Breaking Glass Magazine – February 2022

Breaking Glass Magazine – February 2022

Well, we made it through January – hope you’re all safe and well out there.

Apparently, February hosts an odd selection of national celebrations, including National Storytelling Week (29th Jan – 5th Feb), World Ukelele Day (5th), Random Acts of Kindness Day (17th) and International Polar Bear Day (27th).

It’s also Independent Venue Week in the UK, something I was looking forward to attending for various show at different venues, till Covid decided the time was perfect to hit my household. I’m still getting clear negative tests but don’t want to put anyone at risk in case I might be infectious, so sadly will be ducking out of this one. If you have the opportunity, this week always throws out the chance to catch some great artists in sometimes surprising places, so it’s definitely worth checking what’s on in your local area – let us know who you’re seeing…

Otherwise, if you have the urge to tell us a story about how you proffered a random act of kindness by playing tunes on your ukulele to a polar bear, you know where to find us (at home for now!) Details on the contact page if you want to get involved.

Take care x

Words and photo by Siobhan feat. street art by Horace 

1st February 2022

New Music – Cliché Cult

Cliché Cult – Say It Like You Mean It

Leeds’ own Cliché Cult, with their new track Say It Like You Mean It, scorch the music scene with harsh and catchy tones, blending a mix of the uproar rock can bring with a mix of the sour.

The band’s presence can be felt in the first crash of sound into the track, in an introduction to the wonderfully upbeat, but still delightfully dissonant chorus – one that almost finds a delight in the despair of those eponymous words – say it like you mean it!

Speaking of which, vocalist Jimmy Sweeney certainly means it. His vocals throughout the track dance from following the suave murkiness of Echo and the Bunnymen’s Ian McCulloch (the band being one of many inspirations for Cliché Cult) to searing with energy, especially towards the song’s powerful close – all instruments ramping to a full punch of fire.

It’s clear that the Cult means business, and it’s only going to be more satisfying to see how they’ll be saying it in the coming year.

Cliché Cult

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Words by Jacob Rose 

31st January 2022

The Vinyl Countdown with Cayleigh Moore

I was so happy get the opportunity to sit down and listen to all my favourite music, and curate this list. Music is an important part of my work, especially when I start to draft a novel. It inspires my creativity on different levels, depending on what I’m listening to. Live every day like the main character and ensure the soundtrack to your life is kickass.

1. Metallica – The Day That Never Comes (Death Magnetic, 2008)

The guitar solo introducing this song is spine tingling, but even better when it’s played live. If anyone remembers the days when HMV sold T-Shirts, Metallica’s ‘Master of Puppets’ album T-shirt broke my band tee virginity. My sister was the sole reason I started listening to Metallica, she really shaped my taste in music, and Iwould have been lost without her guidance. Metallica are probably in the ‘old man’ category of music now, but I’ll rock on with them forever.

2. Rush – Subdivisions (Signals, 1982)

I didn’t discover Rush until I was a little older, but Geddy’s distinctive voice intrigued me with his entrancing falsetto that I’d never heard a male produce before. Neil Peart sold them for me though, man, Neil Peart could drum! Neil Peart was one of the best drummers in the world, and definitely in my top three. This song was a comforting blanket for my soul as I walked through the school halls thinking academic life would never end, especially as someone whose musical taste and fashion sense didn’t fit in. Subdivisions was written for the kids who were born to stand out!

3. Led Zeppelin – Immigrant Song (Led Zeppelin III, 1970)

This song brings me back to school again, this time at the age of thirteen and sat on a coach on a school trip sharing an older boy’s headphones. I had a crush on him so told him I loved Led Zeppelin, even though I had only listened to a few of their songs and bought the ‘Mothership’ T-Shirt from HMV because I liked the design. Thanks to him, I gained a deeper appreciation of ‘old man rock’ and have never looked back.

4. The Smashing Pumpkins – Soma (Siamese Dream, 1993)

Billy Corgan’s voice had an ability to reverberate around the corners of my teenage mind as I slipped into a study induced trance with my headphones tangling themselves in my school shirt. I found The Smashing Pumpkins when I needed them most, they still get me through the rough times which goes to show they really are timeless. ‘To Sheila’ off their album ‘Adore’ deserves an honorable mention too!

5. Sam Phillips – Reflecting Light (A Boot And A Shoe, 2004)

There’s a line in this song that brought me so much comfort in a time when I felt like I didn’t belong anymore; ‘now that I’ve worn out the world’. I felt like I had worn out the world, not so much that the world had worn me out. It inspired me to write a poem entitled ‘Invisible Forces’, I wrote it when it felt like I had lost all soul. Reflecting Light reads like a poem, in the end she’s saved. And in the end, I saved myself. ‘Taking Pictures’ off the album ‘Fan Dance’ deserves a mention too for itsbittersweet story of nostalgia and our sentimental ties to the past.

6. PJ Harvey – One Line (Stories From The City, Stories From The Sea, 2000)

Navigating life as a teenage girl was made a little easier with PJ Harvey playing on my cheap Argos MP3 player. I would watch the trees blur past on the Armagh Road while the bus to school bounced over every loose piece of tarmac tempting my Chemistry notes to scatter themselves over the damp floor underneath my feet. Thethought of my heavy school blazer makes me shudder but to revisit PJ Harvey as a fresh teenager sends a warm feeling through my body.

7. Muse – Bliss (Origin of Symmetry, 2001)

My love for Muse comes from my sister again, she came home from their Hullabaloo show high on the glitter that burst out of the balloons they chucked into the crowd, and I thought: I want that feeling. Origin of Symmetry is a sci-fi rockmasterpiece, but Bliss continually opens my mind and brings out the vividity in the world around me. I have fond memories of downloading it on LimeWire and moving it across to my MP3 player so that I could listen to it on repeat all Summer long.

