an album that has become, in its own right, a classic of our time.

Photo – The Clash on stage © Pennie Smith

The Clash: London Calling runs from 15th November 2019 – 19th April 2020

Museum of London, 150 London Wall, EC2Y 5HN
Opening times: Daily 10-6, galleries close at 5.40, closed 24th-26th December
Free entry – please check the website for further details of this and other exhibitions before visiting

All images and exhibition details are reproduced with permission from the Museum of London and are copyrighted as credited

Words excluding press release by Siobhan

6th December 2019

 

Live – The Ninth Wave + Walt Disco at The Green Door Store Brighton

The Ninth Wave / Walt Disco, The Green Door Store Brighton, 17th November 2019

Over the years Glasgow has borne an illustrious list of musical talent and the tradition seems to be in no danger of stopping any time soon. Touring with their now complete two part debut album Infancy, The Ninth Wave arrive in Brighton bringing a slice of synth driven avant garde swathed in red lights and distorted strobes.

As an added bonus, support comes from their near neighbours Walt Disco. With a performance brimming with the glam and fervour of the 80s’ Blitz Kids, the band go from strength to strength live, adding their own brand of contemporary glittering new wave pop to the heady influences from the past. Finishing up with riff laden Drowning in your Velvet Bed, they receive the warmest of receptions. Not content with choosing between style and substance, Walt Disco have copious amounts of both, with a captivating vocal thrown in for good measure.

With their reputation building and live dates across the country selling out, The Ninth Wave are heading very conspicuously out from under the radar to grab the attention of fans and the music press alike. Their performance, like their sound, is dark and intense at first glance but there are undeniably lighter dance hooks beneath the goth-art density of tracks like Half Pure. With nostalgic nods to The Cure, Japan and possibly even Tears for Fears if they’d been up all night watching Klaus Nomi videos, the double vocal is hypnotic and urgent at the same time. With the crowd left shouting for more, their set is over all too soon and there is little doubt that they could be filling much bigger venues in the not too distant future. Theatricality aside, The Ninth Wave are developing a stockpile of strong songs and a presence that suggests greater things to come.

Get both of these bands firmly on your Christmas list… more from Walt Disco here and The Ninth Wave here

Words and photos by Siobhan

19th November 2019

Live – LIFE + Night Flowers at The Green Door Store Brighton

LIFE / Night Flowers, The Green Door Store Brighton, 11th November 2019

With venues showing mixed fortunes in opening and closing around Brighton, it’s good to see The Green Door Store continuing to play host to some packed shows across differing music genres. Tonight is a great example of that with hazy dream pop quintet Night Flowers opening up for their sonically abrasive punk pals LIFE.

There’s a buzz around both bands and Night Flowers take the opportunity to treat the crowd to songs from their new album Fortune Teller, opening with some definite 80’s guitar influences on Lotta Love and the shimmery Merry-Go-Round. Think Fleetwood Mac via Soccer Mommy and Alvvays and you have a glimpse into the embracing warmth of Night Flowers’ sound. Despite their quip that ‘You can blame LIFE if you don’t like us’ there are no worries on that score as their songs are well received and it seems they may well have picked up some new fans along the way – their perfect pop harmonies are a welcome prelude to what’s to come later in the night. Night Flowers end their set with Fireworks – the vocal rather than pyrotechnic type but still a captivating show and a clear sign that it’s well worth checking out their recorded material.

As expected, things take a slightly more disorderly turn as LIFE take to the stage and change the tempo, kicking straight into Excites Me and some fine dance moves to boot. A lot of fans have clearly come from the IDLES’ camp but if you take the music at face value it’s more akin to the wrath of Dead Kennedys mixed with the cynical humour of Half Man Half Biscuit, and definitely has some depth amongst the plethora of angry post-punk that’s filling the current airwaves. That said, LIFE are not shy of adding a political tone or tackling social issues in their music with tracks including Half Pint Fatherhood and It’s in Your Hands prompting the inevitable mosh pit and expeditions from stage to crowd. It’s a strong performance and it’s fair to say that everyone goes home happy. Also with a new album on the table, take a listen to A Picture of Good Health for more.

