Preview – Icebreaker Festival 2020 (Portsmouth)

Icebreaker Festival, Southsea, 25th January 2020 

Back in its regular January slot, Icebreaker Festival once again brings a plethora of new musical talent to Southsea’s Albert Road and Elm Grove, putting on over 80 artists in 1 day at 7 venues in the area. With a wide range of genres included in the line up, there’s an opportunity to discover some new favourites live and that’s just what we’re hoping to do, as well as catching up with some acts that are already making waves.

Returning after strong performances at last year’s event, look out for some lively desert rock from The Howlers (Wedgewood Rooms) and soul-infused garage from Currls (Edge of the Wedge).

Highlights at other local festivals this year, it’s also great to see mighty art punks LibraLibra and electro duo Drusila on the bill – both on the Wedgewood Rooms stage; neither of whom should be missed.

A few more recommendations for the day come in the shape of…

– Blues-soaked rock from local favourites The Stone Birds (The Wine Vaults)
– 90s influenced grunge-rock from Dutch Mustard (Edge of the Wedge)
– Some lovely laid back soulful sounds from The Isle of CC (The Wine Vaults)
– And what looks set to be a blow the roof off performance from indie punks Glossii (The Deco)

We’ve added tracks from all the artists mentioned to the playlist below so you can listen at your leisure…

*Edit – sadly, it seems that Glossii have decided to call it a day and won’t now be appearing but give their music a listen anyway and keep an eye on new projects from band members*


Check out the full line up complete with stage times for each venue on the Icebreaker website.

Words and photos by Siobhan

7th January 2020

Dials Festival 2019 (Portsmouth)

Dials Festival, Southsea, 5th October 2019

Returning to its now regular early October slot, Dials Festival brought another hugely impressive line up to Southsea’s Albert Road at the weekend, hosted across five venues all within a few minutes walk of each other. In a sometimes overcrowded market, it’s difficult to find a USP for a festival these days… well, how about this? Dials is run by volunteers, works hard to apply inclusivity towards artists and attendees and raises money and awareness for local mental health charity Solent Mind… now that’s a difference worth taking notice of.

And if that’s not enough, the musical talent on display is a joy to discover. Channeling their inner New Order, Two Tribes gave a great performance at The Wine Vaults, as did Sarpa Salpa with their synth infused dance tunes opening the venue’s stage. I love that people come out early for Dials and support the acts playing from opening slots to headliners.

Across the road at Lord John Russell, Heebie Jeebies kicked off a relaxed atmosphere with guitars and sax aplenty while The Loft saw some some sharp drumming and grunge appeal from Dad Hair and Eno-esque experimental synth loops from Friday Night Weird Dreams.

A firm favourite on the local live circuit, Madonnatron packed the room at The Edge and did not disappoint with their unashamedly brash post punk psychedelia and razor sharp multi-vocals.

As always with Dials, I found some great new bands who I hadn’t seen before, in fact the vast majority were new to me live. Quite how I’ve managed to miss Arxx so far is a bit of a mystery but with a set including fierce grunge tracks, a dabble with country and a Eurythmics cover to boot, they’re firmly on my must see again list. Representing the increasingly impressive Bristol music scene, the discordant drawl of spikey post punk from Haze and some ethereal slacker rock from Wych Elm also both come highly recommended.

Last year, LibraLibra opened one of the smaller stages and more than made their mark at Dials. This year they made an unquestionably triumphant return with a performance so powerful it may be worth checking if the Edge of the Wedge is still standing. Vocally it’s as though Gossip have been shaken up by X-Ray Spex; this is not a band to be missed. I assume by next year they’ll be well on the way to world domination.

Hot on their heels on the main stage next door, another absolute stand out set from Glasgow’s Walt Disco. Their uniquely dark brand of art rock disco is streets ahead of many of their contemporaries, largely because their material stands up on its own and doesn’t rely solely on the performance. That said, the performance is pretty spectacular. Billy Mackenzie would be proud.

One thing that Dials does consistently well is to bring a mix of genres to the table with cross appeal for those attending, allowing different moods and styles of music to reach new ears. From boiler-suited dancealongs with BASH! to Acid Tongue’s folk influenced garage and the dulcet vocals of Megan Lara Mae (including a cover of Minnie Riperton’s Loving You that managed to avoid screeching that note) there really was something for everyone.

Bigger festivals could learn a thing or two about applying gender mix to their scheduling from Dials; the line up this year once again proved that it’s really not that hard to find quality artists across the board with Saltwater Sun and Another Sky both drawing big crowds to The Wedgewood Rooms.