8. My Chemical Romance – Helena (Three Cheers For Sweet Revenge, 2004)

My Chemical Romance was the start of my Emo phase, I became besotted with Gerard Way and his ability to connect with his fans that was unlike other guys in rock bands. He told me that it was okay not to be okay, that it was okay not to be like everyone else and that going against the establishment was a badass, powerful move.This album used to play on repeat in my CD player while my best friend and I backcombed our hair to the point of no return and lined our eyes with the thickest and blackest eyeliner we could find.

9. The Cure – A Forest (Seventeen Seconds, 1980)

This song transports me to another reality, it awakens butterflies in my stomach and lets them fly free outside of my body. As a writer, music pads the walls of my mind palace and sometimes I need it to round out my worlds. This song was part of the inspiration for a book I’m working on currently, it’s so dark that it’s almost scary visiting those corners of my mind. Thanks Robert Smith!

10. The Martinis – Free (Empire Records Soundtrack, 1995)

I was fourteen years old and sat on my best friend’s bed when I first saw Robin Tunney shave her head to freedom in the bathroom of the record shop she worked at. Listening to this song is like floating on a cloud, you’re lost somewhere between the earth and the sky. I could definitely listen (and sing along) to it for the rest of my life stuck on a desert island. Nothing beats watching Empire Records when the world feels too gloomy and dark. But I’ll never forget the first time I watched it; with wide eyes and a big smile for Johnny Whitworth and his cardigan.

Cayleigh Moore (she/her) is a freelance writer and creator based in Northern Ireland. She has undertaken editing and design work and is now solely focusing on writing. Cayleigh loves crunching leaves underfoot while sipping on iced coffee during Autumn; the season for Gilmore Girls rewatches. Her work can be found on Medium; she can also be found on Instagram, Twitter, and LinkedIn – links below.

You can listen to Cayleigh’s playlist here. Get in touch if you’d like us to feature your Vinyl Countdown.

Cayleigh Moore: Medium | Instagram | Twitter | LinkedIn

26th January 2022

Contribute to Breaking Glass

Contribute to Breaking Glass

(Updated January 2025)

We get lots of enquiries from people asking how they can become a contributor for Breaking Glass. Depending on capacity, there are a number of ways you can do this and we thought it might be helpful to put all the details in one place.

A few things to mention:

– Breaking Glass is not a profit-making publication; we can’t pay for contributions and completely understand if that’s what you’re looking for
– Copyright remains with the photographer or writer; by submitting your photos or writing, you grant us permission to include them on the website and our social media with credit; if you ever want us to take your work off the website you can just let us know
– Please get in touch to discuss before sending completed content, the best way to do this is by email to breakingglassmag@gmail.com
– Please do look at the website before making contact to see if your content fits with ours, and check the info on this page as it may answer some of your questions

Photographers:

Gigs and Festivals 

We have a fantastic yet compact collective of music photographers shooting gigs and festivals for us. We love having new photographers on board but don’t want to spread the net too widely to avoid having lots of people wanting to cover the same artists/venues. If it’s something that’s of interest to you, the best thing to do is get in touch first, letting us know where you’re based and the type of artists you’d want to shoot – you’ll usually need to be comfortable sourcing/requesting your own photo passes. (Note Jan 2025 – sorry, we’re at capacity for regular gig photographers for the time being, will update if/when this changes). If we don’t have a slot available, there may be an opportunity to feature your work on the website in another way – see more below.

In Focus / Galleries:

We’re happy to showcase photographers. If you’d like an introductory feature, get in touch. We generally include 10-12 of your favourite photos with some info about you, your images and any projects you’re working on.

From time to time we run features and galleries with different themes and have year end galleries for live music shots and general photography; these are always promoted on our socials. 

Writers:

New Music Reviews:

We have loads of music submitted for review – if you’d like to write about some of it, have a look at the kind of stuff we cover to see if this might be for you. We’re looking to write about things we like, there’s enough negativity online and it‘s not what we’re here for.

The Vinyl Countdown:

We’ve all got playlists of our favourite songs, mixtapes if we’re talking old school. If you’re interested in sharing your very own version of Desert Island Discs, choose any 10 tracks and include a sentence or two about each. Tell us why they’re on your list, do they make you laugh, cry, dance on the kitchen table?

Things to include if sending photos:

– Photos should be sent as jpg files please – portrait / landscape / square / colour / black & white are all fine, any style, you can send with or without watermark
– Please ensure there is no offensive content and that you have permission to share images of people not taken in a public place or including minors
– Include your name, how you would like to be credited and links you would like us to include to your work, e.g. website / socials

Any questions just ask and thanks for your interest!
Siobhan, Editor

Photos © 16 Beasley St Photography

Published 25th January 2022 / last updated 6th January 2025

New Music – deep tan | Peaness

New releases – deep tan, Peaness

deep tan – beginners’ krav maga

There is much to take from deep tan’s first single of 2022. A feel of some of those classic punk tracks that in actuality were pretty perfect pop songs, a well fitting juxtaposition of spiky riffs with smooth vocals, and an opportune use of music with a message for starters.

In beginners’ krav maga, the band continue to show why they remain firmly at the top of numerous publications’ breakthrough artists lists. At just 2 minutes 38 the track is concise, crisp and catchy; the message behind it no less serious as a consequence.

The band say, “beginners’ krav maga is a response to the idea that womxn should take self defense classes in order to feel safe on the street at night. womxn shouldn’t have to. yet it seems like every day there’s a new sarah everard, sabina nessa or aisling murphy. educate your sons, brothers, guy friends. male violence against womxn is an epidemic and it needs to stop, so we made a pop song to talk about it.”

beginners’ krav maga is out now, details of tour dates and ticket links here.

deep tan

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Peaness – How I’m Feeling 

Good to hear new music from Chester trio PEANESS as they build interest for their long-anticipated debut album. World Full Of Worry is due for release on 6th May through the band’s own label, Totally Snick Records. In the meantime, How I’m Feeling sets the scene for a long player filled with their distinctive brand of sugar coated indie-pop sure to please long time fans and grab some new ones too.

Peaness say, “In an unfulfilling job? Need a shake up with something in your life or you’ll go mad? Well, that’s How I’m Feeling and it can’t be ignored anymore! Amongst self loathing and melancholy there are sparks of determination and a belief that you deserve more. I hope it works out.”