Check out more from LIFE here and Night Flowers here

Words and photos by Siobhan

13th November 2019

Book Club – Tim Burgess: One, Two, Another

Tim Burgess: One, Two, Another

’Life’s a bag of Revels, I’m looking for the orange one’ (Polar Bear, 1995)

If you’ve seen Tim Burgess playing live, solo or with The Charlatans, you’ll know that it’s inevitably a happy experience. It looks like he loves what he does, like it’s still fresh, still surprising, and that’s infectious. It’s no secret that things haven’t always been plain sailing but his performing, and now writing, is approached with an honesty that is refreshing and endearing; if this was a tale of fiction you’d be rooting for the lead character to come out on top. As it is, it’s real life and the same applies.

With the release of his third book One, Two, Another this week, we get another opportunity to jump into his world and hear the stories behind the lyrics. Covering over 70 tracks spanning his career, each set of lyrics is followed by a personal annotation of their background, some funny, some sad, some a gift to the trivia collector, all painting pictures that together form a fascinating diary of the last 30 years. Having covered the autobiographical element in his first book Telling Stories, then delved into his love of vinyl and record shops in Vinyl Adventures, Tim takes us behind the scenes of the words that we’ve all come to know and love, citing influences from Bob Dylan to Wu-Tang Clan.

Tim recalls reading the printed song lyrics in Smash Hits (a ritual familiar to all those of us growing up before Google became a default) and the process of writing and hearing people’s reactions to the end product, saying, ‘My songs have recurring themes: love, loss and euphoria, and many are dreamt up as smiley, throwaway oysters. But I never know what the pearl is until the audience sing along with me.’

There are many pearls in the catalogue and it’s great to read about everything from the trips across the States to the northern nightclub bouncers that all played a part in creating some of his best loved songs across the years. As you read the book you’ll want to dig out your records and fall into the safety net they offer, pulling in your personal nostalgia and memories of times past and loved ones lost and found to match his stories. There’s a lot of truth in the lines:
‘Here comes a soul saver
On your record player
Floating about in the dust’
(Here Comes a Soul Saver, 1995)

A past Record Store Day Ambassador, collaborator with his peers (he speaks in the book of achieving his ambition of working with Paul Weller on Spinning Out) and a constant champion of new artists, Tim’s more recent tracks and albums on his own and with The Charlatans play just as important a role in the story – and who knows what the future memories from these will be?

2017’s Plastic Machinery contemplates the feeling of being pulled into the political quicksand of the current climate:
’So, let’s just run
Even if only in our heads
Leave all of this behind
Unless we could stand still’
With his immediately recognisable guitar riffs featuring on the track, Johnny Marr comments, ‘Tim Burgess is a crusader and vinyl’s epic voyager. He knows why pop’s art, a culture and a cure. Learn and listen. He knows good things.’

Johnny’s right – clear your Sunday afternoon, dust down your turntable, grab a copy of the book and enjoy.

One, Two, Another is published by Little, Brown UK on Thursday 14th November 2019

Words by Siobhan

12th November 2019

Live – Warmduscher + Lazarus Kane at Chalk Brighton

Warmduscher / Lazarus Kane, Chalk Brighton, 8th November 2019

As intro music goes, Welcome to the Jungle is up there as a bold choice and as the opening riffs kick in, Lazarus Kane hits the stage at Chalk, Brighton’s newest venue risen from the ashes of The Haunt. With an immediate crowd reaction, and it’s a big crowd, it’s obvious that there’s a lot of anticipation for the support act tonight. Having recently released the mesmeric Narcissus through Speedy Wunderground, it’s a pleasure to see its live incarnation along with a set full of equally high calibre material.

With discernible nods to Talking Heads, New Order and a spoken drawl straight from Larry Hagman’s finishing school, the Lazarus Kane ‘family’ keep energy levels high with bouncing synths, guitars and drum machines. It’s a powerful performance and it surely won’t be long before they’re taking the headline spot on bigger stages; I’m very much looking forward to seeing what comes next. For now, they leave us with a sound recommendation, ”Who’s excited for Warmduscher? They got the slickest tunes and the slickest trousers I ever saw!” And you can’t say fairer than that. 