And after a line up so strong, who do you pull in to headline? Kicking a final blast of  vigour into the proceedings, The Blinders took no prisoners with their closing set, a visceral assault on the senses, a last chance for the crowd to decide that they still had enough energy to take on a mosh pit, a fitting close to a brilliant day with a guest appearance on stage from the Dials Fox.

Across the last few years, Dials hasn’t started just another festival; it’s started and built up something to be etched into your diary way in advance safe in the knowledge that each event keeps getting better than the last – till next year…

For more about Dials Festival please check their website

You can find out about the work Solent Mind do here

Words and photos by Siobhan

7th October 2019

Victorious Festival 2019 (Portsmouth)

Victorious Festival, Southsea Common, 23rd – 25th August 2019

Once again, Victorious Festival managed to entice a huge range of artists to play by the seaside at its late summer bank holiday weekend gathering. The line up is so varied that there really is something for everyone and it manages the family friendly tag with ease. As well as offering showcase spots to local emerging artists, Victorious pulls in some big players, both current and long established acts. Seemingly growing every year and now running across three days, this year’s headliners encompassed the eclectic bunch of Two Door Cinema Club, Rudimental and New Order. Across the myriad of stages and activities, no genre was left unturned and with a weekend filled with blazing sunshine, this looks to have been one of the busiest years ever. Here are our highlights from Saturday.

A long road trip from home, West Lothian indie four piece The Snuts have been much lauded as ones to watch and had some early singalongs going on, clearly a widespread fan base on their hands already. South coast blues pop trio Hooli graced the Seaside stage with a chilled set and plenty of local support; probably the only UK festival stage with passenger ferries running along the river on the other side of the wall.

Another rising young artist, Casey Lowry, brought his own brand of catchy trop pop tracks to the table. A suitably sunshine feel to the songs as he and his band breezed through their set, his initial suspicions that everyone would leave after ten minutes to see All Saints were soon allayed.

And so to a long established festival favourite and Victorious returner, the infectiously happy Tim Burgess. Having played here with The Charlatans two years ago, Tim returned for a solo set backed by his other bandmates The Anytime Minutes (also making waves in their own right as Average Sex). A mix of songs old and new put a smile on everybody’s face, I’ve never seen this man do a set that isn’t feel-good and full of energy – a sound booking for a show of any size.

Arriving onto the Common stage, Damon Gough aka Badly Drawn Boy looked slight bemused by the size of the crowd, asking if he was at the right festival. His performance is always understated but doesn’t take long to remind you exactly why he should be here. Over the years he’s written some beautiful songs and it was great to hear tracks from one of my favourite films and soundtracks About a Boy in amongst the set.

Considering the numbers there and the fairly intense heat, the atmosphere across the site was a happy one with areas for comedy and kids’ activities, a village sized merch and shopping square and a wide choice of reasonably priced food vendors. There was even space to dance by the castle in your wedding dress if you felt the urge…

Drawing one of the biggest crowds I have ever seen at any stage at Victorious (Castle stage is the second largest but must have outnumbered the main stage here), man of the moment Lewis Capaldi received a rapturous welcome from an all ages audience. His 7pm slot must surely have been booked some time ago; there’s no doubt he could have headlined and still had people watching him from as far as the eye could see. Capaldi’s self-disparaging songs of love and heartbreak combined with his imperturbable sense of humour look set to see him continue his rise to the top.

Difficult to follow… until you realise that next up is The Hives, Sweden’s incorrigibly wonderful rock ‘n’ rollers who hit the stage with such force that you knew the party had just moved to a different level. From Come On and Walk Idiot Walk to the inevitable closer Tick Tick Boom, it wasn’t hard at all to see why The Hives are still so popular, 20 years of mayhem and still going strong.

Headlining the Castle stage, Bloc Party provided the perfect way to end the evening, playing their landmark debut album Silent Alarm in full and no doubt creating waves of nostalgia for many of those present in the process. The tracks more than hold up over time, Bloc Party were never your bog standard indie band and the intricacy of the songs is clear to see, She’s Hearing Voices and Banquet personal favourites that it was an absolute pleasure to hear live again. Stunning.

The end of a long day but still these guys on security were having the best night, checking that everyone was ok while throwing synchronised dance moves to the sounds of Rudimental closing up the Common stage in the background – thanks to all involved for another memorable festival, see you next year.

No doubt Victorious 2020 will be even bigger and better – early bird tickets are already available here.