How I’m feeling is out now with album pre-order on this link. Peaness have also shared details of tour dates here.

Peaness

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Words by Siobhan 
Photos: deep tan © Alex Loveless, Peaness © Derek Bremner

24th January 2022

New Music – White Lies | Maida Rose

New releases – White Lies, Maida Rose

White Lies – Am I Really Going To Die

When it comes to singing about death, who can compete with White Lies? In the new single Am I Really Going To Die, the band jam between despondence and hope through scenes of medication and phenomenon.

After an introduction that would perfectly play as a hero rises to overcome defeat, the funk of White Lies’ new track kicks in. Each tone of the track dances in its own right: the bass intricately weaving between notes, the guitar adding its own percussion with syncopated chords and the anthemic rises of the keyboard especially. This, of course, helps back singer McVeigh’s upmarket character, transitioning between the stages of recognising his own mortality.

Considering this as the first of two songs discussing this narrative only boosts hope and anticipation for White Lies’ upcoming album in February, both to conclude the narrative and to deliver more of the band’s seminal style.

White Lies

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Maida Rose – I Remember

Using almost exactly the same instruments and taking them in a completely softer direction, I Remember is the latest track from Maida Rose: a construction of a dreamy landscape that feels like it could last a lifetime (somehow without even taking up three minutes).

The main forces of the track come down to Maida Rose’s voice – a carefully melodic, tranquil presence, backed throughout by a synth that pulses, giving a lovely light weight to the building percussion. As soft guitars kick in (delightfully reminiscent to The Strokes’ Ode to the Mets), this universe expands, adding a rhythmic path with which to explore the landscape the group have audibly created.
In their ability to form beauty out of unchanging, yet ever present memories, Maida Rose form another piece of the puzzle of their upcoming album, sure to carry just as many dreamy tunes as I Remember.

Maida Rose

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Words by Jacob Rose 
Photos: Maida Rose © White Lies © Charles Cave, Lin Bartraij

22nd January 2022

The Vinyl Countdown with Derek Rickman

Next up on The Vinyl Countdown, Derek Rickman picks 10 tracks that bring back memories, and shares why they’re so important to him – a lovely eclectic collection for you to enjoy…

1. The Snuts – Glasgow

I’m not sure if this is a hometown eulogy to that great city as The Snuts hail from Whitburn, Lothian but this indie anthem craves your attention. It literally bursts into life after a slow deceptive start with soaring guitar figures and insistent drums. Listening to it on my sunbed in Gozo far from Glasgow’s rain lashed streets kept me grounded in some kind of reality.

2. Art School Girlriend – Come Back to Me

Dare I say it? Probably the greatest love song ever written. Yes I’m biased but the reason I’m so invested in CBTM is because the elements work so beautifully, the depth of longing in Polly Mackey’s voice, the nuanced melancholia of the keyboards and the imagery ‘I see your shape appear, it falls apart and slips away again’. I was lucky enough to see her perform it last year at Margate’s Elsewhere and it left me on the edge of tears.

3. Daniel Avery, Jon Hopkins – Glitter remix

I first heard this on a road trip with my brothers to The Lake District. I was having my usual motivational music session in the back seat and the pulsing electronica seemed totally in sync with the blurred landscape of cloudy peaks as we sped past. Through that whole weekend it seemed to be implanted in my subconscious. Staccato keyboard patterns kept bubbling to the surface throwing shapes and colours into sharp focus as we traversed the gloomy pinnacles of Buttermere Edge.

4. Amy Winehouse – Love is a Losing Game

I simply stop whatever I’m doing whenever I hear the drum roll/piano intro to this sublime torch song. Nothing else seems to matter for the next 2.35 minutes. Heavenly production values from Mark Ronson and the vulnerability in her voice is so telling. Bless you Amy.

5. Drenge – Backwaters

‘In the murky backwaters I lay my body down’ what a great lyric from Eoin Loveless. This song is so underrated in the canon of Rock/Grunge I’ve always imagined it could be coupled as a double A side with Nirvana’s Teen Spirit. A wall of dense guitars bombard the senses and ferocious drums from sibling Rory pound out their mission statement. Such a shame then that they played a slowed down version at Brixton Academy when I finally got to see them live.

6. Egyptian Blue – Nylon Wire

One of the few post/punk bands that really seem to cut it. I’ve been following Brighton based Egyptian Blue since they dropped their first EP Collateral Damage in 2019. I love their energy, the taut angular guitars and the subtle interludes in their music. Nylon Wire is no exception. Who wouldn’t want to be in the mosh pit with beer in hand watching these guys run through their set on a Friday night?

7.  Kanye West – Ye vs. the People (starring TI as the people)

This is my go to hip-hop/rap track. It’s such a clever premise with Kanye and TI facing off over political/social divisions during Trump’s mid-term presidency. Contextually it reads like a Twitter exchange as Kanye and TI rant at each other but it’s perfectly balanced and the music/sampling flows beautifully. It’s hard to imagine it working in any other genre of music which makes this track kind of unique. A huge favourite.

8. Echo and the Bunnymen – A Promise

Ian McCulloch’s vocal is so unhinged and visceral here (perhaps his best ever) and Will Sergeant’s stinging guitar arpeggios embellish the dark undercurrents of this early Bunnymen track. There’s a brooding malevolence throughout A Promise (think of the Stones’ Gimme Shelter) and when the Light on the Waves middle section gives way the track just builds and builds to its epic conclusion. A great Rock ‘n’ Roll record.

9. Led Zeppelin – When the Levee Breaks

An unstoppable juggernaut of a song from its endlessly sampled drum intro through the whole 7.08 minutes to Jimmy Page’s echoey slide guitar finale. It just pins you in your seat and dares you to not to listen and engage. I was in the car with my cousin on a long drive back from my uncle’s funeral in Hereford and we put this track on and perversely it seemed to make sense of everything.