Warmduscher do indeed bring an array of slick trousers and with them a huge set of  tunes blending post punk and pulsating electro sleaze. Heading straight into Big Wilma, the party atmosphere starts and doesn’t let up for the next hour. Bringing their atypical new album Tainted Lunch on tour, the tracks are received with the reverence of old favourites with highlights in Midnight Dipper, Grape Face and the wonderfully titled Disco Peanuts. And there are some actual old favourites interspersed throughout the setlist too; the mix of thumping bass, rap and soul laden backing vocals of Standing on the Corner hard to beat.

Crossing over genres the way they do, it’s hard to define Warmduscher’s sound or style. In reality, all you need to know is that this is a band that have plucked the best elements of their past musical forays and melded them into a force of nature to be reckoned with. It’s less dirty dancing, more filthy disco – let’s hope there’s more to come. I’m always wary of slinging around the ‘gig of the year’ accolade but with these two acts in one night, this has to be a serious contender.

A double recommendation – click through for more from Warmduscher and Lazarus Kane

Words and photos by Siobhan

11th November 2019

Live – Feeder at Portsmouth Pyramids

Feeder, Portsmouth Pyramids, 1st November 2019

Tonight’s sold out show at Portsmouth Pyramids marks the start of Feeder’s UK tour in support of their new album Tallulah. There’s clearly still a lot of love on the south coast for the guys and I have to admit that, back in the day, I used to love Feeder. Seeing them play at HMV on Commercial Road to promote the single Crash back in 1997 was insanely good fun, and my mates and I never missed a show when they were in town. Though shortly after the release of their second album Yesterday Went Too Soon, both me and Feeder went our separate ways, and it would appear we’ve both changed since falling in love 23 years ago. But, 10 albums in, Feeder are still going strong and you know what? Fair play to them.

Back to the show though, and frontman Grant Nicholas announces that “Tonight is a night for new music!” A quick glance at tonight’s setlist torpedoes any hope I had of hearing an old classic such as Stereo World, Cement or W.I.T. but I’m probably the only one here who cares. Kicking things off with new album opener Youth, the set ticks along nicely enough at a steady pace. It’s only when they break into fan favourite Come Back Around that the crowd actually begins to move about a bit. Halfway through, they play Kyoto which is a lot heavier than anything else they’ve played this evening, and it’s a welcome relief from the slower material that’s come so far. Still, the end of the set draws on older material that seems to get everyone dancing (particularly Buck Rogers – the song about a CD player, player, player, etc.)

Tonight’s encore is rounded off with Just a Day, by which point teenage me feels a little sad that he didn’t get to relive those glory days by crowdsurfing to Tangerine. But, I can’t help leaving with nothing but respect for Feeder; after all these years, they’re still a great live band, and they do what they do well.


Catch the latest from Feeder here

Words by Ryan Howarth
Photos by Hannah Mesquitta

9th November 2019

Photography – In Focus with Caoimhe Clements

Searching out new ways to capture her university city of Belfast, photographer Caoimhe Clements is shooting cityscape and nature photography whilst building a fascinating photo project of her acceptance and desire to raise awareness of epilepsy. Here, she talks us through her work and the inspiration behind it…

‘My name is Caoimhe Clements and I am a 21-year-old amateur photographer. I grew up in a small town situated on Ireland’s east coast called Kilkeel. I am now based in the exciting arts city of Belfast, as this is where I study at university and where I do many of my photographic projects.

Growing up I have always been a creative individual and I have had an interest in photography from a very young age. One of my favourite memories as a kid was using the disposable camera, it was exciting because you couldn’t preview your images therefore you had to wait until you got them developed. Film photography is something I have grown away from over the years, although I do have plans to revisit it in the future. As for now, I am very much a digital user.