Words and photos by Siobhan

26th August 2019

 

Festival – 2000 Trees 2019 (Cheltenham)

2000 Trees Festival, Upcote Farm Cheltenham, 11th – 13th July 2019

Picture if you will a farm in rural countryside, transformed into an award winning festival location where you can walk the length of the site in 10 minutes, catching big names and new music, choosing from the best selection of festival food around and taking in the friendliest atmosphere you’re likely to encounter. No need to worry about carrying or losing money as the cashless system works a treat, just have your wristband scanned to pay. Families, fancy dress, diehard punks and metal-heads, they’re all here and they’re all having a brilliant time. You can only imagine the amount of work and preparation that goes on behind the scenes because the team and volunteers at 2000 Trees have thought of everything and everyone – artists, crowd, vendors, security – the whole crew seem to love being here. It’s a beautiful setting and there’s more diversity in the types of music on offer than many people realise.

2019’s event even brought the sun out of hiding, along with an enormous string of new and established artists. Whether it’s to catch a favourite band or discover a new one, 2000 Trees is a massive recommendation. Just be aware that when you’ve been once it’s very hard to not pick it up as a habit that’s hard to kick. Here are some highlights from Friday from a huge selection of what went on this year…

Deux Furieuses getting the day off to a solid start on the Axiom stage – powerful riffs and no holds barred drums belying the fact that they are only two.

Fresh from playing a string of sold out shows together, Gouge Away (The Cave) and Slow Crush (Neu) filled their respective marquees, with both receiving a great crowd reaction.

Lice have gained a well deserved reputation for their live performances and this was no exception – a stand out set of satirical art punk on the Neu stage which saw some excellent bookings this year.

You have to have your photo taken and take some of your friends by the Trees sign – it’s the law.

Carnage in The Cave. Bringing Belgian noise rock and their very own language, Raketkanon are not to be missed live; for fans of vocalists crowd surfing in doughnut inflatables, this is not the time to forget your earplugs.

Time out to recharge the batteries at the beautiful Forest acoustic stage with a chilled set from locals Watercolours and some indie psych back at the Neu stage from Indigo Lo.

2000 Trees crowds are the friendliest crowds – it’s not compulsory to have an inflatable handy in the food queue.

A long way from home, Australia’s Hands Like Houses pulled in a big crowd on the main stage who provided an equally big UK welcome.

Still on the main stage, the classic mix of 2000 Trees and Pulled Apart by Horsesalways a pleasure to see them individually; together is hard to beat. Stage jumps, circle pits and a guitar accompanied dive into the crowd are what Trees is all about.

Everyone welcome, dress code whatever you please. (By the way, any discarded rubbish disappears after each set, kudos to the litter picking / recycling team).

Really happy late afternoon vibe for Get Cape, Wear Cape, Fly – packed marquee too at the Axiom.

Fast becoming firm favourites on the indie punk scene, Heavy Lungs put on a frenetic show, catch them in a smaller venue while you can, this time the Neu stage grabbing the spotlight again.

So, with this year’s 2000 Trees all packed away, it seems fortuitous to think a long, long way ahead and be aware that next year’s is already in the making. 9th – 11th July 2020 – put it in your diary, you won’t regret it.

Early bird tickets are available now.

Words and photos by Siobhan

15th July 2019

 

 

Alternative Escape Festival 2019 (Brighton)

Alternative Escape, Brighton, 9th – 11th May 2019

Every year, The Great Escape brings a heap of music to venues and makeshift spaces across Brighton (not to mention a swarm of confused looking industry types with oversized lanyards, trying to find the nearest pub and referencing 6 Music loudly in every second sentence in case you didn’t understand how serious they are). If you prefer to catch a glimpse of what the city’s regular DIY scene is like, or simply can’t afford the ticket price, The Alternative Escape traditionally runs parallel, offering mostly free access to some of the best local and visiting bands, plus there are a few free main festival events in public spaces. This year, the Alt Escape shows were limited amidst rumours of hefty fees being charged for use of the title but thankfully the showcases continued under other names. It’s impossible to even come close to seeing everyone on your wish list but here’s our photo gallery with 12 of the best to look out for.