10. My Bloody Valentine – Soon

Sometimes music is about memories of a place or an event. This Shoegaze classic from Kevin Shields & Co reminds me of a holiday in Cornwall speeding along the North Atlantic highway, window wound down (cliché I know) with turquoise seas and engine houses burning into my vision. The closing track from the seminal Loveless, the 6.58 minutes of Soon fairly swoon with fuzz heavy guitars and breathy vocals but there’s an arch playfulness to it which I really like. I think I had it on cassette and remember nervously trying to re-spool it when it got stuck in the tape player at Sennen Cove!

I’d just like to thank the magazine for featuring my Vinyl Countdown. It was great fun to put together and my head was literally swimming with music whilst I was writing about each track. Here’s just a few more that didn’t quite make the playlist.

Mogwai – Ritchie Sacramento
IDLES – Heel/Heal
Disclosure – Happening
Radiohead – Bodysnatchers
Aphex Twin – Xtal
Savages – Sad Person
Grimes – Delete Forever
Working Men’s Club – Valleys
Daniel Avery – Slow Fade
Jamie xx, Four Tet, Romy – SeeSaw (club version)

Derek is a writer, poet, painter and hiker who takes striking photos on his travels. You can listen to his playlist here then catch him on his music-filled journeys on Instagram below. Drop us a message if you’d like to share 10 favourite tracks of your own.

Derek Rickman – Instagram

20th January 2022

Rockaway Beach Festival 2022 (Bognor)

Rockaway Beach, Butlin’s Bognor Regis, 7th-9th January 2022

Planning a festival for early January with the very real possibility of venues being closed again after Christmas has to be a fairly onerous task. Getting safely into the new year with no restrictions announced would seem a good reason to breathe a sigh of relief, but then to have artists dropping out on a daily basis due to positive testing takes things to a whole new level.

There were points in the run up where it looked like Rockaway Beach wasn’t going to make the finishing line this year but, despite the odds, it proved to be a gamble that paid off. Some inspired last minute substitutions were made and the crowd embraced the changes in good spirit. Here are some of our best bits…

Big slots at Centre Stage on Friday were filled by Buzzcocks (replacing The Futureheads) and Do Nothing (subbing for Working Men’s Club), sandwiching a tricky set from Tricky. A more than solid start to the weekend with much audience appreciation.

No tents to pitch or portaloos to queue for at Butlin’s, and after a night in your chalet or hotel room of choice, there were plenty of highlights on both stages throughout Saturday.

Italia 90 have clearly kept up momentum during lockdown, drawing old fans and winning new ones with an early slot at Reds.

Maria Uzor (one half of Sink Ya Teeth) was an unexpected yet memorable surprise, showcasing glitchy electro-soul with hooks and melodies aplenty.

And darling of the London scene Nuha Ruby Ra proved that her performance works equally well on a bigger stage as it does in a smaller setting, making the most of the light show and never using one mic when two will do.

It’s probably unavoidable that some people will come to see Imperial Wax to check out what some of the ex members of The Fall are up to. The reality is that you very quickly lose the need to make comparisons as they really are a strong enough band in their own right, their musicianship highlighted by overcoming technical difficulties with ease and making the set look effortless.

Another very late addition, Crows pulled in a big crowd who will doubtless be pleased to hear that they followed up their Butlin’s trip by releasing new music and tour dates.

Thankfully one act that didn’t cancel was the incomparable JARV IS. Always one to walk his own path, Jarvis Cocker has become cemented in modern day culture as a storyteller extraordinaire; who else would you find headlining in a beige velvet jacket throwing mini Bountys into the crowd while chatting about Shirley Bassey? An expert in giving the crowd exactly what they want but very much on his own terms, this was undoubtedly the biggest draw of the festival, and rightly so.

Rockaway Beach certainly have a knack of scuppering any chance of a lie in, kicking off Sunday with TV Priest waking everyone up with an animated set turned up to the max, their energy only surpassed by their gratitude for the equally lively response from the early risers.

Another crowd favourite, Hull’s bdrmm continued the clever pick me up to battle Sunday fatigue with their well honed mix of hazy shoegaze lifting the late afternoon timeline.

For a band that’s spanned decades, A Certain Ratio still sound surprisingly fresh, with tracks like Lucinda sounding as good as ever and new vocalist Ellen Beth Abdi fitting in perfectly. With much dancing in the room, it’s fair to say there was plenty of movement with no room for improvement.

In a fine way to end the weekend, Porridge Radio took to the stage. The transition from small, quirky DIY band to festival headliner isn’t an easy one to pull off but they managed to retain the feeling and nostalgia of performances of old, while impressing their newer fans with tracks from Mercury nominated Every Bad.

And that was that, festival complete. Talking about being at home at Christmas, Jarvis told us that he said, “We’re supposed to be playing this concert but it’ll never happen”. Happily he was proved wrong as it turned out that the ever changing line up added some spontaneity to the already eclectic proceedings. With amusement arcades, silent discos and DJ sets into the early hours, Rockaway Beach really is a festival experience not quite like any other. See you next year.

Rockaway Beach

Words / photos by Callum / Siobhan

17th January 2022

 

 

 

New Music – Crows

Crows – Slowly Separate

Returning with their first new music in three years, Crows are clearly in fine form. Their live shows, intense and at times frenzied, have built a huge following, and a last minute slot at last weekend’s Rockaway Beach pulled a packed and delighted crowd. The new music will no doubt please their fans just as much, as pulsating and hypnotic as could be expected and hoped for.

Talking about the new track, Crows frontman James Cox says, “Slowly Separate is about living in London, working a job you hate and just going through the mundane routine of hand to mouth living. Don’t get me wrong, I love London. It’s been my home for 13 years, and this song translates to any city and anytime you’re working a job that doesn’t fulfil you. When it gets to the end of the month, all your rent and bills come out and you’re barely left with enough to get through the next month. It gets to you, I’m sure a lot of people can relate. It just makes it sweeter when you are finally making changes in your life for the better and you can leave those feelings in the past.”