I feel that photography and taking photos in general has become such a big part of everyone’s lives from social media and the fact that every phone now has a camera, therefore everyone has access to some form of camera.

I am a big believer there is a line between someone who is a photographer, an individual who has a creative vision, and using a camera to translate what they are communicating. On the other hand, just because you own a camera doesn’t make you a photographer, a camera is a tool – it’s your creativity that creates an image. As Henri Bresson- Cartier said, you don’t take a photo, you create it, these are the words of truth about photography.

At the age of 18, I brought my first DSLR camera, a Nikon D5300, I still use it to this day, it is great. I own a standard 18-55mm lens, 70-300mm lens and a 35mm prime lens. I think sometimes a  zoom lens can make you lazy as a photographer, because instead of getting close to your subject, you can just zoom in. This is why I use my 35mm lens a lot, I saw photography in a whole new way after using a prime for the first time. Although zoom lenses are great as well, I really enjoy working with a 70-300mm, I find it really good when doing sports or animal photography. In conclusion, a prime lens makes you go the extra mile for a good photograph.

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Since May 2019 I have been working on my current project entitled From the Inside Out. This project is about documenting and exploring the subject of epilepsy. I was diagnosed with epilepsy when I was a new born baby, I never found it easy to talk about, but now I have decided to make an awareness about it. The strategy I used in this project is the combination of text and image to communicate to my viewers. My project will be on public display from 2nd 28th November 2019, at the Sean Hollywood Arts Centre in Newry City, Co. Down, Northern Ireland.

From the Inside Out photograph collection:

A Journey Back in Time

This is the first image in this series. It is a document of the hospital that I used to attend growing up with my battles with Epilepsy, The Royal Victoria Hospital in Belfast.  After not being at this hospital for many years, A Journey Back in Time highlights how I took a trip down memory lane when I decided to do this project, by revisiting this location.

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The Room I Remember

I still remember how this room made me feel. My body was numb with fear and anxiety. I very much did not like speaking about my epilepsy and how my life was affected by it, I wanted it all to go away. I can accept it now; it is a part of who I am and we have to accept who we are as individuals.

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The Element of Prevent

This image is the third photograph in the collection. It is an image of the epileptic tablet, Keppra. It is a document of how epilepsy can be prevented by taking medication. For myself, Keppra is the medication that made my life seizure free.

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The Measure of Blood Pressure

This photograph speaks about how blood pressure can be affected by the act of having seizures. Focal seizures can cause a massive increase in the heart racing, affecting your blood pressure, while Tonic Clonic seizures can lower the blood pressure in the body.

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The Cycle Repeats

This is the final image in this collection. This photograph represents how the cycle repeats; every day children and adults are being diagnosed with epilepsy. Over 50 million people worldwide have epilepsy and that number is not decreasing.

I do plan on continuing with this project, I do not want to stop creating awareness about epilepsy. I am figuring it out as I go along, that is the beauty of art, you never stop learning.

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Over the course of the last year and a half I have started to develop my style of photography in documentary. Every photo ever captured is arguably a document of something; Documentary Photography is telling a story of how it is while Staged Photography is recreating a story.

As I said earlier, I have been living in Belfast just over a year now and from always being in a part of the city that is under full contraction, this started my interest in the idea that every time we look at these contraction sites, we are generally looking at the future of the city. We are witnessing the future of Belfast city, which I find very intriguing.  A few months ago, I started to document this idea by taking photos of the cranes. I am so amazed by them, they are strong, huge and somehow look great in an image.

The image above is a document of the contraction of the brand new Ulster University campus in Belfast city centre, which will be opened in the early 2020s. This image now hangs in the arts campus of Ulster University. I exhibited the image at the Glasgow Gallery of Photography in Scotland in May 2019. This experience was amazing, it got me thinking if my work is good enough to exhibit overseas then I have the power to create amazing photos.

I have an exhibition planned for Belfast in March 2020 and I am producing work that documents the exciting future of the city. While a lot of photographers document the past and the worst times for Belfast, and while I enjoy looking at how they create their work, it is my aim to create and produce work with a more positive approach showing the exciting future that Belfast will have. This project is still very much in its extremely early days.