The Nude Party at East Street Tap

Los Bitchos at Jubilee Square

White Room at Beyond Retro

Nice Biscuit at Casablanca Jazz Club

The Cosmics at Casablanca Jazz Club (plus header photo)

BDRMM at The Hope & Ruin

Ugly at Beyond Retro

Average Sex at Beyond Retro

The Slaughter House Band at East Street Tap / Hare & Hounds

Italia 90 at The Admiral

Mint at The Richmond

False Heads at The Richmond

Photos by Siobhan

13th May 2019

Portsmouth Psych Fest 2019

Portsmouth Psych Fest, The Wedgewood Rooms, 4th May 2019

Making a welcome return this weekend, Portsmouth Psych Fest stormed into its third year with an event packed with another amazing array of artists. Throughout Saturday, eighteen acts played across the main stage in The Wedgewood Rooms and its more compact counterpart in the Edge of the Wedge, hosted by local collective Calamity Cratediggers. Kicking things off at the Edge, Fat Earthers, The Howlers and Number 9 gave us a glimpse into how diverse the day was going to be, from psych-punk to desert rock to 60s’ infused psychedelia all in the first few hours.

Over on the main stage, Drusila impressed once again with their unapologetically 80s’ tinged electronic dance tracks – big things ahead for this local duo surely.

With the room transformed by vibrant liquid colour projections from visual artist Inner Strings and psych mascots in the form of graffitied mannequins by street artist My Dog Sighs, the scene was set for poetry-fused guitar tunes from Freya Beer, melodic indie-pop from Mystic Peach and the unlikely but irrepressibly fun blend of Cumbian psych provided by Los Bitchos.

Back at the Edge, Japanese Television were a joy to hear and see, the self-proclaimed space surfers proving that lyrics aren’t always a necessity. Sleep Eaters continued the momentum, a great live band bringing Americana flavoured garage to the table, followed by post-punk four piece Egyptian Blue.

Space age psych up next from Brisbane’s Nice Biscuit, just about managing to squeeze everyone onto the stage, easily managing to impress.

Picking up the pace, Brighton’s GURU produced the most animated set of the day with plenty of crowd interaction and discordant tunes galore.

Over on the main stage, Black Country, New Road gave a more sombre performance pulsated by dark set vocals, before the costumed krautrock-influenced beats of Snapped Ankles lightened the mood and continued the mystery behind the woolly headed noise-lords.

Concluding proceedings at the Edge of the Wedge, Scalping provided some heavy techno-punk before handing over to the grittily wonderful world of Glasgow’s Sweaty Palms, an intriguing melee of cowboy hats, garage guitars and saxophone worthy of any stage headliner.

The last two acts on the Wedgewood Rooms stage completed the eclectic mix. Brooding shoegaze over industrialised visuals from The KVB followed by an energy filled set from indie rockers Yak brought the festival to a suitably intense close.

Joining the legion of psych fests up and down the country, Portsmouth has firmly staked its place amongst the more established events. The line ups every year so far have been solid from start to finish. When tickets go on sale for next year there’s really no need to wait for announcements on who’s playing; just buy one and thank yourself later.

Keep up to speed with Portsmouth Psych Fest here

Words and photos by Siobhan 

7th May 2019

Preview – Portsmouth Psych Fest 2019

Portsmouth Psych Fest, 4th May 2019

Only a month away, Portsmouth Psych Fest returns to The Wedgewood Rooms for its third outing on 4th May. From the outset the festival has been steadfast in booking some very special line-ups, with previous years featuring Bo Ningen, The Wytches, Hotel Lux and Black Midi amongst a long list of other established and breakthrough acts.

Spread across two stages, 2019’s headliners are Yak, who will be joined by a host of local and international artists making up an event not to be missed. The best recommendation would be to see everyone on the bill. Here is our pick of just a few artists to look out for on the day…

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Sleep Eaters

It’s time to discover that you need country garage in your life. The South London five piece won over new fans with their live performances supporting Drahla last year and head back out on the road with them in May.

Sleep Eaters    Listen here

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The Howlers

Dark garage rock of the finest calibre, The Howlers are unsurprisingly sparking the interest of the music media. Now signed to These Bloody Thieves, look out for new music soon.

The Howlers    Listen here

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Los Bitchos

Fresh from supporting Bill Ryder-Jones, Los Bitchos will be showcasing their hybrid of Peruvian instrumental Cumbia influenced garage psych. Bring your dancing shoes.

Los Bitchos    Listen here

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Drusila

Keep those dancing shoes on for Drusila. Full of energy and explosive synths, the Portsmouth locals are fast making a name for themselves, bringing electronica bang up to date.

Drusila    Listen here

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Snapped Ankles

If you prefer your music delivered by woodland tree creatures then Snapped Ankles are here for you. With their new album Stunning Luxury described by The Line Of Best Fit as ‘music to soundtrack the apocalypse’, make sure you catch them and hope, for their sake, that it’s not too hot.