Slowly Separate is the lead track from forthcoming album Beware Believers, due for release on 1st April via Bad Vibrations Records – pre-order here. Tickets for tour dates go on sale on Monday at 10am.

Words by Siobhan
Band photo by Jamie Noise

13th January 2022

 

The Vinyl Countdown with Seb K Akehurst of Jolly Bearded Promotions

Kicking off our new feature ‘The Vinyl Countdown’, Seb K Akehurst picks 10 of his favourite tracks and shares why they stand out amongst many memories. Turn the volume up because there are some absolute rock classics in here with a few surprises lurking in their midst…

When writing this list, I was asked by a friend, “Which one had the most impact when you think back to when you first heard it?”
My answer: “They all have in ways, I know it sounds like a cliché answer but they all remind me of when I started discovering new music and it just hits you in the feels. You know how that was? It’s a mixture of excitement and glee; you have another band, another artist to discover, watch their videos, and if you’re lucky see them live.”
My friend’s response: “It’s not cliché if it’s true.”

Well, here’s my Top 10 list (for now), accompanied by some honourable mentions.

1. Artist: Pearl Jam – Album: Yield, 1992 – Track: Wishlist

This one was the first track I thought of when I started this list. I was going through a lot and I was recommended this song by a stranger whom I met in a part-time job. It came up as I was playing Eddie Vedder’s solo album Into The Wild soundtrack. Really brings back to that chat we had about, life, work, and music. I see it as a bittersweet tune if anything but we are all entitled to our own opinions.

2. Artist: Led Zeppelin – Album: The Early Days, 1999 – Track: Whole Lotta Love

Another album my dad hasn’t seen since I got hooked on it, just listening to this on a great set of headphones will get the adrenaline pumping! Also, it’s LED ZEPPELIN! I need to say no more.

3. Artist: PAIN – Single: Party in my Head, 2021 – Track: Party in my Head

I discovered this band in the midst of the lockdown of 2020/2021. Upon discovering them, I found this song and fell in love it with to the point it inspired me to get creative and paint a denim jacket, which can be found over on my Instagram! Definitely on my list to see or, if I ever got the chance to, do photography for them.

4. Artist: Ted Hawkins – Album: The Final Tour, 1994 – Track: There Stands the Glass

A track that would remind me of my folks, one of the many albums they would play when I was young. This track like all on this disc has so much emotion yet entertainment to the crowd lucky to be at the performance. It’s sure to make you smile as you hear Ted talking to the audience.

5. Artist: The White Stripes – Album: Elephant, 2003 – Track: Seven Nation Army

A track from when I tried and failed to be in a band, was one of the only tunes I could do on bass. Gives me fond memories of annoying neighbours and growing our hair out. Simpler days.

6. Artist: Rage Against the Machine – Album: The Battle of Los Angeles, 1999 – Track: Sleep Now in the Fire

This is just a tune, like all my choices it’s hard just pick one big one. Yet, back in 2010 I was very lucky to see this mighty four live. I remember it down in Dublin and the bass alone vibrating the arena we were in! I had a choice: two tickets to that show or one to a four day festival, however I went with these guys. How could I not, still very much do not regret that decision.

7. Artist: Ludovico Einaudi – Album: Le Onde, 1994 – Track: Tracce

I remember back before the days of iPods, iPhones, even Spotify! My dad had this really crappy mp3 player on which I could only get two tracks to play. No loud riffs or lyrics just total bliss when this track or any others were on. After that car journey, I found that album and since that discovery I have found more alongside it, however it will never compare seeing him play live.

8. Artist: HOW – Album: This is a Raid, 2014 – Track: Animal

This song has a special meaning as it’s from the first band I photographed when I started doing live music photography. I’m very fortunate and thankful and when I get this album cranked up it always brings me back to rolling, diving and climbing the stages to capture their performance.

9. Artist: Jimi Hendrix – Album: The Ultimate Experience, The Jimi Hendrix Experience: 1992 – Track: Purple Haze

This whole album is fantastic! Alas with 20 tracks it’s hard to pick only ten or this case just one! Yet, another track from my youth that I’m happy to say once my dad chose to play this album he never got it back.

10. Artist: ZZ Top – Album: ZZ Top’s first album, 1970 – Track: Brown Sugar

Taking it way back when, to my 16th birthday, I was given this ‘Greatest hits of ZZ Top’ from my aunt and this was just a track I fell in love with when playing it. Still got the album and definitely will be passed on to my child someday. RIP Dusty and thank you!

A few honourable mentions:
Rammstein – Mein Teil
AC/DC – Touch Too Much
David Bowie – Space Oddity
Black Stone Cherry – Blind Man
Nirvana – Come As You Are
Iron Maiden – Brave New World
Louis Armstrong – What a Wonderful world
Bob Dylan – The Times They Are A-Changin’
Avenged Sevenfold – Strength of the World
Peter Green, Fleetwood Mac – Green Manalishi
Red Hot Chili Peppers – Can’t Stop

With all listed, honestly I could go on forever…

Seb is a Belfast based artist, photographer and founder of Jolly Bearded Promotions; you can catch up with him and listen to his Vinyl Countdown on the links below – drop us a message if you’d like to share your own playlist!

Seb K Akehurst – Instagram | Facebook | Twitter

11th January 2022

Breaking Glass Magazine – January 2022

Breaking Glass Magazine – January 2022

Happy new year!

Who knows what this year will bring but whatever it proves to be, we’ll be here taking in the best of new music and showcasing images from photographers from far and wide.

We’re introducing a couple of new features…

No Place Like Home:

As we have contributors and readers from across and outside the UK, we’d love for photographers to show us round their city, town or village (or just a favourite place) in pictures. Looking for 6-10 photos with a brief note about what’s in each one – think cityscapes, landscapes, venues, shops, places with happy memories, whatever makes it special to you.

The Vinyl Countdown:

We’ve all got playlists of our favourite songs, mixtapes if we’re talking old school. If you’re interested in sharing your very own Desert Island Discs, send us the artist and title for any 10 tracks and a sentence or two about each. Tell us why they’re on your list, do they make you laugh, cry, dance on the kitchen table?