Belfast is a city that has captured my heart, I love Belfast for its fantastic architecture and amazing cityscapes. I enjoy walking around and capturing architectural shots, documenting the city.

The image on the left shows Harland and Wolff in the background, with the bridges over the River Lagan in the foreground. I took this in March 2019 during the spring and I think the blue skies really complement the image.

The image on the right shows one of the most photographed buildings in Belfast. The Belfast City Hall, which marks the heart of the city centre, is located at the top of Royal Avenue which is main shopping district in the city. I created this image by placing the City Hall to the right of the frame and using that to lead the viewers eye to the buildings in the background. When I create a photograph, I don’t want to capture it like everyone else does or I am not being original. Think outside the box.

I also feel that landmarks in any city are hard to capture because so many people take photos of them every day. My advice would be to show the landmark in a different way that no one else has captured yet because you don’t want to take the same photo that everyone takes. Think about your angle, your focal length and the time of day.

Continuing on the topic of being original and thinking creatively, I enjoy combining reflection photography with night photography. I think water creates surreal reflection images, which I love.

This image shows The Obel Tower, which is in fact the tallest building on the island of Ireland. I took this image in January 2019, after a downpour of rain. You can tell,  as the water did get onto my lens but the outcome was a very contemporary abstract image which I really liked. I also feel that low angles work so well for my work, as I love putting reflections in the foreground and placing the actual building in the middle-ground or background.

I have also experimented with long shutter speed in the past, it is fun but I have grown away from it as it has become a big trend especially on Instagram. I think for me as a photographer I don’t want to follow the crowd, I want to create my own unique work. I think this is important.

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I grew up in a natural environment, with mountains and the coast beside me, therefore I developed a love for nature from a young age. As a photographer,nature would have been a subject I have been photographing since the very beginning, but now that I am based in a city environment, I missed photographing nature. Early this year I decided to become a Volunteer Photographer for the Woodland Trust which is a charity based in the UK and the North of Ireland, this way I would be photographing nature. So far it has been amazing.

The location of these images is one of the Woodland Trust’s protected woodlands in Co. Down.

The charity is about protecting woodlands, and helping to fight climate change. Myself and the rest of the team of photographers are helping them to achieve their aims by promoting these places through imagery that features on their website.

My career so far has been quite a journey, but I am excited for the near future.’

All photos are taken and copyrighted by Caoimhe – you can follow her on Instagram to keep up to date with her journey as a photographer

Caoimhe’s exhibition From the Inside Out is on display now until 28th November at:
Sean Hollywood Arts Centre, 1A Bank Parade, Newry BT35 6HP

5th November 2019

 

 

Live – ARXX + Run Into The Night + LIME at The Hope & Ruin Brighton

ARXX / Run Into The Night / LIME, The Hope & Ruin Brighton, 28th October 2019

Local duo Arxx have clearly built up a strong live reputation and following to match – The Hope & Ruin is busy from early on in the evening as they return to Brighton to finish their tour on home ground. 

Opening act LIME have also been busy on the local circuit; coming together from different parts of the country but currently Brighton based, their mix of dreamy indie tunes tinged with 60s’ psychedelia gets things off to a great start. The band slot together well and their sound is experimental and cohesive at the same time. Maintaining their hard working live regime, LIME will be supporting Little Comets at Chalk on 6th November.

Breaking up the Brighton stronghold, Run Into The Night claim the middle set of the evening with a beautiful fusion of post-punk, blues and elements of Tarantino style spaghetti western. There’s so much good new music coming out of Glasgow right now and it would definitely be appropriate to add them to the list to watch out for. Another two piece who sound like there must be more of them, the band switch from Yeah Yeah Yeahs’ style indie-punk to the much slower paced recent single Mon Cheri with ease – seek out the recorded version for additional featured vocals from Martin Metcalfe (The Filthy Tongues / Goodbye Mr Mackenzie). Run Into The Night have new music and more live dates planned in 2020 – keep an eye and ear out.