Snapped Ankles    Listen here

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Portsmouth Psych Fest takes place on 4th May; remaining tickets are available now from just £17 – don’t miss out

Words and photos by Siobhan

4th April 2019

Preview – The Great Escape 2019

The Great Escape, Brighton, 9th – 11th May 2019

Widely acknowledged as the biggest UK festival platform for breakthrough musicians, The Great Escape returns in May for its annual party in Brighton. Scheduling over 400 artists playing across town in more than 30 venues is no mean feat and TGE includes a multitude of great music across different genres, bringing bands and singers from far and wide to perform. With the first 200+ acts now announced, we picked 5 of the best who we think you should look out for. Get to know Cocaine Piss, Nice Biscuit, Pip Blom, Sick Joy and Weird Milk below, then go and add them all to your must see list…

Cocaine Piss (Belgium)

For anyone who doesn’t know the band, give us a quick intro…

We are Cocaine Piss, we’re cute, we might be weird and we play loud. 

Over the last few years you’ve played hundreds of gigs and festivals across Europe – any notable memories from the UK?

A lot! One of the best festivals we played was Raw Power Festival in London last year. We had a lot of fun playing, and we discovered a lot of great acts there. I think we also found out about Buckfast on that tour, which was a great adventure. Also found a set of false teeth in front of a venue in Liverpool, it made our day.

You’re part of the Toutpartout Showcase at this year’s Great Escape – how did that come about?

We’ve been collaborating with Toutpartout for about 2 years now, and we are very fucking happy to be invited to play at the showcase. The lineup is beautiful, it’s going to be a perfect day.

What can people expect if they come to your set?

They can expect dancing, laughing, feeling like we’re all sharing a beautiful and intense moment together. Also a lot of swearing, and sadly, very little elegance.

And what else are Cocaine Piss up to this year?

We are releasing our new album Passionate and Tragic on April 5th. From then, we’ll be intensively touring for a few months. Come and see us – we have more shows in the UK in early May!

Facebook  Bandcamp

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Nice Biscuit (Australia)

For anyone who hasn’t heard or seen you can you introduce the band…

Hello. We’re Nice Biscuit. We’re a six piece from Brisbane and we play garage psych with a little bit of pop thrown in the mix.

What’s your local music scene like?

The Brisbane music scene is really good and quite tight knit. Because we’re one of the smaller cities everyone’s really supportive of each other’s bands. There’s some really good bands doing some interesting stuff here at the moment and a lot of good quality mid-sized venues to support all the bands. Any given weekend you’d be able to head out and see a good show.

Your album Digital Mountain came out last year. Tell us a bit about it and what’s the reaction to it been like?

Digital Mountain was a bit of a while in the making. It was a long process of writing and recording and then often scrapping those songs in favour of new ones, so it was nice to finally get a bunch of songs that made something cohesive and be able to put that out. It’s just a collection of the best songs we’d written from the 12 months before its release. The reaction to it was good. People seemed to like it and come to the shows and respond positively which is always encouraging.

You’re over in the UK for The Great Escape in May, how did that come about – have you been to Brighton before?

We had some bookers in the UK reach out to us about coming over and playing at The Great Escape and we’d never played overseas before so we thought we’d jump on it. Some of us have been to the UK before, I’m not too sure about Brighton. We’ve never in any musical capacity so it’s pretty exciting to get to travel far away from Australia and get to play music as well.

Plans and hopes for the rest of the year?

I think we’d just like to write and play as much as possible. We’ve started working on new music so ideally we’d like to get another album finished as soon as possible and then move on to some new stuff again. We get quite restless playing the same songs for too long and like to change it up as much as we can. We all like playing live so we’d like to try and play to as many new people in as many new cities as we can. I suppose just play as much music as possible.

Facebook  Soundcloud

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Pip Blom (The Netherlands)

For anyone just discovering you can you give us a quick insight into who you are and where you’re from?

We are Pip Blom, that is my name and the name of the band. My brother, Tender Blom, also plays in the band. He plays guitar and sings, just like me. Then there is Gini Camron who plays the drums and Darek Mercks who plays bass. We all live in Amsterdam.

You seem to be constantly touring – is this hard to maintain and are there any stand out tour memories?

Touring is fun but hard at the same time. When we are at home, doing the jobs that make us a living, we can’t wait to be on the road again. But if we are away too long we miss our loved ones and the peace and quiet of our private bedrooms. Playing in front of enthusiastic audiences makes up for a lot of things though. And we have an app in which we mark all the special places on the road – great shops or petrol stations!