If you’d like to take part, drop us an email to breakingglassmag@gmail.com and let us know if you’re interested in either one or both.

All the very best for 2022, look forward to hearing from contributors old and new – big love to the Breaking Glass community x

Words and photo from The Hope & Ruin in Brighton by Siobhan

1st January 2022

Contributors 2021

Breaking Glass 2021 Contributors

To every one of our photographers, writers, artists and reviewers – you’ve once again made it all worthwhile through another difficult year. Here’s a roll call of the wonderful people who contributed content to Breaking Glass during 2021. Thank you all so much; this is a better space with each of you involved. Thanks also to all the bands, artists, music PR teams and promoters, publishers, venues, museum and gallery curators who’ve invited us in and sent us previews, and anyone else who’s played a part in any way. See you for more of the same in 2022…

Alan Cruickshank Photographic
Alex Curran
Andy Houghton
Ange Cobham at Cobspix Photography
Becky Jones
Cate la Starza
Cath Dupuy
Charlie Smith
Clare Ratcliffe
Courtney Tjaden
Derek Rickman
Erin Servey
Gary Catlin
Gary M Hough at allthecoolbandsphotography
Hannah Mesquitta
Ingrid Turner
Jacob Rose
Jennifer Mullins
John Mackie
Katie Stokes
Lee Thompson
Lou Smith
Malachi Francis Photography
Mark Cartwright
Martin Ross
Matt Chapman
Mirjana Simeunovich
Najm Clayton
Nigel King Photography
Oriana Spadaro
Petra Eujane Photography
Rachel Wonders
Rob Orchard
Robert C Maxfield II Photography
Robert H King
Ryan Bell
Ryan Howarth
Seb K Akehurst at Jolly Bearded Promotions
Siobhan at 16 Beasley St Photography
Steve White
Steven Medeiros
Tasha Jeff Photography
Tina Sherwood at AllTheTsPhotography
Tom Davies

Photo © 16 Beasley St Photography

28th December 2021

 

Best Music Shots of 2021

‘I’ve been looking so long at these pictures of you
That I almost believe that they’re real’ – The Cure

Here we are again with our annual Best Music Shots of the Year gallery, thankfully 2021 reopened the doors of venues big and small and reminded us exactly what we’d been missing. And so it’s even more of a privilege than usual to bring you this amazing selection of live music shots captured around the world.

Photos are in no particular order, mixed by genre and style, so grab a cup of tea and take a break while you check them all out to avoid missing anything… enjoy.

(Header photo above by Tina Sherwood, details in article)

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Genn
Chalk, Brighton – October 2021

By Rob Orchard – Website | Instagram

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Rachel Mae Hannon
Whelans, Dublin – November 2021

By Alex Curran – Instagram

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Ben Sargent of Hell’s Addiction
Rockin’ The Bowl Festival, Sheffield – September 2021

Hazel Jade Rogers of JOANovARC
Rockin’ The Bowl Festival, Sheffield – September 2021

By Tina Sherwood – Instagram | Facebook

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Bob Vylan
The Ferret, Preston – August 2021

Steve Diggle of Buzzcocks
Waterloo Music Bar, Blackpool – August 2021

By Gary Hough at allthecoolbandsphotography – Website | Instagram | Facebook | Twitter

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Cody Hibbard
Ft Worth Panther Island River and Blues Fest – November 2021

Rachel Stacy
Texas Lottery Pavilion, Irving, Texas – October 2021

By Robert C Maxfield II – Website | Instagram | Facebook

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Oracle Sisters
The Glue Factory, Glasgow – November 2021

Callum Easter
Sneaky Pete’s, Edinburgh – September 2021

By John Mackie – Instagram

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Doug Aldrich of The Dead Daisies
Nottingham Rock City – November 2021

Angelo Tristan of Collateral
Sheffield Don Valley Bowl – September 2021

By Cobspix Photography – Website | Instagram | Facebook | Twitter

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Judgement
Biltmore Theatre, Ontario – November 2021

Excuses Excuses
Biltmore Theatre, Ontario – November 2021

By Mirjana (Mikki) Simeunovich – Website | Instagram | Facebook

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Freya Beer
Paper Dress Vintage, London – November 2021 (shot for dead good music blog)

By Rachel Wonders – Instagram | Facebook | Twitter

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Nile Rodgers and CHIC
Dreamland, Margate – September 2021

The Ks
Dreamland, Margate – September 2021

By Katie Stokes – Website | Instagram | Facebook | Twitter

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Royal and the Serpent
XL Live, Harrisburg PA – August 2021

Nick Reese of Joyous Wolf
Reverb, Reading PA – October 2021

By Erin Servey Photography – Instagram | Facebook

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Sydney Sprague
Rebel Lounge, Phoenix AZ – June 2021

Danielle Durack
Rebel Lounge, Phoenix AZ – June 2021

By Jennifer Mullins –Website | Prints | Instagram | Twitter

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Steve Diggle of Buzzcocks
Gateways Festival – August 2021

Lauren Tate of Hands Off Gretel
Long Division Festival – September 2021

By Steve White – Instagram

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Daniel Filth of Cradle of Filth
Bloodstock Festival – August 2021

Benji of Skindred
Bloodstock Festival – August 2021

By Clare Ratcliffe – Instagram | Facebook

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Julia Bardot
Bodega, Nottingham – October 2021

Paul Weller
Octagon Centre, Sheffield – November 2021

By Nigel King Photography – Website | Instagram | Facebook | Twitter

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Sons of Liberty
Don Valley Bowl, Sheffield – September 2021

The Outlaw Orchestra
Don Valley Bowl, Sheffield – September 2021

By Andy Houghton – Website | Instagram

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Alex Southey
Bar Cathedral, Toronto – November 2021

The Sarandons
Dakota Tavern, Toronto – November 2021

By Steven Medeiros – Website | Instagram 1 | Instagram 2

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False Heads
The Boileroom, Guildford – November 2021

Girli
The Boileroom, Guildford – November 2021

By Matt Chapman – Website | Instagram | Twitter

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The Sixth Lie
London

By Najm Clayton – Website | Instagram

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Priestgate
The Hope and Ruin, Brighton – October 2021

Walt Disco
The Hope and Ruin, Brighton – November 2021

By Siobhan at 16 Beasley St Photoraphy – Website | Instagram | Twitter

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As always, a massive thank you to all the awesome photographers who have shared their images. If you like what you see, go and give them a follow on the links shown. Whether you’re a photographer, musician, gig-goer or involved/interested in the music industry in any way, keep supporting your local scene and please, please keep taking a test. Wishing you all a safe and happy Christmas and New Year – take care of yourselves and each other.