By the time ARXX’ headline set comes around there is a real buzz in the venue and the crowd is not to be disappointed. Although they claim to be nervous, their performance is as confident and raucous as they come; don’t be fooled by the smiles and pastel boiler suits – these two are serious musicians and there are no holds barred as they sear between rock, country and grunge. Recent singles You Got What You Want  and Iron Lung would hold their own among much more established artists and their live show comes highly recommended. It might be a good idea to check out ARXX soon if you want to experience the intimate venue experience – bigger things are surely not too far away on the horizon now.

Words and photos by Siobhan

30th October 2019 

Live – Bambara at Hyde Park Book Club Leeds

Bambara, Hyde Park Book Club Leeds, 23rd October 2019

Over the last few years the post-punk renaissance (should it surely not be post/post/post-punk by now?) has seen the emergence of many bands armed with strong basslines and shouty vocals, some creating some of the decade’s most vital noise, some unfortunately sounding resoundingly more derivative and pedestrian. The latter cannot be said of New York outfit Bambara who, whilst existing in this new post-punk arena, incorporate elements of noise rock and ambient music, resulting in something darker and more electrifying than many other postx3-punk groups.

Their UK tour stopped off for a show at Hyde Park Book Club, an independent café and arts space in the student area of (you guessed it) Hyde Park, Leeds, where local group Polevaulter provided support. Whilst Polevaulter got the crowd warmed up and moving, some of their potential was sadly dampened by the high levels of bass and vocal echo which resulted in them sounding a little muddy, and any atmosphere attempted by the singer who draped the microphone lead around his neck, was lost by him singing almost exclusively away from the audience, often eyes closed or looking off towards side-stage.

As a crowd made up of 70% black leather filled up the basement space where the dimmed lights shadowed the exposed cracks in the ceiling, a bottle of tequila was placed at the front of the stage; Bambara were now preparing to perform.

I use the word perform, not in a derogatory sense in that anything about them is false but, that in Reid Bateh, Bambara has a frontman with presence, his lyrics read like southern gothic literature and he delivers them with such brutal conviction and energy. Probing and swinging the mic stand like a baton, he is often perched on the edge of the stage or writhing on the floor, resembling a young Glen Danzig all in black, handsomely dishevelled, as though it’s unclear whether he just got up, or hasn’t been to bed at all. 

On stage the group are a force of nature, the songs which are mostly taken from their 2018 record Shadow on Everything sound like an impending thunderstorm ready to crack down at any moment. Drummer Blaze Bateh, who is shirtless and relentless, pummels the kit throughout the evening against the battling guitars which colour tracks Jose Tries to Leave and Doe- Eyed Girl with wailing tremors and squeals, like something from a demented spaghetti western film soundtrack.

Set closer Monument was the final moment of anarchic catharsis, the array of black leather coats now too warm to wear adorned the front monitors, as more and more bodies began to pile together, limbs flailing in every direction, often stretching out towards Reid’s preaching frame. As the song began to reach its climax, my head crashed against his, locked in yelping unison of the refrain “I wanna see your Shadow on Everything, Shadow on Everything, SHADOW ON EVERYTHING”.

If IDLES, Savages or The Fat White Family are your bag then chances are you may very well have already heard of Bambara. If not, then I cannot recommend them enough, with this set featuring new tracks such as the blistering Serafina from their forthcoming album Stray (due for release in February 2020) it looks likely that Bambara will only continue to assert themselves as one of the more dynamic rock acts of the moment.

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You can watch the lyric video for Serafina below

Keep up to speed with Bambara here

Words and photos by Ryan Bell

28th October 2019

Live – Thurston Moore Group + Rattle at The Wedgewood Rooms Portsmouth

Thurston Moore Group / Rattle, The Wedgewood Rooms Portsmouth, 20th October 2019

It’s not every week you have a true rock ‘n’ roll legend like Thurston Moore grace the stage of your local music venue, but, there he is, standing tall in front of a packed Wedgewood Rooms introducing his backing band before playing a single note. He politely informs the waiting audience that the group will perform a single song this evening, but if you’re familiar with his latest album, Spirit Counsel – a two and a half hour record featuring three tracks – this shouldn’t come as a surprise.

