Film & Tour Dates – Goat Girl

Goat Girl – The Making of Below The Waste

Goat Girl have shared a new short film about the making of their critically-acclaimed third album Below The Waste, The record was co–produced by the band & John Spud Murphy, and released via Rough Trade Records in June. The film, which offers a glimpse into the behind the scenes making of the album and the thought processes involved, was shot, directed and edited by Reality Breakdown and premiered at last week’s Doc’n Roll Film Festival.

The band will be playing live dates in Edinburgh, Birmingham, Southampton and London later this month – tickets available here.

Check out Goat Girl – The Making of Below The Waste below

Header image © Ella Harris

Feature added by Callum

Published 13th November 2024

Film Review – Still Working 9 to 5

Dreams He’ll Never Take Away: New documentary explores the legacy and impact of 9 to 5

Still Working 9 to 5 is a new documentary from Co-Producers and Co-Directors Camille Hardman and Gary Lane, edited by female editors Oreet Rees and Elisa Bonora. Gary’s twin brother Larry Lane, and Steve Summers who is Dolly’s creative manager, are Executive Producers on the film, which explores the iconic and groundbreaking 1980 film starring Jane Fonda, Lily Tomlin, and Dolly Parton, and Parton’s timeless song. The documentary features a full original cast reunion with Fonda, Tomlin, Parton, and Dabney Coleman, who played the original sexist, egotistical, lying, hypocritical bigot, Mr Hart. It explores the inspiration behind the film and title song, and its lasting impact in culture. The documentary also explores 40 years of the 9 to 5 legacy that dives into the 9 to 5 TV series, interviewing Oscar winner Rita Moreno who played the TV Violet Newstead, as well interviewing Oscar winner Allison Janney who played Violet Newstead in the 2009 Broadway musical of 9 to 5. But what sets this documentary apart from others in terms of its examination of a monumental and groundbreaking film is that, while it does examine the creation and impact of 9 to 5, it places greater focus on not only the impact of the film, but the real-life struggles of women that directly inspired the creation of 9 to 5.

The film perfectly mirrors the 40 years of the working women’s movement and highlights key points where they intersect.  What makes this documentary so powerful and emotive is that while it does explore in depth the film and its conception, Parton’s song, and its subsequent spin-offs, the Lane brothers examine the social climate and movements that gave birth to 9 to 5. In the film, viewers are introduced to the social movements that made 9 to 5 not only possible, but so important for its time. What the Lane brothers accomplish in their documentary is the revelation that 9 to 5 was a direct response to 2nd wave feminism in the States, and the story and much of the character’s experiences in 9 to 5 were directly inspired by the hardships, tribulations, and sexual harassment women in the workforce were facing in late 1970s America.

The documentary encapsulates the progress and setbacks American women face in terms of progress. The filmmakers use 9 to 5’s impact to show how far women have come, but how far they still have to go in terms of equality. The documentary connects 9 to 5 with 2nd and 3rd wave feminism, and highlights how the film 9 to 5, and Parton’s song, are still relevant to women and their struggles for equality today. The film ends with showing the setbacks for women in American culture, such as the failure to pass the Equal Rights Amendment which would have guaranteed equal legal rights for all American citizens regardless of sex, and Hillary Clinton’s loss in the 2016 election, but it also shows the progress American women have made including the 2017 Women’s March, the election of Kamala Harris as the first United States female Vice President, and the hope for equality in all areas of public life for women. The film ends with a rallying cry for more progress to be made, including equal pay and rights for women, and for women to finally break the glass ceiling in American politics.

The documentary features a new version of the classic Parton song, this time performed by she and Kelly Clarkson as a slow, harrowing duet. Parton specifically requested to re-record the song in a new, sombre way, stripping the song of its fast paced, bubble gum pop roots as to show the progress women still have to make in the workforce and Western culture. By ending the film with this new arrangement, it beckons listeners to not give up the good fight and become complacent, but rather continue to fight for the causes that inspired 9 to 5 and its subsequent adaptations.  9 to 5 is still an anthem for women and the progress they have made, but it’s also a bittersweet reminder of the hurdles that women still face in the fight for equality.