What’s the best thing about playing at festivals?

Playing at festivals can be hard, ‘cause half of the audience doesn’t necessarily come to see you, but trying to conquer those crowds is fun when it all works out. Also, at festivals, you get to meet other bands. Sometimes the bands you know and love, like Sports Team, Personal Trainer or Canshaker Pi.

What should we expect from your set?

An uptempo set full of energy and fun. And maybe some new songs from our upcoming debut Boat which will be released on May 31st.

And what’s on the horizon for the rest of the year?

SXSW, lots of playing in the UK and the rest of Europe, some Dutch festivals and some more club shows in the fall. And maybe going back to the USA…

Facebook  Bandcamp

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Sick Joy (UK)

Can you give us a quick band intro…

Hello, welcome. Sit down, grab a sherry. Indulge. Everything is fleeting. We do songs. If you like lazy musical stereotypes, chances are you’ll liken us to Nirvana.

You played your first Brighton gig back in 2016 with other local favourites Demob Happy and Tigercub – how was that as a debut show and what’s changed for you since then?

As far as I can remember it was good. Since then Brexit was born and Trump became president. But I swear it’s got nothing to do with us. We’re actually on tour with Demob Happy right now so there’s a little serendipity.

Who else on the local scene would you recommend?

Projector, Murmur, Tigercub, Demob Happy. Many.

How does it feel to be on the Great Escape line-up for 2019?

The last two I’ve worked behind a bar for it and that’s fucking awful, so it’s gonna be fun to be drinking the beers instead of pouring them and cleaning up the sick.

And what’s in the pipeline for Sick Joy?

New record, more touring. Survival, both literally and financially. The plight of all bands trying to live.

Facebook  Soundcloud

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Weird Milk (UK)

Introduce us to Weird Milk…

Weird Milk is a band created by Zach, Charlie and Alex a few years ago… man, it feels like an age away. We all come from the countryside outside the wannabe city of Milton Keynes and left the farmyards to write music together in London.

You’ve played with some great bands over the past year (Pip Blom, Thyla, Sports Team to name a few) – any live shows that have stood out?

The most recent shows have stood out a lot because we’ve acquired the irreplaceable talent of Blue (Joe) on the keys, and the sound has got much more oomph/pizzazz.

You were part of the Alternative Escape line-up in 2018 – how was that and did you see much of the rest of the festival?

That was a great show! I can’t remember the name of the pub but it was nice and cosy. We stayed there all day and all night! Really excited to come back.

Why should people come and catch your set this year?

For the chance to leave any anxieties and sorrows at the doors and have fun. There are some nice loving words as well as more serious (attempts of) thought provoking messages. But it’s got good balance to it. We think. Be the judge and come!

And what else should we be looking out for from Weird Milk in 2019?

We will be releasing at least two singles! So if you get curious, do listen, we feel that they’re worth your time. Whoever YOU are. Hey YOU.

Facebook  Soundcloud

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The Great Escape runs from 9th – 11th May in multiple venues across Brighton. You can see the full list of acts confirmed so far here.

Photos reproduced with artists’ permission
(Cocaine Piss © Thierry Tönnes, Nice Biscuit © Jeff Andersen Jnr, Weird Milk © Timothy Casten)

4th March 2019

Rockaway Beach Festival 2019 (Bognor)

Rockaway Beach Festival, Bognor Regis, 11th-13th Jan 2019

Rockaway Beach… almost impossible to say without adding rock, rock beforehand. Fast becoming an established player on the UK festival scene as well as a Ramones classic, Rockaway Beach is now in its fourth year, setting up camp without camping at Butlin’s Bognor Regis. Having moved from its original October slot to January, it’s the perfect antidote to the post Christmas lull and brings a plethora of respected acts and attendees to the south coast resort. For 2019 there were daily big name headliners in Maxïmo Park, Gary Numan and Echo and the Bunnymen, along with a multitude of breakthrough acts (in the real sense, not the awards sense). Clever scheduling meant that there was no crossover in stage times so no need to miss any of the live music. The big plus to this is that every set drew a big crowd; it would be ideal if that hadn’t included a faction who were just there to chat to their friends causing an annoying background hum of conversation. However, on the whole the crowds were more vocal in appreciation rather than small talk and all the artists received a really positive reception from the start to finish of each day, something you don’t tend to see at other festivals, particularly on the early slots. At Rockaway Beach, it’s wise to be there for the openers to avoid missing something special; this year kicked off with pop garage and plenty of high jumps from Rapid Tan on Friday, cool electro from Winter Gardens on Saturday and Squid offering up one of the best sets of the weekend and doubtless winning lots of new support on Sunday. Elsewhere, Algiers gave us industrial gospel and Art Brut (a smart substitution for the now defunct Spring King) brought smiles to everyone’s faces with their own brand of punchy punk and tales to match.