First up though is tonight’s support band, Rattle, from Nottingham. The duo consists of two drummers (with some vocal harmonies thrown into the mix), and you might be fooled into thinking that this is some kind of gimmick, but their music is spellbinding and we were all left in a trance, hoping for more. Their set-up may be minimal, but vocalist Katherine Eira Brown is able to create a unique sound of her own that fits beautifully in and around the tribal drumming patterns. It’s hypnotic, strange and the music transports you to another place. Rattle’s simplistic approach is helping them to build a strong following, and it’s not hard to see why they are fast gaining a reputation as one of the best live bands around, which is thoroughly well deserved.

After nearly four decades in the music business, Thurston Moore is still producing some of the most interesting and accessible alternative/avant-garde rock music to date. His last solo record, Rock n Roll Consciousness, was a perfect hit for those of us still yearning for a Sonic Youth reunion (hmm), however, his latest offering takes a slightly less straight forward approach. Entirely instrumental, Spirit Counsel is a huge album (in both length and ambition), and it’s the first track from the album that we’re treated to this evening.

Alice Moki Jayne – named after Alice Coltrane, Moki Cherry and Jayne Cortez – is as inspiring as the women namechecked in its title. It takes many twists and turns throughout the performance, but for a song of this length, not once does it lose its way. It starts with Jon Liedecker creating some gentle electronic textures, before Thurston nods his head for the guitars to join in. Joining Thurston on guitar duties is James Sedwards and My Bloody Valentine’s Deb Googe, and together they create a lush wave of noise that makes your head swim. The wash of cymbals adds to this effect, and I can’t help but think of the intro to Pink Floyd’s Shine On You Crazy Diamond during the opening refrain. It’s beautiful and ominous at the same time, with the delays and drones in between the riffs adding another layer of intrigue to the song.

As the song progresses, the drums gather speed and the krautrock rhythm being played with military precision eventually gives way to an ear-splitting breakdown of guitar spasms, before a sledgehammer meltdown makes a few of those around me jump in surprise. This heavier section of the song sounds like the sort of all-out-sonic-audio-war that Swans have been championing since their reformation, and it’s absolutely brutal. The guitars are played with such ferocity that they’re knocked out of tune, but the song is nearly over and who’s going to care?

After 70 minutes everything gently slows to a halt, and you can hear a pin drop. There is a pause before someone shouts “fucking brilliant!” and the crowd erupts. Our patience is rewarded, our faith in music is restored and that was one of the most Pompey endings to a show ever! Good effort all round I say.

More from Thurston Moore and check out Rattle here

Words by Ryan Howarth
Photos by Hannah Mesquitta

28th October 2019

Exhibition – Photography Season (National Museum Cardiff)

Exhibition – National Museum Cardiff, opening 26th October 2019
Photography Season 2019 -2020
– ARTIST ROOMS: August Sander  
– Bernd and Hilla Becher: Industrial Visions
– Martin Parr in Wales

Launching its new photography season, National Museum Cardiff opens its doors to a trilogy of exhibitions featuring four of the most respected and influential photographers in their fields, each with distinctive and recognisable styles and an underlying honesty in their work.

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August Sander was an early proponent of taking portraits which truly represented the subjects without ‘tricks and effects’ to create an accurate record of people living and working in Germany. In today’s environment his style would be seen as reportage with no filters. Sander is quoted as saying, ‘By sight and observation and thought, with the help of the camera, and the addition of the date of the year, we can hold fast the history of the world’.

Photo: August Sander, Secretary at West German Radio in Cologne, 1931

Press release excerpt:
‘ARTIST ROOMS: August Sander presents over 80 photographs by August Sander (1876-1964), one of the most influential photographers of the 20th century. The portraits are drawn from Sander’s monumental project, People of the Twentieth Century, through which he aimed to capture a true portrait of the German nation and of the time. Sander photographed people of all ages and backgrounds, from farmers, policemen and politicians to bricklayers, secretaries and artists. His subjects, always anonymous, are titled by profession or social class and categorised into 7 distinct groups; The Farmer; The Skilled Tradesman; The Woman; Classes and Professions; The City; The Artists and The Last People.