All images are the copyright of the photographer credited; please do not use without gaining their permission first.

17th December 2021

 

2021 Through the Lens

“Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever. It remembers little things, long after you have forgotten everything.”
– Aaron Siskind

Throughout this year, photographers have had the chance to get back out into the world and capture their favourite things forever. From theatre to nature, sports to protests and the little bits of everyday life that we maybe just don’t take so much for granted any more, we’ve put together a collection of images of people and places that played a part in making 2021 unique.

As with all our galleries, there is no specific order; the images have been mixed by format and content so enjoy from start to finish…

(Header photo above by Steven Medeiros, details in article)

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Together with Refugees Rally, London

By Ingrid Turner – Website | Instagram | Facebook | Twitter

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A Full 360
Matty Hemmings at the Test Your Skills area of The Photography Show at the NEC

Attempted Stumping
Notts Outlaws v Lancashire Lightning T20 match at Trent Bridge Cricket Ground

By Nigel King – Website | Instagram | Facebook | Twitter

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Preparing for the Fight

By Najm Clayton –  Website | Instagram

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Dwerja Bay

The Boathouse

By Derek Rickman – Instagram | Twitter

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Eye Spy

My Ball

By Alan Cruickshank – Instagram

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I Can Touch the Sky

By Charlie Smith – Twitter

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Chalk Artist and Helper
Phoenix Farmers Market

Lady in Red

By Jennifer Mullins – Website | Prints | Instagram | Twitter

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Glastonbury Tor through the Mist

Chimneys and Rooftops at Vicar’s Close, Wells

By Petra Eujane Photography – Website | Instagram

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Free Palestine, Cardiff City Centre, Wales

Kill the Bill, Bute Park, Cardiff, Wales

By Tom Davies, Photojournalist – Instagram

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Toronto, Canada

By Steven Medeiros – Website | Instagram 1 | Instagram 2

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The British Engineerium, Hove

By Becky Jones – Twitter

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Worthing Pier

Make Up, Brighton Fringe

By Siobhan at 16 Beasley St Photography – Website | Instagram | Twitter

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Huge thanks to all our photographers for sharing their images and memories with us; it’s always a pleasure to put these galleries together and see the variety of talent in the field. Do check out more of each person’s work on the links shown. Wishing contributors and readers alike all the very best for the Christmas period and here’s to a happy and healthy 2022.

Our Best Music Shots of 2021 feature will be published later this week.

All images are the copyright of the photographer credited; please do not use without gaining their permission first.

15th December 2021

 

Live – LIFE | Nuha Ruby Ra at The Green Door Store Brighton

LIFE | Nuha Ruby Ra, The Green Door Store, Brighton, 9th December 2021

Towards the end of 2019, LIFE played a gig at The Green Door Store in Brighton, an animated and immersive performance as always. It’s odd to think back and realise we had no inkling of what was to come over the next few months, and even when things started closing down, we could never have anticipated how long it would be for.

So here we are two years down the line, and it’s great to see LIFE back at the same (sold out) venue and really on top of their game. Their latest track Friends Without Names sits comfortably alongside crowd favourites Bum Hour and Moral Fibre, their energy is relentless and full of humour.

Support comes from the mesmerising Nuha Ruby Ra, whose parting words “Enjoy Life” seem like pretty good advice in general and inevitable in the short term. Gallery below.

Nuha Ruby Ra

LIFE

Words and photos by Siobhan

13th December 2021

New Music – SPINN

SPINN – People Should Know Better

In their third single from their upcoming album Out of the Blue, SPINN continue their hot streak of colourful tunes with People Should Know Better, a demanding track that injects a bleak outlook on the modern day into a classic anthemic indie track. 

The music that surrounds the desolate landscape of Quinn’s lyrics is itself dreamy. It feels incredibly immersive, akin to the two previous singles: reverberated jangly riffs match an indie aesthetic with punchy bass and drums – the music feels full, never limited in its attempts to capture the ears of all listeners near. 

Labelled as a tale of the frustration Quinn feels towards the moral decline of Britain through their reliance on a “f**king sh**e” government, the lyrics expand past political commentary, instead beautifully portraying a public perspective – the mantra of “people should know better” both chantable and reflective of what we all want – a strange paradox of collectively wanting a change made to the collective. 

Fatigue runs through the track like poison – the demands of knowing better are a question that races alongside the exhaustion of trying to comprehend why they don’t. It’s mesmerising how such a devastating concept is captured in such an upbeat fashion, which leaves it playing on repeat (but keeps the message in mind throughout). 

Outside of the Blue is due for release on 4th February 2022 via Modern Sky UK – more from SPINN here

Words by Jacob Rose
Photo by Barnaby Fairley

10th December 2021

New Music – Mosa Wild | White Lies

New releases – Mosa Wild | White Lies

Mosa Wild – Expect Me

There’s generally something haunting about organ music, add a brass section though and things spring back to life. Combine the two with the searching vocals of Jim Rubaduka and you have a track that feels like it could have been born from Leonard Cohen’s finishing school with a side diploma of  rousing gospel.

Jim explains, “Expect Me was initially written and recorded at my mum and dad’s kitchen table in Ashford. We tracked the final version with our friend Ben Baptie at Pool Studios. I think it’s the most collaborative studio session we’ve had. It was a joy to have a bunch of our friends come down and bless this record. The song has a very simple and direct message. I wanted the verses to feel like a hymn you know well, and the outro to feel like a hug that you don’t want to end. The song was written with love in mind.”