For those looking to take a break or recover from their silent disco exploits, traditional holiday camp entertainment was replaced with film screenings (everything from Quadrophenia to ET), DJ sets from Terry Hall and Steve Lamacq, Q&As with Gary Numan and Will Carruthers and enough arcade games to recreate Toy Story over breakfast.

A tough call with so much to choose from but here are some highlights…

Madonnatron – amongst some class acts on day 1, Madonnatron stood out with a wall of ethereal post punk, if there was a Twin Peaks remake they’d be playing at the Roadhouse.

Maxïmo Park – still playing with the same energy levels they started with over a decade ago, the bands’ love of performing is clear. A touching farewell to keyboard player Lukas Wooller before he heads for sunnier climes in Australia, the whole set, all 90 minutes of it, was a party from beginning to end.

Menace Beach – brilliant pop set over dense synths that just seem to get better with every album, great to see them playing live again.

Squid – with an early kick off and a watermelon on the drum kit, Squid woke up the Sunday crowd beautifully, ordered chaos with a New York vibe.

Yassassin – mid-way through day 3 and a welcome wake up with loads of energy and the still present watermelon finally making its way into the crowd, Yassassin have a lot of fun on stage and it’s contagious.

The Filthy Tongues – stalwarts of the Scottish music scene, think Nick Cave does glam rock replacing the glitter with heavy tunes and a fabulous beard. What more could you ask for?

When the summer festival announcements start to come through there’s always a repetition of acts being booked through the same promoters. This kind of takes the edge off discovering new events only to find virtually the same line up at each one. Again, Rockaway Beach sticks out from the crowd here; it’s clear that this is a festival set up around a love of music to showcase acts old and new with no compromise made on talent or innovation. It also demonstrates without doubt to the bigger players that there’s no problem with booking a diverse range of great performers of different genders and genres (don’t know why this is still a thing in 2019 and even needs a mention but it is so it does).

With The Jesus and Mary Chain already announced to headline in 2020, it looks certain that next year’s line up isn’t going to disappoint; worth bearing in mind if your idea of a perfect festival includes an eclectic mix of live music, rows of indoor deckchairs and a roof over your head that doesn’t involve tent pegs. Until next time…

Keep an eye on the Rockaway Beach website for more details about next year’s event as they unfold

Words and photos by Siobhan

15th January 2019

Willowfest – Make A Wish

Creating a festival with a difference, Mary Long took us behind the scenes at Willowfest to see how a wish became a reality…

‘I have been to a fair number of festivals in my time. I love the sense of freedom, letting the children roam around ‘free-range’ making friends and enjoying the elements, knowing that there is a huge group of like-minded people in the camp-site surrounding us. Our kids joke that there are normal household rules and then there are ‘festival rules’ where everything moves to a different beat and life is just on the whole much more relaxing. Who cares if you have to wait 57 minutes for a halloumi burger, or if you tripped and got covered head to foot in gooey mud, or if you stay awake till 4am then sleep the next day until lunchtime!? It wasn’t until a few weeks ago that I really sat down and contemplated how fortunate I am to be able to spend time at festivals with my children in this way.

My friend Viv sent me a message around the beginning of September to say that Willow, her eldest daughter, had been granted a Wish by the Make-A-Wish Foundation to have her own bespoke festival created in order to celebrate her 16th birthday. Willow is living with Aicardi Syndrome, a rare genetic condition, meaning that her everyday life is a series of multiple seizures, some of which can unexpectedly cause Willow to drop to the ground. Willow is also mainly non-verbal but lights up when listening to her favourite tunes. Viv tried taking Willow to a nearby festival a couple of years ago, but the crowds meant that it all became too much and navigating through to different areas with Willow in her wheelchair was tough going. Viv knew how much Willow would have loved the experience if it could have been more tailored to her needs and this was where the idea for Willowfest was born.

When I saw that message from Viv a few weeks ago it was with a mixture of delight for Willow and nervous trepidation that there was only a time-frame of 6 weeks until the date of the festival. As well as me being a seasoned festival attendee, I also have a number of friends within the business, all of whom metaphorically (and probably literally) ‘spat out their tea’ when I told them that Viv and her Make-A-Wish co-ordinator were going to put on a one day festival for about 200 people … in less than a month and a half’s time.