ARTIST ROOMS is supported by Arts Council England, Art Fund and Creative Scotland and is jointly owned by the National Galleries of Scotland and The Tate. The exhibition has received additional support from the Colwinston Charitable Trust.’

26th October 2019 – 1st March 2020

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Applying a similar philosophy to Germany’s industrial architecture, Bernd and Hilla Becher were aware of the evolving face of the horizon as developments in technology changed things forever. Bernd noted that he ‘was overcome with horror when I noticed that the world with which I was besotted was disappearing’ and the couple set about recording as many structures as they could to preserve knowledge about them.

Photo: Bernd & Hilda Becher, Blaenserchan Colliery, Pontypool, South Wales, 1966

Press release excerpt:
‘Bernd and Hilla Becher: Industrial Visions brings together 225 photographs by Bernd and Hilla Becher, two of the most significant artists of the 20th century. Since the 1960s their work has reinforced photography’s international currency as art. As founders of what is now known as the ‘Düsseldorf School’, the Bechers influenced a new generation of artists including Andreas Gursky, Candida Höfer, Thomas Ruff and Thomas Struth.

For over 50 years, the Bechers collaborated on a project to document industrial structures across Europe and the USA. Their photographic inventory included winding towers, blast furnaces, cooling towers, gasometers, grain elevators, water towers and lime kilns. In 1965, the Bechers made their first visit to Wales and returned in 1966 after receiving a British Council Fellowship. Based at a campsite in Glynneath, they explored the south Wales valleys and made an extensive series of photographs that now stand as monuments to a lost world of labour that were once central to the social fabric of industrial communities.

The exhibition is co-curated by Dr. Russell Roberts and has been kindly supported by the Colwinston Charitable Trust and the Henry Moore Foundation.’

26th October 2019 – 1st March 2020

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The third exhibition features the sardonically sincere pictures of Martin Parr, one of our finest photojournalists with an eye for capturing the wit and charm in an everyday scene. His approach, he says, is that ‘With photography I like to create fiction out of reality. I try to do this by taking society’s natural prejudice and giving this a twist’. His twist results in a series of photos that, while adding in the unexpected, draw memories and emotions that are vivid and real.

Photo: Snowdonia, Wales, 1989 © Martin Parr / Magnum Photos / Rocket Gallery

Press release excerpt:
‘Martin Parr in Wales features photography by Martin Parr, one of the most influential and prolific photographers working today. Over the last 40 years, he has recorded people, places and cultures in the UK and beyond, exploring themes of leisure, consumption and communication. His humorous and affectionate portrayal of modern life has changed the way we understand society and its many nuances.

Parr has always been drawn to Wales, having lived just over the border in nearby Bristol for 30 years. In that time, he has undertaken several editorial and cultural commissions, covering subjects from working men’s clubs to coal mining. This exhibition brings together, for the first time, a selection of Parr’s work in Wales from the mid-1970s to 2018. His photographs – many of which have never been exhibited before – explore different aspects of Welsh life and culture, from male voice choirs and national sports to food, festivals and the seaside.

This exhibition has been developed in collaboration with Martin Parr. It has been kindly supported by the Colwinston Charitable Trust.’

26th October 2019 – 4th May 2020

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Photography Season 2019-2020 runs from 26th October 2019 – end dates as listed above for each exhibition

National Museum Cardiff, Cathays Park, Cardiff CF10 3NP
Opening times: Tues – Sat 10-5, galleries close at 4.45, open most bank holiday Mondays, closed  25th – 26th Dec and 1st Jan
Free entry – please check the website for further details of this and other exhibitions before visiting

All images and exhibition details are reproduced with permission from National Museum Cardiff and are copyrighted as credited

Words by Siobhan (quoted sections from official press release)

23rd October 2019