The end result is a captivating piece of music, take a few minutes to stop what you’re doing and take a listen. The track is taken from next year’s Zip Your Coat Up For English Weather EP, to be released on  Glassnote Records.

Mosa Wild

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White Lies – I Don’t Want To Go To Mars

Back at their best, White Lies’ latest single I Don’t Want To Go To Mars lays testament to the fact that they still have more to offer on their pending new album. With a trademark build to the crescendo of a chorus, the track feels fresh yet instantly recognisable at the same time.

Bassist Charles Cave says, “I Don’t Want To Go To Mars has all the distorted bombast of White Lies’ best anthems neatly packed into a short story. The song follows a character seemingly being herded off Earth to live out a sterile and mundane existence on a newly colonised Mars. Fundamentally the song questions the speed at which we are developing the world(s) we inhabit, and what cost it takes on our wellbeing.”

A strong contender to be a favourite in their live sets, check out the video below and catch White Lies on an extensive run of UK and European tour dates kicking off in March 2022. Their album, As I Try Not To Fall Apart, is set for release on PIAS in February.

White Lies

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Words by Siobhan

7th December 2021

Live – The Bug Club | Sins | The Heavy Heavy at The Loft Portsmouth

The Bug Club, Sins &  The Heavy Heavy at The Loft, Portsmouth, 2nd December 2021

Sometimes there’s a buzz around a band that proves to be more than warranted. The Bug Club have been steadily making a name for themselves with a series of infectious psych pop tracks that are regular players on 6 Music and have been much lauded by new music connoisseur Marc Riley.

Their visit to The Loft on Thursday was a sell out, despite numerous other gigs taking place locally on the night. With a set worthy of a much longer established band, it’s clear that they’re not only developing a seriously strong catalogue of songs to dip into, but also that their ease in performing draws the crowd in and makes for a lovely warm atmosphere too. You have to wonder how much longer you’ll have the chance to see The Bug Club playing in venues this size for – with more live dates pending you should absolutely grab that chance now if you can.

Gallery below with supports The Heavy Heavy and Sins.

The Heavy Heavy

Sins

The Bug Club

Words and photos by Siobhan

6th December 2021

 

New Music – Sunflower Thieves | Ski Lift

New releases – Sunflower Thieves | Ski Lift

Sunflower Thieves – Sirens

Sunflower Thieves have given themselves a strong justification for their artist title with Sirens. The track is a wonderfully soft, wonderfully natural, powerful melody that feels like the perfect accompaniment to a sunrise.

It’s hard to distinguish one better feature over the other in the track. Instead, each instrument brings the atmosphere into full focus. The tremolo and kick back the intricacies of the acoustic guitar, and a beautifully paired vocal delivery throughout. Even the (and this is very much just assumptive) low accordion riff, whilst being the most abstract of the tones, evokes something new without replacing the beauty of the song. A perfect supplement.

It’s hard to believe that anyone can have a time in their year where Sirens would not be a match to a quiet day. Its ability to feel intimate and yet speak universally is something to admire by itself.

Sunflower Thieves
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Ski Lift – I Wanna Be You

I Wanna Be You is the latest track from Londoners Ski Lift – a popping indie track that feels like a joyous shock of electricity to the ears, even with some darker existentialist undertones.

The crunchy, direct electric guitar and drums give I Wanna Be You an immediate indie pop-rock style, aided by the title itself – shouted within the chorus, calling for an audience to do the same – which hints at the usual tale of desire you might expect in a 90s track.

When digging into the further lyrics, and hearing more of the abstract sides of the track, Ski Lift shows a more introspective take on the title’s seemingly clear message – what was once just a tale of two becomes universal. We all want to be the “you” that singer Benji Tranter writes of – something that makes the song’s ability to be gleefully chanted ever so slightly bleak.

Ski Lift
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Words by Jacob Rose
Photos: Sunflower Thieves © Sophie Jouvenaar | Ski Lift © Keira Anee

3rd December 2021

Breaking Glass Magazine – December 2021

Breaking Glass Magazine – December 2021

Firmly on our favourite new bands list, we planned to have LibraLibra on one of our monthly covers just over a year ago. That plan was thwarted by a day of extraordinarily heavy rain followed by a plunge back into lockdown. We’re delighted that we’ve finally made this happen and to see how much recognition and support the band has gained in the meantime.

As an added bonus, it was a huge pleasure to catch a packed hometown show at Brighton’s Hope & Ruin a couple of weeks ago; their new music sounded great, their energy is infectious and the crowd had an absolute ball.

Now that we all have the opportunity to get out to gigs again, it’s easy to get caught up in the moment and forget that lots of artists and others in the industry have had a tough time throughout the pandemic. It’s so important to keep supporting the music scene to make sure we all keep getting the chance to experience the sheer joy it brings.

Vocalist Beth told us, “Not gonna lie, 2021 has been one of the worst years yet, not musically but mentally & physically it’s really taken its toll, we would love to be all sweetness and light but for us collectively it’s been full of heartbreak, an oophorectomy, instability and mental breakdowns. However ironically the only saving grace for us in 2021 has been the music. We finally released our new single, Candy Mountain, and got to throw our souls into some killer shows. 2022 presents a glimmer of hope for us, our EP is coming out, a tour has been booked & lots of things to come. Here’s to the future and to thriving not just surviving!”

If you haven’t been lucky enough to catch LibraLibra yet, this week they’ve announced performances at Icebreaker Festival, 2000 Trees and a slot on The National Lottery’s #ReviveLive tour with Music Venue Trust. Check out their new single Candy Mountain, and link to their socials and music here for more details of live dates.

No more than they deserve, we’re wishing LibraLibra the best of years in 2022, and extend that to all of you as well – thanks to everyone who contributes to, reads and supports Breaking Glass in any way; we wouldn’t still be here without you.

Words and photos by Siobhan

1st December 2021