So from that moment, a frantic scramble towards the festival finish line began. Every bit of respect to Viv, who seemed to unflappably know that it would all come together on the day and that she would be able to provide her eldest daughter with the special, one-of-a-kind, magical experience that she deserved. Viv clearly had a vision of how this was going to work and she stopped at nothing to ensure that all of the festival must-haves were covered. From hand-making (with a little help from some friends) what seemed like miles and miles of gorgeous bunting, to finding the perfect location, to sourcing the best types of festival food and snacks, booking the bands and entertainment and organising set-up and post-festival break-down teams, Make-A-Wish and Viv worked tirelessly to make it happen.

The day before the festival was beautifully bright and sunny and I went across to the venue, a glorious old barn on a country estate usually used for wedding celebrations. When we arrived it looked as if the place was set up for some kind of business conference but again, with Viv’s vision, and lots of helping hands all pulling together, it was soon transformed into the wonderland of Willowfest. A huge main barn, all quirkily and uniquely decorated, 2 quiet/low arousal teepees further away from the main barn for those who might need a break from the hustle and bustle, flags, signposts, a comfy chill-out zone within the main barn. If I didn’t know, I would have said that this was a culmination of at least 6 months’ preparation, not the 6 weeks that had elapsed!

Unfortunately, on the morning of Willowfest, the good spell of weather broke and the forecast for the day ahead looked to be constant, heavy rain. Like every decent festival, the weather certainly didn’t dampen anyone’s spirits and arriving at the festival just after the start time of 2pm, it was clear that there had been a whole lot more preparing going on that morning! Food stalls, a craft marquee (making a miniature model of Willowfest using recycled materials), unlimited candy-floss, popcorn, ice-cream and sweets (‘festival rules’ time for the children – and the adults!), a huge illuminated ‘W’, a dressing up/festival makeover station, glitter stall and so much more, all coming together to create a truly authentic and bespoke festival for Willow.

The birthday girl arrived in style in a stretch limo before coming into the main barn area, rocking her festival style of turquoise faux-fur jacket and gold boots with flashing lights. Initially, Willow looked a little reserved and unsure of what exactly was going on, but once she settled into proceedings and took VIP position front middle of the stage there were smiles and use of sign language to sign ‘party’ and give everything the ‘thumbs up’. As soon as the bands started Willow was lost within the melodies and beats, dancing in her wheelchair non-stop alongside a group of her friends and family. Some of the bands covered a few of Willow’s favourite songs which her sister Ember had been compiling in preparation, playing a selection of songs for Willow to listen to – if it got Willow dancing it made the playlist!

Each of the bands and performers did their best to play their most memorable and crowd-pleasing festival sets. From the opening threesome Alice, Jessica and Kara through to Willowfest headliners Magpie, it was plain to hear that all had given lots of thought and consideration for Willow’s musical preferences. The two solo performers Sheya Lilly and Nye both gave their own spin to a few of Willow’s particular favourites such as George Ezra and Ed Sheeran. Sour Kix (with a 13 year old frontwoman with the poise and confidence of someone twice her age) nailed their set, bringing gifts of cuddly monkey toys for Willow and her friends, and handing out egg-shakers so that everyone could join in when they played Parklife (or as they announced it “one for the parents”). Magpie’s closing set was a resounding, celebratory explosion of a mix of original material and perfectly picked covers. I particularly enjoyed their take on Alice Merton’s No Roots and the moment during their final song Pain by War on Drugs when a silk-fan dancer sprung out of nowhere to gasps of delight. I don’t know whether Willow or the band were more surprised!

At the end of the evening, after an emotional thank you speech from Viv, there were more helping hands all working together to pack this amazing one day wonder away. For me, the stand out moments were the joy of seeing Willow dancing all afternoon long and feeling the love and support pouring out into that space. It’s amazing what friends and family can do for each other, and the Make-A-Wish Foundation enabled everybody to donate time, services and love to make this a truly magical and memorable day. Through Willowfest I learnt that the power of togetherness can achieve amazing results, I learnt never to take for granted all of the things that I am able to do with my children and that at Willowfest, the queue for battered halloumi was a mere 9 minutes.

There are many more children, with similar stories to Willow, whose wishes could be granted through donations to Make-A-Wish. Willow’s story is here where you can still donate to help other wishes come true.’

Words by Mary Long, photos by tonyjupp.com and a big thank you to Viv for letting us share Willow’s story

5th November 2018