While the documentary perfectly examines the film and Parton’s title song, what makes it powerful is that it shows that 9 to 5 transcends film and song, and instead is a women’s movement that is still growing. What Still Working 9 to 5 reveals to its viewers, is that while progress has been made for women in Western society, so much work is yet to be done. Still Working 9 to 5 shows the struggles and triumphs of women in the workforce, and how 9 to 5 was one of the first films to give them a voice and bring attention to their movement to wider audiences. Still Working  9 to 5 serves as a powerful reminder of the ongoing struggle for gender equality and the vital role that music and art play in shaping social movements. It shows that the film and Parton’s song are still symbols of empowerment for women everywhere, connecting the dots between popular culture and the feminist movement in America.

Review by James Reeves

Published 3rd May 2024

IWD 2021 – Tish Murtha Film Kickstarter

I’ve heard people ask, “What’s the point of street or documentary photography, as surely you’re simply taking a photo of what’s in front of you?” It feels like a clear cut case of the answer being in the question. What’s in front of you is a snapshot of real life, as it is at that exact moment in time, never has been before and never will be again, not exactly. I think often that this style of photography really comes into its own over time, when you can look back at an image and see a similar scene in your memories, when it reminds you of the social, economic and even fashion differences between contrasting groups, and when its accuracy makes you smile.

The most effective social documentary imagery comes when the subjects are comfortable with the photographer and the pictures are natural rather than posed. With a keen eye through the lens and an obvious respect for her community, Tish Murtha leaves a beautiful legacy in her pictures documenting the highs and lows of her north-east working class neighbourhood.

Her daughter, Ella, has taken on the task of ensuring that Tish’s work gets the recognition it absolutely deserves, and is working with producer Jen Corcoran  and director Paul Sng on TISH, a feature length documentary celebrating her work. A Kickstarter campaign for this has just launched with a view to production starting in April; the trailer below will give you an idea of how good this promises to be.

The Kickstarter link is here with details of rewards available including tote bags, premiere tickets and limited edition Tish Murtha photo prints and illustrations. There is more information from the press release below.

KICKSTARTER LAUNCHED FOR DOCUMENTARY CELEBRATING PHOTOGRAPHER TISH MURTHA

‘British photographer Tish Murtha’s images of those on the margins of society challenged and documented the inequality faced by working-class communities, and in equal measures celebrated what it means to be working-class. Unlike many social documentary photographers, Tish was from the same streets as the people she photographed, lending a poignant intimacy to her stark yet tender black and white images. However, despite early acclaim for her work and undeniable talent, she struggled to make a living from photography and lived in poverty until her death at the age of 56.

Tish’s brilliant eye, unswerving ethics and constant empathy are present in her photographs, yet little is known of the artist herself. In this new feature documentary, Ella sets out to uncover why her mother’s work wasn’t fully appreciated in her lifetime, through unseen archive materials, personal notebooks, correspondence, and interviews with the people who knew her. By digging into the past, will Ella come to terms with her own grief at her mother’s passing?

Ella, who also runs the Tish Murtha Archive, says, “We are living through incredibly divided times, where working-class people have been manipulated, just like the class warfare that my mam warned about in the essay for her exhibition Youth Unemployment. There has never been a more relevant time to go back, meet the people from these photos and really try to understand how their generation were exploited and devalued. I want to make an honest, celebratory film about my mam and her life, and hope it will be moving, tender and also uplifting. I’d like people to know who Tish Murtha was and for her character to jump out of the screen the way her photos do. She was an incredible woman: determined, kind and fierce, but also incredibly sensitive. She had to learn to be tough from a very young age and fight for everything; she was extremely principled, always stood up to bullies and was frequently labelled ‘difficult’. But Tish was a beautiful, simple soul and I wouldn’t want to come from any other womb.”

TISH will be produced by Jen Corcoran through her Teesside-based company Freya Films and Paul Sng’s Velvet Joy Productions.’

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Please, if you are able, consider contributing to this project or sharing the link. Tish Murtha was an extraordinarily talented photographer and we’re very happy to be able to include her in our International Women’s Day features. What’s the point of street photography? Take a look at the Tish Murtha website here for your answer, and follow the film’s progress on Twitter and Instagram.

Words by Siobhan (excluding press release excerpt)

The rest of our IWD 2021 series can be viewed here

8th March 2021